Clare Leighton was one of the most prolific and highly regarded wood engravers of her time, leaving behind a body of work that reflected her rural life in Britain and North America. During the 1930s, as the world around her became increasingly technological, industrial, and urban, Leighton portrayed rural men and women and the ancient methods they used to work the land that would soon vanish forever. Her two best-loved publications, The Farmer’s Year and Four Hedges, reflect this passion for the British countryside. Less well known are her books illustrating and describing rural life in the United States of America, where she emigrated and became a naturalized citizen in 1945, including Southern Harvest and Where Land Meets Sea: The Tide Line of Cape Cod. Leighton also spent time in Canada with the logging community, winning the respect of Canadian lumberjacks by adopting their way of life. Her wood engravings depicting lumberjacks in the snow-covered forests of Canada are some of her most evocative prints. This lavish anthology includes beautifully reproduced extracts and a detailed introduction to the artist’s life and work, reflecting Leighton’s lifelong fascination with the virtues of the countryside and the people who worked the land.

Clare Leighton was one of the finest engravers of the twentieth century. In the 1930s, when she settled in the countryside with her long-term partner, the political journalist Henry Noel Brailsford, she turned her creativity to the land. Gardening became her passion. Her obsession. This is the story of the garden she carved from meadowland deep in the Chiltern Hills. 'Phrases and images fill you with delight . . . This is the most honest writing I've ever read '--Carol Klein.

Assembled here are seventy-eight stories from six of the "ballad-singingest, tale-tellingest" residents of the eastern Kentucky mountain country. Based on stories rooted in European traditions from German fairy tales to Irish hero stories to Greek myths, the tales had been handed down through generations of telling before Marie Campbell collected them in the late 1920s and early 1930s. Readers will recognize the story of Snow White in "A Stepchild That Was Treated Mighty Bad," while "Three Shirts and a Golden Finger Ring" recalls the fairy tale of the Seven Swans. "The Fellow That Married A Dozen Times" is a lively rendition of "Bluebeard." As the narrators cautioned Marie Campbell again and again, "Tale-telling is nigh about faded out in the mountain country," but "Tales from the Cloud Walking Country" offers a lasting record of history, cultural heritage, language, and good old-fashioned fun.