Tokens are underutilised artefacts from the ancient world, but as everyday objects they were key in mediating human interactions. This book provides an accessible introduction to tokens from Roman Italy. It explores their role in the creation of imperial imagery, as well as what they can reveal about the numerous identities that existed in different communities within Rome and Ostia. It is clear that tokens carried imagery that was connected to the emotions and experiences of different festivals, and that they were designed to act upon their users to provoke particular reactions. Tokens bear many similarities to ancient Roman currency, but also possess important differences. The tokens of Roman Italy were objects used by a wide variety of groups for particular events or moments in time; their designs reveal experiences and individuals otherwise lost to history. This title is also available as Open Access on Cambridge Core.

This unique book provides the student of Roman history with an accessible and detailed introduction to Roman and provincial coinage in the late Republic and early Empire in the context of current historical themes and debates. Almost two hundred different coins are illustrated at double life size, with each described in detail, and technical Latin and numismatic terms are explained. Chapters are arranged chronologically, allowing students to quickly identify material relevant to Julius Caesar, the second triumvirate, the relationship between Antony and Cleopatra, and the Principate of Augustus. Iconography, archaeological contexts, and the economy are clearly presented. A diverse array of material is brought together in a single volume to challenge and enhance our understanding of the transition from Republic to Empire.

This book explores how deities were used to communicate and negotiate imperial power under the Severan dynasty (AD 193-235). Septimius Severus connected his reign to the divine support of Liber Pater and Hercules, while Caracalla placed a particular emphasis on the gods Apollo, Aesculapius and Sarapis. Elagabalus' reign was characterised by the worship of the Emesene deity Elagabal, which resulted in a renewed emphasis on the cult of Jupiter under Severus Alexander. Numismatic evidence is reintegrated into the wider material culture of the Severan period in order to bring new insights into the use of the divine in this period, as well as the role played by the provinces in the formation and reception of this ideology. By taking a dynastic approach, this book demonstrates the dynamic nature of the imperial public image and the complex dialogue that existed between Rome and the wider Empire in this period.

This unique book provides the student of Roman history with an accessible and detailed introduction to Roman and provincial coinage in the late Republic and early Empire in the context of current historical themes and debates. Almost two hundred different coins are illustrated at double life size, with each described in detail, and technical Latin and numismatic terms are explained. Chapters are arranged chronologically, allowing students to quickly identify material relevant to Julius Caesar, the second triumvirate, the relationship between Antony and Cleopatra, and the Principate of Augustus. Iconography, archaeological contexts, and the economy are clearly presented. A diverse array of material is brought together in a single volume to challenge and enhance our understanding of the transition from Republic to Empire.

This bilingual volume presents a series of case studies exploring the ways in which different objects from the ancient world changed in both meaning and value over time. The contributions range in focus from the Neolithic until the medieval period, and interpret the material from a theoretical, interdisciplinary perspective. The case studies examine how objects represent, embody and affect particular values, illuminating the relationship between humans, societies and objects, as well as the role of the material in everyday life. 10 essays in English, 3 in German.

Tokens are underutilised artefacts from the ancient world, but as everyday objects they were key in mediating human interactions. This book provides an accessible introduction to tokens from Roman Italy. It explores their role in the creation of imperial imagery, as well as what they can reveal about the numerous identities that existed in different communities within Rome and Ostia. It is clear that tokens carried imagery that was connected to the emotions and experiences of different festivals, and that they were designed to act upon their users to provoke particular reactions. Tokens bear many similarities to ancient Roman currency, but also possess important differences. The tokens of Roman Italy were objects used by a wide variety of groups for particular events or moments in time; their designs reveal experiences and individuals otherwise lost to history. This title is also available as Open Access on Cambridge Core.