'Until now, there has been little authoritative and practical information about this issue. So it is a great relief to welcome The Royal Marsden Cancer Cookbook.' Sarah Stacey, You Magazine 'The Royal Marsden Cancer Cookbook is an attractive and accomplished project that combines artistic flair and scientific material, and aims to provide helpful advice and recipes for those undergoing cancer treatment.' Jules Morgan, The Lancet Oncology One in three people will be diagnosed with cancer. such news is life changing, and brings with it many psychological, emotional and physical challenges, including changes in body weight, appetite and the ability to taste and swallow, as well as alterations in the way your digestive system works. The Royal Marsden Cancer Cookbook explores the foods that will support and nourish you during this time and offers more than 150 delicious, healthy recipes divided into 'During Treatment' (dishes with more energy and in a form that is easier to eat) and 'After Treatment' (healthy options that encourage a balanced diet). There are also masses of inspirational ideas, variations and tips. All the recipes have been reviewed and analysed by Dr Clare Shaw PhD RD, Consultant Dietician at The Royal Marsden, a world-leading cancer centre specialising in diagnosis, treatment, care, education and research. They are designed for all the family - asa well as friends - to share, so you don't have to cook individual meals, thus easing stress and saving you time and money. The recipes include contributions from top chefs and food writers, including Mary Berry, Nigella Lawson, Ruth Rogers, Rick Stein, Liz Earle, Gwyneth Paltrow, Raymond Blanc and Prue Leith, among others. Positive, healthy eating is acknowledged to be invaluable in helping people to remain physically and mentally strong. The Royal Marsden Cancer Cookbook aims to make cooking easy and enjoyable, as well as providing helpful advice and support.

Clare Shaw's fourth collection Towards a General Theory of Love shows that poetry can say as much as about who we are - and especially how we feel - as psychology. They also feed each other. Harry Harlow's famous experiments on baby monkeys changed the course of psychology. They proved that we need care, contact and love - and they inflicted profound and lasting suffering on their subjects. Clare Shaw's poems in Towards a General Theory of Love are driven by the same furious need to understand the experience of love and its absence. Harlow's findings, attachment theory, mythology and art are set alongside stories of attraction, grief and desire. The book is inhabited by the character of Monkey, who shows by example how early attachments and trauma may shape us, but how ultimately the individual - like the reader - will come to realise her, his or their own general theory and practice of love.

"Straight Ahead" is Clare Shaw's first collection. Firmly located in the social and physical landscape of northern England, the poems capture intimacy, loss, fragmentation and delight - being alive in all its colours. The book follows the trajectory of a life through childhood, breakdown and love, recording on the way the million sufferings and hopes of everyday life. The poems move rapidly between contrasting experiences and emotions, from violence to madness, yet are held together by Clare Shaw's ever-present love of language, her celebration of sound, rhythm and imagery. These are poems which are - like the lives and the landscapes they record - by turn harsh and tender, humorous and bleak. Dynamic, darkly humorous, and exactingly detailed, they invite the reader into a rich and complex world.

From the direct trajectory of her first collection, Straight Ahead, Clare Shaw's second collection Head On turns an unflinching gaze into startling new territories. Structured by interweaving themes of political and personal conflict, the book begins and ends with the recurrent necessity of speaking out. And this is a book which speaks in equal measures, in precise and uncompromising language, about love and tenderness; violence and brutality. Clare Shaw writes to speak to the world. But first and foremost she speaks directly to the reader, through words which shock, engage, disturb and delight. This is a book which - in its content and its impact - sets out to establish and to challenge the limits of language. Exploring with unflinching focus and intent some of her darkest territory yet - but returning, as always, to the light - she offers us a furious but ultimately hopeful exploration of the world as she lives it.

The territory of Clare Shaw's third collection isn't one she chose herself, but one which chose her: the flooded valley and the ruined home. The 2015 floods in Britain left whole swathes of the country submerged, including her home town. Flood offers an eye-witness account of those events, from rainfall to rescue, but ripples out from there. Intimately interwoven with the breakdown of a relationship, flooding serves as a powerful metaphor for wider experiences of loss, destruction and recovery. Testifying equally to the forces that destroy us and save us, flood runs through the book in different forms - bereavement and trauma, the Savile scandal, life in an asylum. Yet ultimately, this is a story of one life as it is unravelled and rebuilt, written from the heart and from the North, in a language as dangerous and sustaining as water.