'The best single work of science fiction yet written' Ursula K. Le Guin The dystopian masterwork that inspired George Orwell's Nineteen Eighty-Four, We depicts a futuristic totalitarian society, 'OneState', where humans have become numbers. Suppressed in Russia for decades, it is a chilling vision of a world enslaved by technology. 'Zamyatin's parable looked forward to climate change and surveillance culture ... to peer into its future is to see modernity's reflection gazing darkly back' Economist

A superb new translation of the classic dystopian novel Set in the twenty-sixth century AD, Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful 'Benefactor'. Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration - a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.

Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture. 'Armenia brought him back to his true self, a self depending on the "inner ear" which could never play a poet false. There was everything congenial to him in this country of red and ochre landscape, ancient churches, and resonant pottery.' (Henry Gifford). Conversation about Dante, Mandelstam's incomparable apologia for poetic freedom and challenge to the Bolshevik establishment, was dictated by the poet to his wife, Nadezhda Mandelstam, in 1934-35, during the last phase of his itinerant life. It has close ties to the Journey.

Clarence Brown's marvelous collection introduces readers to the most resonant voices of twentieth-century Russia. It includes stories by Chekhov, Gorky, Bunin, Zamyatin, Babel, Nabokov, Solzhenitsyn, and Voinovich; excerpts from Andrei Bely's Petersburg, Mikhail Bulgakov's The Master and Margarita, Boris Pasternak's Dr. Zhivago, and Sasha Solokov's A School for Fools; the complete text of Yuri Olesha's 1927 masterpiece Envy; and poetry by Alexander Blok, Anna Akhmatova, and Osip Mandelstam.

The Portorose By James T. Shotwell. An Account Of The Portorose Conference, By The American Observer, Clarence Browning Smith. Protocols And Agreements Concluded At The Porotorose Conference, November, 1921. Agreement Concerning Passports And Visas Concluded At Graz, January 27, 1922.

Full Title: "Horatio C. Creith, Plaintiff vs. Toledo, St. Louis & Western Railroad Company, Defendant"Description: "The Making of the Modern Law: Trials, 1600-1926" collection provides descriptions of the major trials from over 300 years, with official trial documents, unofficially published accounts of the trials, briefs and arguments and more. Readers can delve into sensational trials as well as those precedent-setting trials associated with key constitutional and historical issues and discover, including the Amistad Slavery case, the Dred Scott case and Scopes "monkey" trial."Trials" provides unfiltered narrative into the lives of the trial participants as well as everyday people, providing an unparalleled source for the historical study of sex, gender, class, marriage and divorce.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++112Northern District of OhioCourt RecordNew York City Barc.1915

Distributed by the University of Nebraska Press for Whale and Star Press Modernist Archaist offers a comprehensive English-language selection of Osip Mandelstam's poetry, edited by Russian scholar Kevin M. F. Platt, who also contributes an illuminating essay. New translations by notable contemporary poets combined with an exceptional selection of previous translations are representative of the most up-to-date interpretation of Mandelstam's work. Osip Mandelstam (1891-1938), one of the most significant poets of twentieth-century Russian literature, also embodied more fully than any other its profound paradoxes. He was a Jew born in Poland who became a leading Russian poet. He was a committed Modernist who was nevertheless faithful to the great examples and strict forms of the past literary tradition. Most strikingly, he was a rebel and radical thinker who was ultimately hounded to death as an "enemy" of the revolutionary Soviet society. Yet while Mandelstam's poetry bore witness to the convulsions of twentieth-century Russian culture and politics, it was by no means limited or defined by these historical contexts. In an early statement of his creative credo Mandelstam wrote: "for an artist, a worldview is a tool or a means, like a hammer in the hands of a mason, and the only reality is the work of art itself." The poems offered in this volume, about half of them appearing in previously unpublished translations, present an overview of Mandelstam's major works. Introductory materials include an essay on his life and poetry.