In the 41st Century, renegade scientist Duran Duran (Milo O'Shea) threatens the peace when he develops a deadly positronic ray. Scantily-clad astronaut Barbarella (Jane Fonda) is dispatched to deal with the problem, and along the way she meets a blind angel, partakes of the essence of man, has her clothes eaten away by razor-toothed robot dolls, and falls into a hair-raising encounter with the hapless revolutionary Dildano (David Hemmings). Roger Vadim directs his then wife Fonda in this beautiful slice of space-age kitsch.

Jean Renoir's classic prison escape movie, often seen as a humane and pacifist indictment of war, offers an ambiguous perspective on class differences. In a WWI German prisoner-of-war camp, three French soldiers, working-class Lieutenant Marechal (Jean Gabin), middle-class Jew Rosenthal (Marcel Dalio) and aristocratic senior officer Captain de Boieldieu (Pierre Fresnay), are held prisoner by Commandant Von Rauffenstein (Erich von Stroheim). The film shows how a bond of sympathy exists more between the German Commandant and the senior French officer than between the three Frenchman of different classes. Even though de Boieldieu sacrifices himself for the two others to escape, the film makes no attempt to conceal what they are returning to once their role as war heroes is over.