Religious and atheistic belief are presented anew in a volume of essays from leading phenomenologists in both France and the UK. Atheism, often presented as the negation of religious belief, is here engaged with from a phenomenologically informed notion of experience. The focus on experience, sparks new debates in readings of belief, faith and atheism as they relate to and complicate each other. What unites the contributors is their relationship to phenomenology as it has developed in France in the wake of Heidegger and Husserl. Leading French intellectuals from this context, Jean-Luc Nancy, Quentin Meillassoux, and Catherine Malabou, amongst others, contribute arresting ideas on atheistic faith, the death of God, and anarchic faith, opening up new areas of understanding in a field whose parameters and core concepts are ever shifting. Revealing the extent to which religious and atheistic belief must be seen to influence, and on a fundamental level, to co-create one another, the pluralistic society in which religious belief is counted as one option amongst many is given primacy. The fact that religious faith has become not only optional but also, in many contexts, strangely alienated from society, deeply modifies the experience of the believer as much as that of the non-believer. A focus on ‘experience’, over and above ‘belief’, moves us towards a mode of experiential knowledge which refuses to privilege the atheistic believer and deride the reality of religious belief.

Traditional narrative structure hit a wall--or rather it hit the glass of a kaleidoscope--in the 1990s, when art began to function as a kind of editing table on which daily reality could be remixed and recreated. Narrativity considers the importance of new narrative modes, looking not only at the visual arts but at contemporary literature and film, and the mutual influences between them. It tackles the question of narration--its ruptures and mutations--in an age of media culture and video games, where the ludic and interactive principle is an important element. Through reflections on time, duration and temporal protocols, which have taken on major aesthetic stakes, it seeks to reaffirm that the work of art is an "event" before being a monument or a mere testimony--an event which constitutes an experience. And, not least, it considers the artistic games and gambles allowed and forced by all this change.

"A genuinely innovative contribution to philosophical accounts of subjectivity and temporality. Romano develops what he calls an 'evential hermeneutics' that takes as its starting point the life-changing events that upend our world. He studies the structure of these events in terms of the genuine change and novelty that they open up, distinguishing them from mere occurrences, which can be explained as a subject realizing pre-existing possibilities. Because such events introduce radically new possibilities by transforming me and my world, Romano argues that they must be understood as establishing a world rather than as happening in the world."-Shane Mackinlay, Catholic Theological College, University of Divinity, Melbourne

“A genuinely innovative contribution to philosophical accounts of subjectivity and temporality. Romano develops what he calls an ‘evential hermeneutics’ that takes as its starting point the life-changing events that upend our world. He studies the structure of these events in terms of the genuine change and novelty that they open up, distinguishing them from mere occurrences, which can be explained as a subject realizing pre-existing possibilities. Because such events introduce radically new possibilities by transforming me and my world, Romano argues that they must be understood as establishing a world rather than as happening in the world.”—Shane Mackinlay, Catholic Theological College, University of Divinity, Melbourne

The world into which we are born as the horizon of all our behavior is a world both of things and of events. But what are events? Though familiar to all of us, they are philosophically obscure. However central they may be to the question of being in Western thought, from Aristotle to Heidegger, events have always been assigned a derivative status, indeterminate, at the margins of philosophy. Claude Romano seeks to change all that, to describe precisely what sort of phenomenon an event is and to establish how it can be grasped via a phenomenology. He seeks, above all, to understand a human being as one to whom events can occur, who is able to face them and to appropriate them through experience. “Evential hermeneutics” is the name he gives this approach, which conceives human being as an undergoing of events for which there can be no substitution and as thereby becoming himself. Romano at once forces us to think human existence—or rather, human adventure—in the light of events and helps us understand how and why the event has been neglected in the ontological tradition.

Religious and atheistic belief are presented anew in a volume of essays from leading phenomenologists in both France and the UK. Atheism, often presented as the negation of religious belief, is here engaged with from a phenomenologically informed notion of experience. The focus on experience, sparks new debates in readings of belief, faith and atheism as they relate to and complicate each other. What unites the contributors is their relationship to phenomenology as it has developed in France in the wake of Heidegger and Husserl. Leading French intellectuals from this context, Jean-Luc Nancy, Quentin Meillassoux, and Catherine Malabou, amongst others, contribute arresting ideas on atheistic faith, the death of God, and anarchic faith, opening up new areas of understanding in a field whose parameters and core concepts are ever shifting. Revealing the extent to which religious and atheistic belief must be seen to influence, and on a fundamental level, to co-create one another, the pluralistic society in which religious belief is counted as one option amongst many is given primacy. The fact that religious faith has become not only optional but also, in many contexts, strangely alienated from society, deeply modifies the experience of the believer as much as that of the non-believer. A focus on 'experience', over and above 'belief', moves us towards a mode of experiential knowledge which refuses to privilege the atheistic believer and deride the reality of religious belief.