This book brings together textual commentaries in English and Portuguese on thirty representative works of literature in Portuguese - either complete poems or extracts from longer works.

An essential chronological framework for students of Portuguese literature. This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some ofthe most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment. STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford. CONTRIBUTORS: Vanda Anastacio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier,Luis Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Claudia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.

An essential chronological framework for students of Portuguese literature. This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some ofthe most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment. STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford. CONTRIBUTORS: Vanda Anastacio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier,Luis Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Claudia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.

The present volume features an array of essays on some of Lidia Jorge's best-known fiction. Special attention is devoted here to A Costa dos Murmurios, undoubtedly her most celebrated novel at home and abroad. The importance of its central theme-a personal recollection of colonial wartime in Mozambique that engages in dialogue with the highly fictionalized account featured at the outset of the book-would amply suffice to justify the interest it has elicited. But the original treatment which Lidia Jorge affords to her chosen theme enables her to problematize a wide range of issues close to the heart of modern readers (be they Portuguese or not), including personal and collective identity, memory, history, language, and representation itself. Here in the present volume, this novel is the focus of three pieces that develop incisive and insightful parameters of analysis focusing on the role of memory and the portrayal of women to cast a new light on this seminal text.

This collection brings together textual commentaries on thirty representative works of literature in Portuguese either complete poems or extracts from longer works ranging from the medieval lyric of the 13th century, through the poetry and drama of the Portuguese Renaissance, the great Realist novels of the nineteenth century, early twentieth century Modernism and post-1974 writings through to the present day, while also including examples of 19th- and 20th- century Brazilian literature. The authors chosen poets, dramatists and novelists are generally regarded as iconic writers, and the three most famous canonical Portuguese authors (Luis de Camoes, Fernando Pessoa, Jose Saramago) are featured, but the texts selected for commentary strike a balance between a focus on well-known and lesser-studied works. All the primary texts are reproduced in Portuguese, sometimes in original editions, with English translations added for the majority. The contributors variously explicate and contextualise the works they present, some focusing on hidden meaning, others on philological aspects of editing, others on their historical, intellectual and philosophical context, and others still on the process of translation itself. All, however, aim to develop the art of reading, for the benefit of scholars and students alike. Stephen Parkinson and Claudia Pazos Alonso are members of the Sub-Faculty of Portuguese at Oxford University, and editors of the Companion to Portuguese Literature (Tamesis, 2009)."