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Classic graffiti lettering and experimental typographical forms lie
at the heart of street culture and have long inspired designers in
many different fields. But graffiti artists, who tend to paint the
same letters of their tag again and again, rarely design complete
alphabets. Claudia Walde has spent over two years collecting
alphabets by 154 artists from 30 countries with a view to showing
the many different styles and approaches to lettering within the
graffiti and street art cultures. All of the artists have roots in
graffiti. Some are world renowned such as 123 Klan (Canada),
Faith47 (South Africa) and Hera (Germany); others are lesser known
or only now starting to emerge. Each artist received the same
brief: to design all 26 letters of the Latin alphabet within the
limits of a single page of the book. How they approached this task
and selected the media with which to express their ideas was
entirely up to them. The results are a fascinating insight into the
creative process.
MadC: Street to Canvas is the first monograph on the world-renowned
contemporary artist and muralist MadC (Claudia Walde), whose
practice moves dynamically between the street and the studio to
capture the energy of painting and test the heights of its
possibility. For more than two decades - from her beginnings in the
1990s as a graffiti artist in the local scene of Bautzen in east
Germany to largescale public murals on an international level -
MadC has captivated global audiences with her distinctive style,
characterised by abstract compositions of bold, sweeping lines and
transparent layers of vivid colours. Writer and curator Luisa Heese
charts the artist's career, exploring MadC's immense body of work
in locations across more than 35 countries. Over 200 artworks and
personal photographs illustrate the book, showcasing her unique use
of colour and the spontaneous movement of lines produced by spray
cans and brushstrokes. From street to canvas, MadC adorns each
surface with a vivacity that surpasses cultural barriers.
Traversing private and public spaces, her work constantly blurs the
lines between street art and fine art. What is revealed is the
potential for art to be an inclusive and universal language to
connect and inspire people and communities around the world.
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