Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Claudian was one of the last great Latin poets of the classical tradition, writing at the imperial court in Milan in the late fourth to early fifth century AD. With the current upsurge of research into late antiquity, he is a figure of great interest who has been undeservedly neglected - a creative artist with an immense knowledge of classical literature and a distinctive literary style. His works have been mined for what they reveal about the history of the period, as he largely wrote political propaganda for members of the court circle; but the De Raptu Proserpinae is fascinating in that it shows him working with subject matter of more personal choice. J. B. Hall has already produced two editions of the work, which deal exhaustively with the complicated manuscript traditions; but he self-confessedly leaves aside literary questions, which are the subject of this commentary. This is therefore the first study to look at the poem as a work of literary interest in its own right. The book includes a text designed to simplify Hall's apparatus, and a facing translation to make the work more accessible to non-specialists.

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Claudian is often called the last poet of the classical tradition. This is the first ever English edition of his last extant work, with a full introduction, newly edited text, facing English translation, and commentary. It shows Claudian at the height of his considerable powers. A superb example of the literature of late antiquity, it records in exquisite and glittering verse the splendour of the western imperial court; but it is also a unique historical witness to the events and attitudes of the last years of the Roman empire. The poem celebrates the defeat of Alaric the Visigoth's first invasion of Italy (AD 402), and, ironically, predicts that he will never trouble the Romans again. Only a few years later (in 410), Alaric went on to capture Rome itself - the first capture of the city by a foreign army in eight centuries - shaking the ancient world's perception of Rome's imperial destiny to the foundations. This book provides a detailed analysis not only of the historical background but above all of Claudian's language, style, imagery, and impressive use of a wide range of other Greek and Latin sources.

An exhaustive study of Claudian's unfinished mythological epic, with a text, apparatus criticus, and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus, though very full, is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general, it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest.

Claudius Claudianus, Latin poet of great affairs, flourished during the joint reigns (3945 CE onwards) of the brothers Honorius (Emperor in the West) and Arcadius (in the East). Apparently a native of Greek Alexandria in Egypt, he was, to judge by his name, of Roman descent, though his first writings were in Greek, and his pure Latin may have been learned by him as a foreign language. About 395 CE he moved to Italy (Milan and Rome) and though really a pagan, became a professional court-poet composing for Christian rulers works which give us important knowledge of Honorius's time.

A panegyric on the brothers Probinus and Olybrius (consuls together in 395) was followed during ten years by other poems (mostly epics in hexameters): in praise of consulships of Honorius (395, 398, 404 CE); against the Byzantine ministers Rufinus (396) and Eutropius (399); in praise of the consulship (400) of Stilicho (Honorius's guardian, general, and minister); in praise of Stilicho's wife Serena; mixed metres on the marriage of Honorius to their daughter Maria; on the war with the rebel Gildo in Africa (398); on the Getic or Gothic war (402); on Stilicho's success against the Goth Alaric (403); on the consulship of Manlius Theodorus (399); and on the wedding of Palladius and Celerina. Less important are non-official poems such as the three books of a mythological epic on the Rape of Proserpina, unfinished as was also a Battle of Giants (in Greek). Noteworthy are Phoenix, Senex Veronensis, elegiac prefaces, and the epistles, epigrams, and idylls.

Through the patronage of Stilicho or through Serena, Claudius in 404 married well in Africa and was granted a statue in Rome. Nothing is known of him after 404. In his poetry are true poetic as well as rhetorical skill, command of language, polished style, diversity, vigour, satire, dignity, bombast, artificiality, flattery, and other virtues and faults of the earlier 'silver' age in Latin.

The Loeb Classical Library edition of Claudian is in two volumes.

Claudius Claudianus, Latin poet of great affairs, flourished during the joint reigns (3945 CE onwards) of the brothers Honorius (Emperor in the West) and Arcadius (in the East). Apparently a native of Greek Alexandria in Egypt, he was, to judge by his name, of Roman descent, though his first writings were in Greek, and his pure Latin may have been learned by him as a foreign language. About 395 CE he moved to Italy (Milan and Rome) and though really a pagan, became a professional court-poet composing for Christian rulers works which give us important knowledge of Honorius's time.

A panegyric on the brothers Probinus and Olybrius (consuls together in 395) was followed during ten years by other poems (mostly epics in hexameters): in praise of consulships of Honorius (395, 398, 404 CE); against the Byzantine ministers Rufinus (396) and Eutropius (399); in praise of the consulship (400) of Stilicho (Honorius's guardian, general, and minister); in praise of Stilicho's wife Serena; mixed metres on the marriage of Honorius to their daughter Maria; on the war with the rebel Gildo in Africa (398); on the Getic or Gothic war (402); on Stilicho's success against the Goth Alaric (403); on the consulship of Manlius Theodorus (399); and on the wedding of Palladius and Celerina. Less important are non-official poems such as the three books of a mythological epic on the Rape of Proserpina, unfinished as was also a Battle of Giants (in Greek). Noteworthy are Phoenix, Senex Veronensis, elegiac prefaces, and the epistles, epigrams, and idylls.

Through the patronage of Stilicho or through Serena, Claudius in 404 married well in Africa and was granted a statue in Rome. Nothing is known of him after 404. In his poetry are true poetic as well as rhetorical skill, command of language, polished style, diversity, vigour, satire, dignity, bombast, artificiality, flattery, and other virtues and faults of the earlier 'silver' age in Latin.

The Loeb Classical Library edition of Claudian is in two volumes.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.