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Throughout Egypt's long history, pottery sherds and flakes of limestone were commonly used for drawings and short-form texts in a number of languages. These objects are conventionally called ostraca, and thousands of them have been and continue to be discovered. This volume highlights some of the methodologies that have been developed for analyzing the archaeological contexts, material aspects, and textual peculiarities of ostraca.
A comprehensive edition and commentary of 77 ostraka Ostraka in the Collection of New York University is a comprehensive edition and commentary of 77 ostraka, or potsherds with ancient texts written on them, from Greco-Roman and late antique Egypt. Seventy-two of these ostraca are housed in NYU Special Collections, originally purchased by Caspar Kraemer in 1932, then the chair of the NYU Classics Department. Although Kraemer advertised the imminent publication of the texts in 1934 and later collaborated with the famed papyrologist Herbert Youtie, neither completed the project. The ostraka in this small collection span the 2nd century BCE to the 8th century CE and include both Greek and Coptic texts. The majority, however, form a coherent dossier of tax receipts related to mortuary activities in Upper Egypt during the reign of Augustus (texts 7-70, dated from roughly the last quarter of the 1st century BCE to 12 CE). The five ostraka published in this volume not held by NYU include one that had been part of Kraemer's original purchase but was subsequently lost (thankfully preserved in a photograph in Youtie's archive at the University of Michigan), and four ostraka now held by the Los Angeles County Museum of Art. The latter four texts were purchased separately and published previously, but clearly belong to the same group of texts. They are included in this volume both for the sake of completeness and because the present authors were able to improve the readings in light of the context provided by the dossier as a whole. In addition to the scholarly edition of these texts, the volume contains a full discussion of their provenance, the taxes involved, the taxpayers and tax-collectors, and a ceramological analysis of the sherds as media for these texts. The book will be of interest primarily to specialists in papyrology and scholars who study the economic history of the ancient Mediterranean, Hellenistic Egypt, the Roman empire, and papyrology.
A comprehensive archaeological study of the ceramic finds from a house in Amheida The House of Serenos: Part I: The Pottery (Amheida V) is a comprehensive full-color catalog and analysis of the ceramic finds from the late antique house of a local notable and adjacent streets in Amheida. It is the fifth book in the Amheida series. Amheida is located in the western part of the Dakhla oasis, 3.5 km south of the medieval town of El-Qasr. Known in Hellenistic and Roman times as Trimithis, Amheida became a polis by 304 CE and was a major administrative center of the western part of the oasis for the whole of the fourth century. The home's owner was one Serenos, a member of the municipal elite and a Trimithis city councillor, as we know from documents found in the house. His house is particularly well preserved with respect to floor plan, relationship to the contemporary urban topography, and decoration, including domestic display spaces plastered and painted with subjects drawn from Greek mythology and scenes depicting the family that owned the house. The archaeology from the site also reveals the ways in which the urban space changed over time, as Serenos's house was built over and expanded into some previously public spaces. The house was probably abandoned around or soon after 370 CE. The pottery analyzed in this volume helps to refine the relationship of the archaeological layers belonging to the elite house and the layers below it; it also sheds light on the domestic and economic life of the household and region, from cooking and dining to the management of a complex agricultural economy in which ceramics were the most common form of container for basic commodities. The book will be of interest to specialists interested in ceramology, Roman Egypt, and the material culture, social history, and economy of late antiquity.
This archaeological report provides a comprehensive study of the excavations carried out at Amheida House B2 in Egypt's Dakhleh Oasis between 2005 and 2007, followed by three study seasons between 2008 and 2010. The excavations at Amheida in Egypt's western desert, begun in 2001 under the aegis of Columbia University and sponsored by NYU since 2008, are investigating all aspects of social life and material culture at the administrative center of ancient Trimithis. The excavations so far have focused on three areas of this very large site: a centrally located upper-class fourth-century AD house with wall paintings, an adjoining school, and underlying remains of a Roman bath complex; a more modest house of the third century; and the temple hill, with remains of the Temple of Thoth built in the first century AD and of earlier structures. Architectural conservation has protected and partly restored two standing funerary monuments, a mud-brick pyramid and a tower tomb, both of the Roman period. This is the second volume of ostraka from the excavations Amheida (ancient Trimithis) in Egypt. It adds 491 items to the growing corpus of primary texts from the site. In addition to the catalog, the introductory sections make important contributions to understanding the role of textual practice in the life of a pre-modern small town. Issues addressed include tenancy, the administration of water, governance, the identification of individuals in the archaeological record, the management of estates, personal handwriting, and the uses of personal names. Additionally, the chapter "Ceramic Fabrics and Shapes” by Clementina Caputo breaks new ground in the treatment of these inscribed shards as both written text and physical object. This volume will be of interest to specialists in Roman-period Egypt as well as to scholars of literacy and writing in the ancient world and elsewhere.
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