The unearthing of authentic celluloid acetate stencils, a project undertaken by Long Island tattoo shopowner and memorabilia collector Cliff White, continues. In this compilation, thousands more artifacts emerge from "deeper inside the trunk" and expose a sprawling collection from the late '50s and early '60s. These facsimiles, represented in their original color and tone, include timeless designs such as anchors and panthers; famous cartoon characters; wizards, unicorns, and leprechauns; cultural and historical symbols, from Marine Corps logos to Asian designs; and hundreds of other styles too numerous to mention here. Marks of original artists shine through in the leaves of this volume, revealing the etchings of rough craftsmen of a half century ago and evoking stories of weathered sailors and hardscrabble New Yorkers that veteran and young tattooists will appreciate. Fans of scrimshaw, folk art, and engraving will also consider this book a massive source of inspiration and awe.

This is a staggering volume of thousands of examples of the celluloid acetate stencil, an essential tool in the history of tattooing. Mythical creatures, angels and devils, anchors and other nautical symbols, and more abound in stencil form, the classic tracing method that has only increased exponentially in popularity since the rough days of crude materials and callused hands. Before Thermofax (TM) and numbing cream, tattooists had to hone their tracing skills perfectly-and clients had to hope for the best. Over time artists would ask sailors and dock workers to let them trace remarkable tattoos they got at other ports, effectively inventing design replication. Today tattoo artists use tattoo stencils to transfer designs onto wood, quilts, and even cabinets. A worthy companion to Flash from the Bowery: Classic American Tattoos, 1900-1950, this volume continues to ignite the curiosity of American history and tattoo buffs.

Between these pages are images of the original acetate rubbings from Charlie Wagner's turn of the 20th century tattoo shop, The Black Eye Barbershop, in the Bowery at Chatham Square in New York. This is the only known art that has survived from this shop, where Samuel J O'Reilley's modern-day electric tattoo machine was born and patented. The imagery of this classic flash preserves the origins of American tattoos, when tattoo art was transferred to the client from these templates via an acetate stencil. Everything was done by hand until O'Reilley's electrified tattoo machine changed history. This rich heritage of folk art has more than 900 individual pieces of flash that provide commentary on the shop's clientele and reveal some of the social, economic, and political ideas of the time. Including nautical themes, Asian imagery, flowers, boxers, circus characters, and plenty of girls, this is an exciting collection of early American flash and a necessary book for the tattoo artist, aficionado, and student.