Clint Eastwood's completion of the Iwo Jima saga. Here the action is seen from the Japanese point of view and the film is based on the book 'Picture Letters from Commander in Chief' by Tadamichi Kuribayashi. The island of Iwo Jima stands between the American military force and the home islands of Japan. Therefore the Imperial Japanese Army is desperate to prevent it from falling into American hands and providing a launching point for an invasion of Japan. General Tadamichi Kuribayashi (Ken Watanabe) is given command of the forces on the island and sets out to prepare for the imminent attack. General Kuribayashi, however, does not favour the rigid traditional approach recommended by his subordinates, and resentment and resistance fester among his staff.

This title offers a stark, yet stunning photographic journey through the collapse of communism in former USSR and Iron Curtain countries by world renowned photographer Bruce Haley. Best known for his coverage of Burma's bloody civil war - for which he was awarded the prestigious Robert Capa Gold Medal, Bruce Haley is one of the most acclaimed photographers of the 20th-century. Produced between 1994 and 2002, the images in "Sunder" sweep the viewer along on a far-reaching journey through numerous former USSR and Iron Curtain countries, stopping at landscapes of ruin and moments of grace in equal measure, presenting a stark perspective of the collapse of the communist empire. Bleak and brimming with the realism that only a photographer as seasoned as Haley could achieve, and in contrast with his conflict-based coverage, which was dominated by lush colour imagery depicting the most horrific acts of violence imaginable, it seems as though this project is as much a portrait of the photographer himself as it is an invaluable historical archive.

This comprehensive study of the Western covers its history from the early silent era to recent spins on the genre in films such as "No Country for Old Men", "There Will Be Blood", "True Grit", and "Cowboys & Aliens". While providing fresh perspectives on landmarks such as "Stagecoach", "Red River", "The Searchers", "The Man Who Shot Liberty Valance", and "The Wild Bunch", the authors also pay tribute to many under-appreciated Westerns. "Ride, Boldly Ride" explores major phases of the Western's development, including silent era oaters, A-production classics of the 1930s and early 1940s, and the more psychologically complex portrayals of the Westerner that emerged after World War II. The authors also examine various forms of genre-revival and genre-revisionism that have recurred over the past half-century, culminating especially in the masterworks of Clint Eastwood. They consider themes such as the inner life of the Western hero, the importance of the natural landscape, the roles played by women, the tension between myth and history, the depiction of the Native American, and the juxtaposing of comedy and tragedy. Written in clear, engaging prose, this is the only survey that encompasses the entire history of this long-lived and much-loved genre.