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A remarkable poetry collection with "inextinguishable generosity
and abundant wisdom" (Monica Youn) from Clint Smith, the #1 New
York Times bestselling and National Book Critics Circle
award-winning author of How the Word Is Passed. Clint Smith's
vibrant and compelling new collection traverses the vast emotional
terrain of fatherhood, and explores how becoming a parent has
recalibrated his sense of the world. There are poems that
interrogate the ways our lives are shaped by both personal lineages
and historical institutions. There are poems that revel in the
wonder of discovering the world anew through the eyes of your
children, as they discover it for the first time. There are poems
that meditate on what it means to raise a family in a world filled
with constant social and political tumult. Above Ground wrestles
with how we hold wonder and despair in the same hands, how we carry
intimate moments of joy and a collective sense of mourning in the
same body. Smith's lyrical, narrative poems bring the reader on a
journey not only through the early years of his children's lives,
but through the changing world in which they are growing up-through
the changing world of which we are all a part. Above Ground is a
breath taking collection that follows Smith's first award-winning
book of poetry, Counting Descent. Above Ground is a breath taking
collection that follows Smith's first award-winning book of poetry,
Counting Descent.
Ronald Takaki's "brilliant revisionist history of America"
(Publishers Weekly) is a landmark work of American history retells
American history from the bottom up, through the lives of many
minorities - Native Americans, African Americans, Jewish Americans,
Irish Americans, Asian Americans, Latino Americans, and others -
who helped create this country's mighty economy and rich mosaic
culture. A Different Mirror brilliantly illuminates our country's
defining strengths as it reveals America as a nation peopled by the
world.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW
YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR
NON-FICTION 'A beautifully readable reminder of how much of our
urgent, collective history resounds in places all around us that
have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the
reader on an unforgettable tour of monuments and landmarks - those
that are honest about the past and those that are not - which offer
an intergenerational story of how slavery has been central in
shaping a nation's collective history, and our own. It is the story
of the Monticello Plantation in Virginia, the estate where Thomas
Jefferson wrote letters espousing the urgent need for liberty while
enslaving more than four hundred people. It is the story of the
Whitney Plantation, one of the only former plantations devoted to
preserving the experience of the enslaved people whose lives and
work sustained it. It is the story of Angola, a former
plantation-turned-maximum-security prison in Louisiana that is
filled with Black men who work across the 18,000-acre land for
virtually no pay. And it is the story of Blandford Cemetery, the
final resting place of tens of thousands of Confederate soldiers. A
deeply researched and transporting exploration of the legacy of
slavery and its imprint on centuries of American history, How the
Word Is Passed illustrates how some of our most essential stories
are hidden in plain view - whether in places we might drive by on
our way to work, holidays such as Juneteenth or entire
neighbourhoods like downtown Manhattan, where the brutal history of
the trade in enslaved men, women and children has been deeply
imprinted. How the Word is Passed is a landmark book that offers a
new understanding of the hopeful role that memory and history can
play in making sense of the United States. Chosen as a book of the
year by President Barack Obama, The Economist, Time, the New York
Times and more, fans of Brit(ish) and Natives will be utterly
captivated. What readers are saying about How the Word is Passed:
'How the Word Is Passed frees history, frees humanity to reckon
honestly with the legacy of slavery. We need this book.' Ibram X.
Kendi, Number One New York Times bestselling author 'An
extraordinary contribution to the way we understand ourselves.'
Julian Lucas, New York Times Book Review 'The detail and depth of
the storytelling is vivid and visceral, making history present and
real.' Hope Wabuke, NPR 'This isn't just a work of history, it's an
intimate, active exploration of how we're still constructing and
distorting our history." Ron Charles, The Washington Post 'In
re-examining neighbourhoods, holidays and quotidian sites, Smith
forces us to reconsider what we think we know about American
history.' Time 'A history of slavery in this country unlike
anything you've read before.' Entertainment Weekly 'A beautifully
written, evocative, and timely meditation on the way slavery is
commemorated in the United States.' Annette Gordon-Reed, Pulitzer
Prize-winning author
"These smart, unsettling stories give us, with vivid detail, both
the squalidly ordinary and the terrifyingly extraordinary-and make
clear how closely the two are linked."-Ben H. Winters,
Edgar-Award-Winning author of "The Last Policeman"
"Clint Smith's "Ghouljaw" stories use vivid imagery to build
intense close-ups that connect reader with character, then adds
psychologies corrupted by sex, loss, betrayal, guilt, cowardice,
denial, and that fatal flaw pomposity. With sprightly literate
language he twists old motifs into new shapes of the rural gothic,
often embodied in some of the spookiest "monsters from the id" yet
imagined-creatures gory, squishy, bloody, witchy, wild. Not to
forget a demonic "dog" that scared the bejesus out of me The
monsters of humanity, too, find new life here, as blood cults,
avenging mystics, violent poachers, PTSD, and repressed memories
incarnate. Clint Smith's "Ghouljaw" releases into the reader's
world a darkness that teaches, shakes, and warns. Read and after a
night of tossing sleep you'll awaken changed. For the better? Well,
as it is with Smith's characters, that matter's up to you."-Jim
Powell, MFA, Senior Lecturer, IUPUI
Over the past several years, Clint Smith has established himself
as a powerfully imaginative writer of weird fiction. In this first
collection of short stories, Smith demonstrates the multifaceted
talents that will establish him as one of the notable weird writers
of his generation.
What distinguishes Smith's work is both the originality of its
weird conceptions and its careful delineation of human character.
One of his earliest tales, "Benthos," features both these
qualities, telling a grim tale of alienated youth and drug-taking
that veers into the grotesquely supernatural. In "The Tell-Tale
Offal," Smith cleverly updates Poe's "The Tell-Tale Heart" in a
grisly story of physical horror. In "What Happens in Hell Stays in
Hell," Smith uses the war in Afghanistan as a chilling backdrop to
unthinkable horrors unleashed in the parched sands of the Middle
East.
"I have no doubt that Clint Smith will be heard from in the future
as a leading practitioner of the modern weird tale. The stories in
this collection testify not only to his literary potential but to
his already significant accomplishments."-From S. T. Joshi's
foreword
Publisher's Note: Products purchased from Third Party sellers are
not guaranteed by the publisher for quality, authenticity, or
access to any online entitlements included with the product. Design
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How to grow a service provider's wireless network and make it
perform as reliably and cost-efficiently as a wired one.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW
YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR
NON-FICTION 'A beautifully readable reminder of how much of our
urgent, collective history resounds in places all around us that
have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the
reader on an unforgettable tour of monuments and landmarks - those
that are honest about the past and those that are not - which offer
an intergenerational story of how slavery has been central in
shaping a nation's collective history, and our own. It is the story
of the Monticello Plantation in Virginia, the estate where Thomas
Jefferson wrote letters espousing the urgent need for liberty while
enslaving more than four hundred people. It is the story of the
Whitney Plantation, one of the only former plantations devoted to
preserving the experience of the enslaved people whose lives and
work sustained it. It is the story of Angola, a former
plantation-turned-maximum-security prison in Louisiana that is
filled with Black men who work across the 18,000-acre land for
virtually no pay. And it is the story of Blandford Cemetery, the
final resting place of tens of thousands of Confederate soldiers. A
deeply researched and transporting exploration of the legacy of
slavery and its imprint on centuries of American history, How the
Word Is Passed illustrates how some of our most essential stories
are hidden in plain view - whether in places we might drive by on
our way to work, holidays such as Juneteenth or entire
neighbourhoods like downtown Manhattan, where the brutal history of
the trade in enslaved men, women and children has been deeply
imprinted. How the Word is Passed is a landmark book that offers a
new understanding of the hopeful role that memory and history can
play in making sense of the United States. Chosen as a book of the
year by President Barack Obama, The Economist, Time, the New York
Times and more, fans of Brit(ish) and Natives will be utterly
captivated. What readers are saying about How the Word is Passed:
'How the Word Is Passed frees history, frees humanity to reckon
honestly with the legacy of slavery. We need this book.' Ibram X.
Kendi, Number One New York Times bestselling author 'An
extraordinary contribution to the way we understand ourselves.'
Julian Lucas, New York Times Book Review 'The detail and depth of
the storytelling is vivid and visceral, making history present and
real.' Hope Wabuke, NPR 'This isn't just a work of history, it's an
intimate, active exploration of how we're still constructing and
distorting our history." Ron Charles, The Washington Post 'In
re-examining neighbourhoods, holidays and quotidian sites, Smith
forces us to reconsider what we think we know about American
history.' Time 'A history of slavery in this country unlike
anything you've read before.' Entertainment Weekly 'A beautifully
written, evocative, and timely meditation on the way slavery is
commemorated in the United States.' Annette Gordon-Reed, Pulitzer
Prize-winning author
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