Contains a selection of letters from the English poet Matthew Arnold.

Krasna Amerika (Beautiful America) will make Texans of Czech descent proud of their heritage. Various aspects of Czech Texan life are presented in a scholarly yet lively manner. The book tells the story of early Czech settlements in Texas; about the persistence of the Czech language in subsequent generations; the folklore, music, festivals, Czech cooking and much more.

Texas A&M University Press has released a paperback edition of Czech Voices: Stories from Texas in the Amerikan narodni kalenda. Originally published in 1991, Czech Voices comprises ten short memoir-essays written by some of the earliest Czech immigrants to Texas. Translated and edited by Clinton Machann and James W. Mendl, Jr., Czech Voices offers a clear window to the lives of Czech immigrants on a difficult frontier. Each of the ten autobiographical sketches had been published in the Amerikan narodni kalenda (a Czech-language magazine in Chicago. (That publication's founding by a freethinking political group explains the fact that many of the essays it published expressed some negative attitudes toward organized religion.) Several motifs and themes that run through the collection loom especially large: hardships of the immigrants, religious conflicts, the American Civil War, ethnic identity, farming practices, and attitudes toward the land. Among the writers are important leaders, adventurers, journalists, and typical farmers, chosen for their identity or powers of expression or for the importance of the events they record. Their impressions, attitudes, and emotions bring to life an era that other sources rarely can. Clinton Machann and James W. Mendl, Jr., who selected and translated these stories, provide an interpretive introduction, informative notes, and a bibliography that help to place the life stories in their historical and cultural context. These narratives had never before been generally available; historians interested in American immigration and ethnicity, as well as the descendants of immigrants, will appreciate both their valuable contribution and the pleasure of reading them.

Clinton Machann challenges recent popular approaches to the Victorian autobiography that treat the genre ahistorically or as a subgenre of fiction. Machann argues instead for considering these autobiographies intertextually and as a historically defined genre that can profitably be studied as nonfiction and as a referential art. The plots of Victorian autobiographies are highly variable in terms of developing motifs and tropes. Autobiographers undergo spiritual and mental crises, live out Romantic and biblical myths, follow historical and scientific paradigms and the dynamic patterns of their own ideas. Nevertheless, underlying this diversity are profound structural similarities in plots of self-development and the implied relationships between self and public works and ideas. In the course of discussing eleven Victorian autobiographies in chronological order, Machann suggests many formal and conventional continuities among them. The eleven autobiographies include those of John Stuart Mill, Anthony Trollope, John Ruskin, and Charles Darwin, among other luminaries of the Victorian era. Juxtaposing well-known works with less familiar ones, Machann helps the reader to explore the boundaries of the genre, appreciate stylistic variations, and identify profound structural similarities, all of which result from the larger Victorian culture. The book will be of interest to students of the Victorian era as well as scholars of life-writing and historical constructions of the self.