From the time Catterina Vizzani, a young Roman woman, began wooing the woman she was attracted to, she did so dressed as a man. Fleeing Rome to avoid a potential trial for sexual misdeeds, she became Giovanni Bordoni, transitioning and becoming a male in spirit, deed, and body, through what was the most complete physical change possible in the eighteenth century. This volume features Giovanni Bianchi's 1744 Italian account of Vizzani/Bordoni, published for the first time together with a modern English translation, making available to an English-speaking audience the objective, scientific exploration of gender conducted by Bianchi. John Cleland's well-known, albeit fanciful, 1751 version of the story has also been reproduced here, shedding light on the divergent sexual politics driving Bianchi's Italian original and Cleland's greatly embellished English translation. Through a close examination of Bianchi's work as anatomical practitioner and scholar, Clorinda Donato traces the development of his advocacy for tolerance of all sexual orientations. Several chapters address the medical and philosophical inquiry into sexual preference, reproduction, sexual identity, and gender fluidity which Enlightenment anatomists from Holland to Italy engaged with in their research concerning the relationship between the mind and the reproductive organs. Meanwhile, it is the social implications of gender ambiguity which may be analysed in Cleland's condemnation of women who "pass" as men. Drawing on the biographies produced by Bianchi and Cleland, the volume reflects on the motivation of each author to tell the story of Vizzani/Bordoni either as a narration of empowerment or a cautionary tale within the European context of evolving sexual opinions, some based on scientific research, others based on social practice and cultural norms.

What did Europe owe Spain in the eighteenth century? This infamous question, posed by Nicolas Masson de Morvilliers in the Encyclopedie methodique, caused an international uproar at the height of the Enlightenment. His polemical article 'Espagne', with its tabloid-like prose, resonated with a French-reading public that blamed the Spanish Empire for France's eroding economy. Spain was outraged, and responded by publishing its own translation-rebuttal, the article 'Espana' penned by Julian de Velasco for the Spanish Encyclopedia metodica. In this volume, the original French and Spanish articles are presented in facing-page English translations, allowing readers to examine the content and rhetorical maneuvers of Masson's challenge and Velasco's riposte. This comparative format, along with the editors' critical introduction, extensive annotations, and an accompanying bibliographical essay, reveals how knowledge was translated and transferred across Europe and the transatlantic world. The two encyclopedia articles bring to life a crucial period of Spanish history, culture and commerce, while offering an alternative framework for understanding the intellectual underpinnings of a Spanish Enlightenment that differed radically from French philosophie. Ultimately, this book uncovers a Spain determined to claim its place in the European Enlightenment and on the geopolitical stage.

This handbook explores the rich and as yet understudied field of women’s writing during the nation-building years that characterized the global politics of the long nineteenth century. In the wake of the American and French Revolutions, the waning of the Spanish Empire, subsequent Latin American uprisings, and the Italian Risorgimento, nineteenth-century women writers cracked wide open the myths of gender, race, and class that had sustained the ancien régime. This volume shows that the transnational networks of women writing about politics, sexuality, economics, and the forging of the modern nation were much broader and more inclusive at a global level than has previously been understood. The handbook uniquely foregrounds French, Italian, Latin American, and Spanish women writers, focusing on the transnational nature of their relationships and cultural production within a growing body of research that casts an ever-wider net in the effort to document women’s voices.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact. The contributors to this work-writers, critics, fans, scholars, screenwriters, directors, and others-analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact. The contributors to this work-writers, critics, fans, scholars, screenwriters, directors, and others-analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

From its modern origins in seventeenth-century France, encyclopedic compilations met the need for the dissemination of information in a more flexible format, one that eschewed the limits of previous centuries of erudition. The rise of vernacular languages dovetailed with the demand for information in every sector, sparking competition among nations to establish the encyclopedic "paper empires" that became symbols of power and potential. The contributors to this edited collection evaluate the long-overlooked phenomenon of knowledge creation and transfer that occurred in hundreds of translated encyclopedic compilations over the long eighteenth century. Analysing multiple instances of translated compilations, Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830 expands into the vast realm of the multilingual, encyclopedic compilation, the most tangible proof of the global enlightenment. Through the presentation of an extensive corpus of translated compilations, this volume argues that the true site of knowledge transfer resided in the transnational movement of ideas exemplified by these compendia. The encyclopedia came to represent the aspiring nation as a viable economic and political player on the world stage; the capability to tell knowledge through culture became the hallmark of a nation’s cultural capital, symbolic of its might and mapping the how, why, and where of the global eighteenth century.

This book provides an interdisciplinary introduction to the Neapolitan Baroque, through original and in-depth interpretations of pivotal masterpieces of Neapolitan art, literature, philosophy, theater. The book also presents the city of Naples as a cultural space in which the body functions as a visual, literary, and urban metaphor. By examining the works of Giordano Bruno, Caravaggio, Giambattista Basile, Silvio Fiorillo and Raimondo di Sangro, Principe di San Severo, the essays comprising this volume show the contribution of these world renowned figures to the Baroque imagery of Naples, but also highlight the impact the city had on their work. Finally, the book stirs reflection on the enduring presence and current revival of the Neapolitan Baroque, by looking at contemporary culture and the cinematic adaptation of baroque works, such as Matteo Garrone's Tale of Tales.

In recent years scholars have turned their attention to the rich experience of the Jesuits in France and Spain's American colonies. That attention has brought a flow of new editions and translations of Jesuit accounts of the Americas; it is now time for a study that examines the full range of that work in a comparative perspective. Jesuit Accounts of the Colonial Americas offers the first comprehensive examination of such writings and the role they played in solidifying images of the Americas. The collection also provides a much-needed re-examination of the work of the Jesuits in relation to Enlightenment ideals and the modern social sciences and humanities - two systems of thought that have in the past appeared radically opposed, but which are brought together here under the rubric of modern ethnographic knowledge. Linking Jesuit texts, the rhetorical tradition, and the newly emerging anthropology of the Enlightenment, this collection traverses the vast expanses of Old and New World France and Spain in fascinating new ways.