When first published in 1983 The Entropy Exhibition was the first critical assessment of the literary movement known as 'New Wave' science fiction. It examines the history of the New Worlds magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses developments in stylistic theory and practice. Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the writing lay in its fascination with the concept of 'entropy' - the universal and irreversible decline of energy into disorder. Entropy provides the key to both the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its connection with other cultural experiments of the 1960s. The Fiction of the New Worlds writers was not concerned with far future and outer space, but with the ambiguous and unstable conditions of the modern world. Detailed attention is given to each of the three main contributors to the New Worlds magazine - Michael Moorcock, Brian Aldiss and J.G. Ballard. Moorcock himself is more commonly judged by his commercial fantasy novels than by the magazine he supported with them, but here at last the balance is redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.

When first published in 1983 The Entropy Exhibition was the first critical assessment of the literary movement known as 'New Wave' science fiction. It examines the history of the New Worlds magazine and its background in the popular imagination of the 1960s, traces the strange history of sex in science fiction and analyses developments in stylistic theory and practice. Michael Moorcock edited and produced the magazine New Worlds from 1964 to 1973. Within its pages he encouraged the development of new kinds of popular writing out of the genre of science fiction, energetically reworking traditional themes, images and styles as a radical response to the crisis of modern fiction. The essential paradox of the writing lay in its fascination with the concept of 'entropy' - the universal and irreversible decline of energy into disorder. Entropy provides the key to both the anarchic vitality of the magazine and to its neglect by critics and academics, as well as its connection with other cultural experiments of the 1960s. The Fiction of the New Worlds writers was not concerned with far future and outer space, but with the ambiguous and unstable conditions of the modern world. Detailed attention is given to each of the three main contributors to the New Worlds magazine - Michael Moorcock, Brian Aldiss and J.G. Ballard. Moorcock himself is more commonly judged by his commercial fantasy novels than by the magazine he supported with them, but here at last the balance is redressed: New Worlds emerges as nothing less than a focus and a metaphor for many of the transformations of English and American literature in the past two decades.

A fast-moving space adventure featuring mysterious aliens, a journey to a de-populated planet, a mad run from space cops, a ship captain in trouble, and her AI (Artificially Intelligent) companion/ship's computer. It is carnival time on Mars, but Tabitha Jute isn't partying. She is in hiding from the law, penniless and about to lose her livelihood and her best friend, the space barge "Alice Liddell". Then the intriguing Marco Metz offers her some money to take him to Plenty, and the adventure begins. Winner of both the ARTHUR C. CLARKE AWARD for best science fiction novel of the year and the BRITISH SCIENCE FICTION ASSOCIATION AWARD for best novel of the year - the only book ever to win both prestigious British awards.

Science fiction is a field of literature that has great interest and great controversy among its writers and critics. This book examines the roots, history, development, current status, and future directions of the field through articles contributed by well-respected science fiction writers, teachers, and critics. The articles 'speculate' on what is science fiction, is science fiction serious literature, which writers are considered good science fiction writers, and where the genre of science fiction is headed with 21st-century writers. Contributors include Brian W. Aldiss, Kathryn Cramer, Samuel R. Delany, David G. Hartwell, Ursula K. Le Guin, Barry N. Malzberg, Darko Suvin, Michael Swanwick, and many other outstanding authors. Examining all genres and subgenres of science fiction writing, this book provides differing viewpoints on science fiction, making it a great basis for dynamic classroom discussions.