A double bill of films set in India. Comedy-drama 'The Best Exotic Marigold Hotel' (2011) follows the experiences of a group of elderly Brits who arrive to take up residence in a newly-opened retirement home in Bangalore, India. Despite its glossy publicity campaign, the Marigold turns out to be rather different from the refurbished luxury hotel advertised in the brochures. However, it soon begins to reveal some unexpected charms of its own. Judi Dench, Bill Nighy, Dev Patel, Tom Wilkinson and Maggie Smith star.

'Slumdog Millionaire' (2008), the rags-to-possible riches tale, was the winner of eight Oscars at the 2009 Academy Awards, including Best Film and Best Director. Jamal Malik (Patel) is an 18-year-old street kid from the slums of Mumbai. So what is he doing appearing on the Indian version of 'Who Wants to Be a Millionaire'? How can a young man from his background of poverty have acquired the knowledge to be only one correct answer away from winning 20 million rupees? With only one more question to be asked, however, the dream turns to nightmare. As the hooter sounds to signal the end of the show, Jamal is arrested and accused of cheating. No one can believe that he could really know all of the answers he has given. As Jamal tells the story of his life to the police, the reasons for his success begin to appear. Will Jamal be freed to hear the final question and, if so, will he know the answer?

From two-time Pulitzer Prize-winning author Colson Whitehead comes the thrilling and entertaining sequel to Harlem Shuffle.

1971 - Trash is piled on the streets, crime is at a record high, and the city is careening towards bankruptcy. A shooting war has broken out between the NYPD and the Black Liberation Army. Ray Carney, furniture-store owner and ex fence, is trying to keep his head down, his business up, and his life on the straight and narrow. His only immediate need is Jackson 5 tickets for his daughter May, so what harm could it do to hit up Munson, his old police contact and fixer extraordinaire? And suddenly, staying out of the game becomes more complicated - and deadly.

When one of Ray's tenants is badly injured in a fire, he enlists the enduringly violent Pepper to look into how it started, leading the duo to battle their way through a crumbling metropolis run by the shady, the violent and the utterly corrupt.

In scalpel-sharp prose and with unnerving clarity and wit, Colson Whitehead writes about a city that runs on cronyism, threats, ego, ambition, incompetence and even, sometimes, pride. Crook Manifesto is a kaleidoscopic portrait of Harlem, and a searching portrait of how families work in the face of indifference, chaos and hostility.

This is the sixth volume to be published in the major ten volume new history of the county of Kent, and the first detailed study of the development of Kent during the past hundred years. The sixth volume to be published in the major ten-volume new history of the county of Kent, and the first detailed study of the development of Kent over the past hundred years. Each of the ten chapters begins by evokinga picture of Kent on the eve of the First World War and looking at the changes that have taken place between then and the present day in the area under discussion. Particular attention is paid to the impact of the two World Warson Kent; to the influence of national events on local institutions and people; to the role of the county council in the development of many aspects of life in Kent; and to the major economic and social changes of the last thirty years, many of them associated with Britain's entry into the European economic community and Kent's strategic importance as a corridor linking London and Britain to Europe. NIGEL YATES is senior research fellow in church history, University of Wales, Lampeter.

ONE OF THE MOST ANTICIPATED BOOKS OF THE SUMMER BY OPRAH DAILY, NEW YORK TIMES, WASHINGTON POST, TIME, NPR, LOS ANGELES TIMES, ESSENCE AND MORE 'Whether in high literary form or entertaining, page-turner mode, the man is simply incapable of writing a bad book' IAN WILLIAMS, GUARDIAN 'Crook Manifesto gave me something I had missed in recent reading: joy' TELEGRAPH 'When he moves into a new genre, he keeps the bones but does his own decorating' WASHINGTON POST 'A masterpiece' PEOPLE MAGAZINE From two-time Pulitzer Prize-winning author Colson Whitehead comes the thrilling and entertaining sequel to Harlem Shuffle 1971, New York City. Trash piles up on the streets, crime is at an all-time high, the city is going bankrupt, and a shooting war has broken out between the NYPD and the Black Liberation Army. Furniture store owner and ex-fence Ray Carney is trying to keep his head down, his business up and his life straight. But then he needs Jackson 5 tickets for his daughter May and he decides to hit up an old police contact, who wants favours in return. For Ray, staying out of the game gets a lot more complicated - and deadly. 1973. The old ways are being overthrown by the thriving counterculture, but Pepper, Carney's enduringly violent partner in crime, is a constant. In these difficult times, Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem, finding himself in a world of Hollywood stars and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters and hit men. These adversaries underestimate the seasoned crook - to their regret. 1976. Harlem is burning, while the country gears up for the Bicentennial. Carney is trying to come up with a celebratory July 4th advertisement he can actually live with, while his wife Elizabeth is campaigning for her childhood friend, rising politician Alexander Oakes. When a fire seriously injures one of Carney's tenants, he enlists Pepper to look into who may be behind it, navigating a crumbling metropolis run by the shady, the violent and the utterly corrupt. In scalpel-sharp prose and with unnerving clarity and wit, Colson Whitehead writes about a city that runs on cronyism, threats, ego, ambition, incompetence and even, sometimes, pride. Crook Manifesto is a kaleidoscopic portrait of Harlem, and a searching portrait of how families work in the face of chaos and hostility. 'A dazzling treatise . . . gleefully detonates its satire upon this world while getting to the heart of the place and its people' NEW YORK TIMES 'Funny, effortlessly streetwise, and criminally pleasurable to read it's also politically enlightening and quietly incendiary' BIG ISSUE

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.