Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Tatting uses thread to weave intricate patterns in knotwork. This idiosyncratic novel from 1957 by Faith Compton Mackenzie traces patterns across the Cornish landscape in the style of David Garnett and Sylvia Townsend Warner. It is 1909. Ariadne is a starving Irish artist, existing on her memories of having once known Beardsley and Wilde. In comes Laura Mallory to visit her, and discreetly goes to the grocer to buy food and pay Ariadne’s bill. Laura has recently married Guy, a poetwhom she had met only weeks before. Relieved to not have to pay rent for the summer or have to finally learn to cook, Guy and Laura travel to Cornwall on the invitation of Father St John to come and stay at his vicarage. There is a large Alsatian called Rex who wants only to roam the fields at night, and there is a large farmer called Mr Williams who hides in ditches rather than meet the ladies. Miss Josephine Want, a domineering parishioner, is fuming at the unwanted visitors, and then Guy and Laura invite Ariadne to Cornwall to paint a fresco and be fed. The visit of the triumphantly parasitical artist causes havoc.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Originally published in 1936 and authored by an ardent Scottish Nationalist and convert to Roman Catholicism, this concise book begins in the Gaelic era and charts the turbulent history of Catholicism in Scotland from then to the early 20th Century through the Norman Conquest of England and the coming of Saint Margaret. The contribution of the unbroken line of Stuart Kings to the national consciousness is emphasized and an outspoken account of the origins of John Knox’s Presbyterian movement given. The book also discusses the persecution of Catholic missionaries in the 17th and 18th centuries.

Originally published in 1936 and authored by an ardent Scottish Nationalist and convert to Roman Catholicism, this concise book begins in the Gaelic era and charts the turbulent history of Catholicism in Scotland from then to the early 20th Century through the Norman Conquest of England and the coming of Saint Margaret. The contribution of the unbroken line of Stuart Kings to the national consciousness is emphasized and an outspoken account of the origins of John Knox's Presbyterian movement given. The book also discusses the persecution of Catholic missionaries in the 17th and 18th centuries.

The Coddy was one of the most renowned storytellers and characters of the Western Isles at the turn of the nineteenth into the twentieth and beyond, and was the inspiration for Compton MacKenzie's Whisky Galore. His warmth and personality shine through these stories, which are a wonderful mix of myth, tradition and anecdote. This edition includes a large number of traditional tales told in the inimitable style of The Coddy, grouped in a number of themed sections: Tales of the Macneils of Barra and Other Lairds - The MacLeods of Dunvegan - The Laird of Boisdale - Stories of Olden Times - Ecclesiastical Traditions - Place-names - Tales of Treasure - Tales of Local Characters - Stories of the Politician - Stories of Sea Monsters - Fairies, Second Sight and Ghost Stories - Witchcraft. For any student of folklore, for anyone interested in the traditions and history of the islands, or for anyone who simply likes a tale well told, The Coddy is essential reading. This edition is enhanced with a plate section consisting of period photographs of the Western Isles and informative notes on The Coddy and his stories.

It's 1943 and the war has brought rationing to the Hebridean islands of Great and Little Todday. When food is in short supply, it is bad enough, but when the whisky runs out, it looks like the end of the world. Morale is at rock bottom. George Campbell needs a wee dram to give him the courage to stand up to is mother and marry Catriona. The priest, the doctor and, of course, the landlord at the inn are all having a very thin time of it. There's no conversation, no jollity, no fun - until a shipwreck off the coast brings a piece of extraordinary good fortune ...