Bridgerton meets Agatha Christie in Act Like a Lady, Think Like a Lord, a dazzling first entry in a captivating new Regency-era mystery series with a feminist spin from Celeste Connally. London, 1815. Lady Petra Forsyth, daughter of the Earl of Holbrook, has made a shocking proclamation. After losing her beloved fiancé in an accident three years earlier, she announces in front of London's loosest lips that she will never marry. A woman of independent means--and rather independent ways--Petra sees no reason to cede her wealth and freedom to any man now that the love of her life is gone. Instead, she plans to continue enjoying the best of society without any expectations. But when ballroom gossip suggests that a longtime friend has died of a fit due to her "melancholia" while in the care of a questionable physician, Petra vows to use her status to dig deeper--uncovering a private asylum where men pay to have their wives and daughters locked away, or worse. Just as Petra has reason to believe her friend is alive, a shocking murder proves more danger is afoot than she thought. And the more determined Lady Petra becomes in uncovering the truth, the more her own headstrong actions and desire for independence are used against her, putting her own freedom--and possibly her life--in jeopardy.

This book illuminates methodology in legal research by bringing together interdisciplinary scholars, who employ a diverse set of methodologies, to address a specific shared research challenge: 'the body'. The contributors were asked a question: if you were invited to contribute to an edited book on 'the body', where would you start and then where would you go? The result is a self-reflective discussion of how and where researchers engage with methodological practices. The contributors draw on their own interdisciplinary research experiences to explore how 'the body' might be addressed in their work, and the resources they would deploy in order to carry out the task. This 'book within a book' is innovative in both content and format. It provides a rare insight into how top interdisciplinary legal scholars go about making decisions about their research. The shared device of 'the body' allows the volume to trace a number of rich approaches into the process of research as practiced by these diverse scholars. In presenting thinking and research in action, the volume offers a new, self-reflective view on the much-addressed theme of the body, as well as taking a fresh approach to the historically vexed problem of research methodology in legal studies.

Alumni, students, and toddling future graduates alike will delight in this beautifully illustrated celebration of the oldest, continually operating university in the state of Texas. Readers follow a curious bear cub on his adventure through the Baylor University campus, exploring--from A to Z--the traditions, history, and landmarks cherished by all Baylor Bears.

While the lyrical rhymes entertain and inform younger readers, notable facts--perhaps forgotten or possibly never known--will engage older ones. B is for Baylor is a lasting keepsake for all generations of fans of the green and gold.

The notion of the "impolitical" developed in this volume draws its meaning from the exhaustion of modernity's political categories, which have become incapable of giving voice to any genuinely radical perspective. The impolitical is not the opposite of the political but rather its outer limit: the border from which we might glimpse a trajectory away from all forms of political theology and the depoliticizing tendencies of a completed modernity. The book's reconstruction of the impolitical lineage-which is anything but uniform-begins with the extreme conclusions reached by Carl Schmitt and Romano Guardini in their reflections on the political and then moves through a series of encounters between several great twentieth-century texts: from Hannah Arendt's On Revolution to Hermann Broch's The Death of Virgil, to Elias Canetti's Crowds and Power; from Simone Weil's The Need for Roots to Georges Bataille's Sovereignty to Ernst Junger's An der Zeitmauer. The trail forged by this analysis offers a defiant counterpoint to the modern political lexicon, but at the same time a contribution to our understanding of its categories.

The notion of the "impolitical" developed in this volume draws its meaning from the exhaustion of modernity's political categories, which have become incapable of giving voice to any genuinely radical perspective. The impolitical is not the opposite of the political but rather its outer limit: the border from which we might glimpse a trajectory away from all forms of political theology and the depoliticizing tendencies of a completed modernity. The book's reconstruction of the impolitical lineage-which is anything but uniform-begins with the extreme conclusions reached by Carl Schmitt and Romano Guardini in their reflections on the political and then moves through a series of encounters between several great twentieth-century texts: from Hannah Arendt's On Revolution to Hermann Broch's The Death of Virgil, to Elias Canetti's Crowds and Power; from Simone Weil's The Need for Roots to Georges Bataille's Sovereignty to Ernst Junger's An der Zeitmauer. The trail forged by this analysis offers a defiant counterpoint to the modern political lexicon, but at the same time a contribution to our understanding of its categories.

This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of cliched polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.

Modern Mountaineering on Alpine Rock, Snow, and Ice.

If your experience as a backpacker or rock climber is drawing you higher; if the cold, remote alpine environment calls you nearer, this book is for you. "The Mountaineering Handbook" will teach you the skills that will take you to the top. Even if youre already an experienced mountaineer, youll find detailed descriptions of the newest and most effective techniques to refine and organize your methods and equipment. "The Mountaineering Handbook" isn't mired in outdated traditionalism; its new-school techniques are safer, more effective, and more fun for mountaineers at every level. With constant emphasis on light, fast, and efficient mountaineering, Craig Connally shows you how to: . . Move quickly up and down rock, snow, and ice with appropriate safety systems. Manage mountain hazards, including rockfall, avalanche, lightning, and high-altitude illness. Select the best equipment for your personal style and objectives. Maintain sound nutrition and training according to the most up-to-date science. Understand the human factors of mountaineering--the social and psychological forces that influence critical decisions. .

Connallys passion for mountaineering is evident in his writing--"The Mountaineering Handbook" is clever, insightful, and entertaining. He intends to move mountaineering into the twenty-first century, but hes also determined to turn the traditional how-to book on its ear by injecting personality, humor, and thoughtfulness into every page..

"Backpackers venture into the wilderness to see a little farther, but mountaineers describe their adventures as means of looking more closely into their own selves--to see alittle deeper. Climbing mountains compels introspection because every detail--from the smallest to the most ominous--must be constantly attended to. Thats both exhausting and exhilarating. Exhilarating, because the criteria for success are absolute and absolutely objective--they are chosen by the mountain, not by the mountaineer, and every person is equal when judged by mountains. Success requires mountaineers to appraise their own physical and mental capacities and to know, or discover, the extent of their reserves of competence, commitment, and courage. Mountaineering does not build character so much as it reveals it.""--from "The Mountaineering Handbook,"

Craig Connally puts many years of mountaineering, ski mountaineering, and climbing rock and ice into his engaging writing. More importantly, he has applied his advanced degrees in science and his career as an engineering manager to sort out and explain what works and what doesnt in the mountains..

This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of cliched polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.