This volume explores the enigmatic primary source known as the ancient military manual. In particular, the volume explores the extent to which these diverse texts constitute a genre (sometimes unsatisfactorily classified as 'technical literature'), and the degree to which they reflect the practice of warfare. With contributions from a diverse group of scholars, the chapters examine military manuals from early Archaic Greece to the Byzantine period, covering a wide range of topics including readership, siege warfare, mercenaries, defeat, textual history, and religion. Coverage includes most of the major contemporary siege manual writers, including Xenophon, Frontinus, Vegetius, and Maurice. Close examination of these texts serves to reveals the complex ways in which ancient Greeks, Romans, and Byzantines sought to understand better, and impose order upon, the seemingly irrational phenomenon known as war. Providing insight into the multifaceted collection of texts that constituted military manuals, this volume is a key resource for students and scholars of warfare and military literature in the classical and Byzantine periods.

This volume explores the enigmatic primary source known as the ancient military manual. In particular, the volume explores the extent to which these diverse texts constitute a genre (sometimes unsatisfactorily classified as 'technical literature'), and the degree to which they reflect the practice of warfare. With contributions from a diverse group of scholars, the chapters examine military manuals from early Archaic Greece to the Byzantine period, covering a wide range of topics including readership, siege warfare, mercenaries, defeat, textual history, and religion. Coverage includes most of the major contemporary siege manual writers, including Xenophon, Frontinus, Vegetius, and Maurice. Close examination of these texts serves to reveals the complex ways in which ancient Greeks, Romans, and Byzantines sought to understand better, and impose order upon, the seemingly irrational phenomenon known as war. Providing insight into the multifaceted collection of texts that constituted military manuals, this volume is a key resource for students and scholars of warfare and military literature in the classical and Byzantine periods.

This handbook represents a milestone in offering a survey of the vibrant surge of scholarship examining the numerous and oft-times fluctuating codes of identity that shaped and transformed Byzantium and its neighbours during the empire's long life / This book will appeal to all those interested in the importance of identity in Byzantium, from gender, religion, ethnic, and regional identities / This book draws upon a wide range of disciplines across history, art, archaeology, and religion to provide an accurate representation of the state of the field both now and in its immediate future

How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes clashed shield to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book. Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.

In Battles and Generals: Combat, Culture, and Didacticism in Procopius' Wars, Whately reads Procopius' descriptions of combat through the lens of didacticism, arguing that one of Procopius' intentions was to construct those accounts not only so that they might be entertaining to his audience, but also so that they might provide real value to his readership, which was comprised, in part, of the empire's military command. In the course of this analysis we discover that the varied battles and sieges that Procopius describes are not generic; rather, they have been crafted to reflect the nature of combat - as understood by Procopius - on the three fronts of Justinian's wars, the frontier with Persia, Vandal north Africa, and Gothic Italy.