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This volume explores the enigmatic primary source known as the
ancient military manual. In particular, the volume explores the
extent to which these diverse texts constitute a genre (sometimes
unsatisfactorily classified as 'technical literature'), and the
degree to which they reflect the practice of warfare. With
contributions from a diverse group of scholars, the chapters
examine military manuals from early Archaic Greece to the Byzantine
period, covering a wide range of topics including readership, siege
warfare, mercenaries, defeat, textual history, and religion.
Coverage includes most of the major contemporary siege manual
writers, including Xenophon, Frontinus, Vegetius, and Maurice.
Close examination of these texts serves to reveals the complex ways
in which ancient Greeks, Romans, and Byzantines sought to
understand better, and impose order upon, the seemingly irrational
phenomenon known as war. Providing insight into the multifaceted
collection of texts that constituted military manuals, this volume
is a key resource for students and scholars of warfare and military
literature in the classical and Byzantine periods.
This volume explores the enigmatic primary source known as the
ancient military manual. In particular, the volume explores the
extent to which these diverse texts constitute a genre (sometimes
unsatisfactorily classified as 'technical literature'), and the
degree to which they reflect the practice of warfare. With
contributions from a diverse group of scholars, the chapters
examine military manuals from early Archaic Greece to the Byzantine
period, covering a wide range of topics including readership, siege
warfare, mercenaries, defeat, textual history, and religion.
Coverage includes most of the major contemporary siege manual
writers, including Xenophon, Frontinus, Vegetius, and Maurice.
Close examination of these texts serves to reveals the complex ways
in which ancient Greeks, Romans, and Byzantines sought to
understand better, and impose order upon, the seemingly irrational
phenomenon known as war. Providing insight into the multifaceted
collection of texts that constituted military manuals, this volume
is a key resource for students and scholars of warfare and military
literature in the classical and Byzantine periods.
This handbook represents a milestone in offering a survey of the
vibrant surge of scholarship examining the numerous and oft-times
fluctuating codes of identity that shaped and transformed Byzantium
and its neighbours during the empire's long life / This book will
appeal to all those interested in the importance of identity in
Byzantium, from gender, religion, ethnic, and regional identities /
This book draws upon a wide range of disciplines across history,
art, archaeology, and religion to provide an accurate
representation of the state of the field both now and in its
immediate future
How can we attempt to understand the experience of those involved
in ancient battles, sieges and campaigns? What was the visual
impact of seeing the massed ranks of the enemy approaching or the
sky darkened with their arrows? How did it feel to be trapped in
the press of bodies as phalanxes clashed shield to shield? What of
the taste of dust on the march or the smell of split blood and
entrails? What of the rumble of approaching cavalry, the clash of
iron weapons and the screams of the dying? The assault on all five
senses which must have occurred is the subject of this innovative
book. Sensory history is a new approach that attempts to understand
the full spectrum of the experience of the participants in history.
Conor Whately is the first to apply the discipline in a dedicated
study of warfare in the classical world. He draws on literary,
archaeological, reconstructive and comparative evidence to
understand the human experience of the ancient battlefield in
unprecedented depth.
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