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The exercises and etudes in this book will help students gain the
technique needed to execute great jazz lines. A mixture of
technique builders and etudes are all designed to give jazz
guitarists a daily workout. All of the exercises in this book are
written with the plectrum guitarists in mind, but this doesn't mean
that fingerstyle guitarists can't benefit from the exercises as
well.
This chart provides the basics of playing the blues guitar. Common
scale and chord diagrams as well as blues chord progressions are
laid out in fashion anyone can understand. The note and number of
each string and the natural notes on the fretboard are labeled on a
beautiful photo of a solid-body electric guitar.
Note: The sample for this product is an image of the entire chart.
It may take a while to load.
Presents the most commonly used scales and modes with fretboard
diagrams for four-string bass. A beautiful photo of a four-string
electric bass is labeled with string numbers, open string names,
and the fret location of all the natural notes on the fretboard. A
must-have for every bassist's studio, practice room, or bedroom
wall.
Note: The sample for this product is an image of the entire chart.
It may take a while to load.
Saxophonist John Coltrane was one of the most innovative, creative,
and influential jazz artists of the 20th Century. Both
stylistically and harmonically, he opened doors for others to
follow. This book will focus on the first period of Coltrane's
career, when he was with Miles Davis, and the jazz vocabulary he
used. First, to help the student better understand Coltrane's bebop
style of improvising, the authors discuss the use of guide tones,
bebop scales, three to flat nine, targeting, and other techniques.
Then the text presents numerous one-, two-, and three-measure jazz
lines in Coltrane's style grouped by the harmony over which they
can be used. The accompanying play-along CD provides the rhythm
parts for each section, including a track for each section that
modulates through the cycle of fourths, helping you master the
phrases in all keys. By combining various lines, musicians will be
able to mix and match numerous combinations of these lines to play
over ii-V-I progressions, turnarounds, and other harmonic
situations. Incorporate these essential jazz lines into your
vocabulary and you will be able to create your own lines in the
style of John Coltrane
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