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Using a combination of formalist and psychology-based approaches, this work examines the triple knowledge of subjectivity, body and language in medieval imaginative literature. Building on a long tradition of scholarship in areas of linguistics and psychology, the book seeks to explain how subjectivity is formed in medieval texts.
Using a combination of formalist and psychology-based approaches,
this work examines the triple knowledge of subjectivity, body, and
language in medieval imaginative literature.
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