The sixtieth anniversary edition of Frantz Fanon's landmark text, now with a new introduction by Cornel WestFirst published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon's The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West's introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon's most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said's Orientalism and The Autobiography of Malcolm X.

2012 NAACP Image Award Nominee for Outstanding Literary Work Biography/Autobiography "A powerful and poignant memoir." Cornel West, from the foreword "John Carlos is an American hero. And finally he has written a memoir to tell us his story and a powerful story it is. I couldn't put this book down." Michael Moore Seen around the world, John Carlos and Tommie Smith's Black Power salute on the 1968 Olympic podium sparked controversy and career fallout. Yet their show of defiance remains one of the most iconic images of Olympic history and the Black Power movement. Here is the remarkable story of one of the men behind the salute, lifelong activist John Carlos. John Carlos is a former track and field athlete and professional football player, and a founding member of the Olympic Project for Human Rights. He won the bronze medal in the 200-meter race at the 1968 Olympics, where his Black Power salute on the podium with Tommie Smith caused much political controversy. Dave Zirin is the author of four books, including Bad Sports: How Owners are Ruining the Games We Love, A Peoples' History of Sports in the United States, and What's My Name, Fool?

This book is a collection of essays about urban community college leaders' experiences during the COVID-19 era and racial injustice protests of 2020. The result is a wide range of content from political commentary to leadership advice-all through the unique perspectives of African Americans leading some of the country's biggest educational institutions with the greatest potential for redressing a system of "interlocking injustices" that has evolved and persisted for more than 400 years. While our institutions and constituencies were disproportionately impacted by these events, we believe that urban community colleges are also at the forefront of transformative solutions for the underlying social-equity issues that are most pronounced in the nation's biggest cities.

This book is a collection of essays about urban community college leaders' experiences during the COVID-19 era and racial injustice protests of 2020. The result is a wide range of content from political commentary to leadership advice-all through the unique perspectives of African Americans leading some of the country's biggest educational institutions with the greatest potential for redressing a system of "interlocking injustices" that has evolved and persisted for more than 400 years. While our institutions and constituencies were disproportionately impacted by these events, we believe that urban community colleges are also at the forefront of transformative solutions for the underlying social-equity issues that are most pronounced in the nation's biggest cities.

In 1969, Martin Kilson became the first tenured African American professor at Harvard University, where he taught African and African American politics for over thirty years. In A Black Intellectual's Odyssey, Kilson takes readers on a fascinating journey from his upbringing in the small Pennsylvania milltown of Ambler to his experiences attending Lincoln University-the country's oldest HBCU-to pursuing graduate study at Harvard before spending his entire career there as a faculty member. This is as much a story of his travels from the racist margins of twentieth-century America to one of the nation's most prestigious institutions as it is a portrait of the places that shaped him. He gives a sweeping sociological tour of Ambler as a multiethnic, working-class company town while sketching the social, economic, and racial elements that marked everyday life. From narrating the area's history of persistent racism and the racial politics in the integrated schools to describing the Black church's role in buttressing the town's small Black community, Kilson vividly renders his experience of northern small-town life during the 1930s and 1940s. At Lincoln University, Kilson's liberal political views coalesced as he became active in the local NAACP chapter. While at Lincoln and during his graduate work at Harvard, Kilson observed how class, political, and racial dynamics influenced his peers' political engagement, diverse career paths, and relationships with white people. As a young professor, Kilson made a point of assisting Harvard's African American students in adapting to life at a white institution. Throughout his career, Kilson engaged in pioneering scholarship while mentoring countless students. A Black Intellectual's Odyssey features contributions from three of his students: a foreword by Cornel West and an afterword by Stefano Harney and Fred Moten.

In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life where people come together to give themselves, to nurture life, to renew their spirits, sustain their hopes, and to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with "In Solidarity," their 2016 conversation at the bell hooks Institute on racism, politics, popular culture and the contemporary Black experience.

White on White/Black on Black is a unique contribution to the philosophy of race. The book explores how fourteen philosophers, seven white and seven black, philosophically understand the dynamics of the process of racialization. Combined, the contributions demonstrate different and similar conceptual trajectories of raced identities that emerge from within and across the racial divide. Each of the fourteen philosophers, who share a textual space of exploration, name blackness/whiteness, revealing significant political, cultural, and existential aspects of what it means to be black/white. Through the power of naming and theorizing whiteness and blackness, White on White/Black on Black dares to bring clarity and complexity to our understanding of race identity.

Taking Parenting Public makes a compelling case that parenting has become dangerously undervalued in America today. It calls for a new investment--both personal and public--into the work of raising children and argues that we are all 'stockholders' in the next generation. With a foreword by Sylvia Ann Hewlett and Cornel West, Taking Parenting Public crosses boundaries to bring together thinkers from diverse fields spanning the political spectrum. It features contributions from distinguished experts in economics, political science, public policy, child development, public health, history, and the media. While recent books have focused on working mothers or absent fathers, Taking Parenting Public is the first volume to take a comprehensive look at the common struggles of parents. These essays go beyond the usual calls for more and better child care and other strategies of 'parent replacement' to offer fresh ideas for 'parent replenishment, ' ways of putting mothers and fathers back into the lives of their children not only as economic providers, but also as emotional and moral providers. For more information visit the National Parenting Association Web site.

White on White/Black on Black is a unique contribution to the philosophy of race. The book explores how fourteen philosophers, seven white and seven black, philosophically understand the dynamics of the process of racialization. Combined, the contributions demonstrate different and similar conceptual trajectories of raced identities that emerge from within and across the racial divide. Each of the fourteen philosophers, who share a textual space of exploration, name blackness/whiteness, revealing significant political, cultural, and existential aspects of what it means to be black/white. Through the power of naming and theorizing whiteness and blackness, White on White/Black on Black dares to bring clarity and complexity to our understanding of race identity.

ONE HUNDRED ORIGINAL PROFILES OF THE MOST INFLUENTIAL AFRICAN AMERICANS OF THE TWENTIETH CENTURY

Without Louis Armstrong or Miles Davis, we would not have jazz. Without Toni Morrison or Ralph Ellison, we would miss some of our greatest novels. Without Dr. King or Thurgood Marshall, we would be deprived of political breakthroughs that affirm and strengthen our democracy. Here, two of the leading African-American scholars of our day, Henry Louis Gates, Jr., and Cornel West, show us why the twentieth century was the African-American century, as they offer their personal picks of the African-American figures who did the most to shape our world.

This colorful collection of personalities includes much-loved figures such as scientist George Washington Carver, contemporary favorites such as comedian Richard Pryor and novelist Alice Walker, and even less-well-known people such as aviator Bessie Coleman. Gates and West also recognize the achievements of controversial figures such as Nation of Islam leader Louis Farrakhan and rap artist Tupac Shakur. Lively, accessible, and illustrated throughout, The African-American Century is a celebration of black achievement and a tribute to the black struggle for freedom in America that will inspire readers for years to come.

Sixteen of America's leading scholars offer an uncompromising critique of the academy from their perspective as African American men.They challenge dominant majority assumptions about the culture of higher education, most particularly its claims of openness to diversity and divergent traditions.What is remarkable about the chapters that make up this book--despite the authors' different paths to success, their disparate fields of study, and their distinct voices is their almost unanimous message that higher education is inimical to African Americans.They take issue with the processes that determine what is legitimized as scholarship, as well as with who wields the power to authenticate it. They describe the debilitating pressures to subordinate Black identity to a supposedly universal but hegemonic Eurocentric culture. They question the academy's valuing of individuality and its privileging of dichotomy over their cultural styles of community, humanism and synthesis. They also range over such issues as culturally mediated styles of cognition, the misuse of standardized testing, the disproportionate burden of service placed on African American faculty and a reward system that discounts it.Given stature of these authors, and their outspoken message, this book demands attention from leaders and faculty in predominantly White institutions, as well as from Black scholars and graduates aspiring to a career in higher education.

In Keeping Faith, Cornel West - author of the bestselling Race Matters - puts forward his ideas about race and about philosophy. West's powerful voice ranges widely across issues of race and culture, the role of the black intellectual, politics and philosophy in America, art and architecture, questions of legal theory, and the future of liberal thought. In a time of decay and discouragement in the black community and among progressive forces at large, Keeping Faith offers new strategies to galvanize and propel a new generation of African Americans. Yet, West argues, racial subordination must be understood within the larger crises of our society. Maintaining the uniqueness of black identity and resistance, he provocatively suggests alliances with other intellectual and community-based forms of American radicalism. Keeping Faith offers West's distinctive mix of political passions and careful scrutiny. Whether exploring 'the new cultural politics of difference', American pragmatism, or race and social theory, he sustains a difficult balance between a subtly argued critique of the past and present, and a broadly conceived, daring vision of the future. Both troubling and exhilarating, Keeping Faith maps not only the concerns of one of the most significant public intellectuals of our time, but issues crucial to Americans of all races.

'The sheer range of West's interests and insights is staggering and exemplary: he appears equally comfortable talking about literature, ethics, art, jurisprudence, religion, and popular-cultural forms.' - Artforum Keeping Faith is a rich, moving and deeply personal collection of essays from one of the leading African American intellectuals of our age. Drawing upon the traditions of Western philosophy and modernity, Cornel West critiques structures of power and oppression as they operate within American society and provides a way of thinking about human dignity and difference afresh. Impressive in its scope, West confidently and deftly explores the politics and philosophy of America, the role of the black intellectual, legal theory and the future of liberal thought, and the fate of African Americans. A celebration of the extraordinary lives of ordinary Americans, Keeping Faith is a petition to hope and a call to faith in the redemptive power of the human spirit.

No matter who wins the next election, Caesar will remain Caesar, doing some good and some bad. But Christians report to a different king. This issue starts with a provocation. In his opening letter, editor Peter Mommsen suggests Christians are too excited about the wrong politics: "Questions of public justice should matter deeply to Christians. We dare not be indifferent about securing healthcare for all and ending interventionist wars; we must seek to reduce abortions and strengthen families. When an election comes, we should pray and then, perhaps, lend our support to a candidate we judge may, on balance, advance social righteousness. But if the early Christians and the Anabaptists are right, this isn't the politics that matters most. And so, as a matter of faithfulness, we should question how much it deserves of our passion and time. Our allegiance belongs elsewhere." In contrast to an election campaign, this politics may feel grittier and less glamorous. This issue of Plough Quarterly explores what this alternate vision of faithful Christian witness in the political sphere might look like. You'll find articles on: What two leading political theorists of left and right agree on What persecution taught Anabaptists about politics The Bruderhof's interactions with the state Tolstoy's case against making war more humane How some Christians read Romans 13 under fascism

Profound meditations on life, death, freedom, family, and faith, written by radical Black journalist, Mumia Abu-Jamal, while he was awaiting his execution. "Uncompromising, disturbing . . . Abu-Jamal's voice has the clarity and candor of a man whose impending death emboldens him to say what is on his mind without fear of consequence."—The Boston Globe "A brilliant, lucid meditation on the moral obligation of political commitment by a deeply ethical—and deeply wronged—human being. Mumia should be freed, now."—Henry Louis Gates, Jr., Alphonse Fletcher, Jr. University Professor & Director of the Hutchins Center for African & African American Research at Harvard University "A brilliant, powerful book by a prophetic writer . . . his language glows with an affirming flame."—Jonathan Kozol, author of Death at an Early Age and Rachel and Her Children Journalist and activist Mumia Abu-Jamal has been imprisoned since 1982 for the killing of a police officer, a crime he steadfastly maintained he did not commit. In 1996, after serving more than a decade on death row, and with the likelihood of execution looming, he began receiving regular visits from members of the Bruderhof spiritual community, a group of refugees from Hitler's Germany. Inspired by these encounters, Mumia began to write a series of personal essays reflecting on his search for spiritual meaning within a society plagued by materialism, hypocrisy, and violence. "Many people say it is insane to resist the system," writes Mumia, "but actually it is insane not to." This expanded edition of Death Blossoms brings a classic, influential work back into print with a new introduction by Mumia, and includes the entire text of a groundbreaking report by Amnesty International detailing the legal improprieties and chronic injustices that marred his trial. Praise for Death Blossoms, Expanded Edition: "For years in my classrooms I have watched Death Blossoms do its luminous work. It has awakened the conscience of so many of my student readers. Once awakened, they begin to shoulder the disciplines of its revolutionary knowing, moral passion, historical precision and clarity of reason. No wonder repressive powers seek death for this prisoner of conscience. Alas for them, Mumia still lives. From streets to classrooms and back, Death Blossoms keeps opening up consciences, hearts, and minds for our revolutionary work."—Mark Lewis Taylor, Professor of Theology and Culture at Princeton Theological Seminary, and author of The Theological and the Political: On the Weight of the World "Targeted by the FBI's COINTELPRO for his revolutionary politics, imprisoned, and sentenced to death, Mumia found freedom in resistance. His reflections here—on race, spirituality, on struggle, and life—illuminate this path to freedom for us all."—Joshua Bloom, co-author with Waldo E. Martin Jr. of Black Against Empire: The History and Politics of the Black Panther Party "In this revised edition of his groundbreaking work, Death Blossoms, convicted death row prisoner Mumia Abu-Jamal tackles hard and existential questions, searching for God and a greater meaning in a caged life that may be cut short if the state has its way and takes his life. As readers follow Mumia's journey through his poems, short essays, and longer musings, they will learn not only about this singular individual who has retained his humanity despite the ever present threat of execution, but also about themselves and our society: what we are willing to tolerate and who we are willing to cast aside. If there is any justice, Mumia will prevail in his battle for his life and for his freedom."—Lara Bazelon, author of Rectify: The Power of Restorative Justice After Wrongful Conviction "Mumia Abu-Jamal has challenged us to see the prison at the center of a long history of US oppression, and he has inspired us to keep faith with ordinary struggles against injustice under the most terrible odds and circumstances. Written more than two decades ago, Death Blossoms helps us to see beyond prison walls; it is as timely and as necessary as the day it was published."—Nikhil Pal Singh, founding faculty director of the NYU Prison Education Program, author of Race and America's Long War "For over three decades, the words of Mumia Abu-Jamal have been tools many young activists have used to connect the dots of empire, racism, and resistance. The welcome reissue of Death Blossoms is a chance to reconnect with Abu-Jamal's prophetic voice, one that needs to be heard now more than ever."—Hilary Moore and James Tracy, co-authors of No Fascist USA!, The John Brown Anti-Klan Committee and Lessons for Today's Movements

'The sheer range of West's interests and insights is staggering and exemplary: he appears equally comfortable talking about literature, ethics, art, jurisprudence, religion, and popular-cultural forms.' - Artforum

Keeping Faith is a rich, moving and deeply personal collection of essays from one of the leading African American intellectuals of our age. Drawing upon the traditions of Western philosophy and modernity, Cornel West critiques structures of power and oppression as they operate within American society and provides a way of thinking about human dignity and difference afresh. Impressive in its scope, West confidently and deftly explores the politics and philosophy of America, the role of the black intellectual, legal theory and the future of liberal thought, and the fate of African Americans. A celebration of the extraordinary lives of ordinary Americans, Keeping Faith is a petition to hope and a call to faith in the redemptive power of the human spirit.

A study of American pragmatism, this book looks at all the different stages from the Emersonian roots, through the dilemma of the mid-century pragmatic intellectual up to the decline and resurgence of American pragmatism. It also discusses prophetic pragmatism.

Seen around the world, John Carlos and Tommie Smith's Black Power salute on the 1968 Olympic podium sparked controversy and career fallout. Yet their show of defiance remains one of the most iconic images of Olympic history and the Black power movement. Now John Carlos tells his own version of the story, in conjunction with Dave Zirin, author of the groundbreaking People's History of Sports in the United States (The New Press, 2009, available from Turnaround). Carlos' eye-opening and immensely readable autobiography finally introduces the man behind the salute.

A vivid, groundbreaking history of the legacies of slavery in an elite Northern town as told by its Black residents I Hear My People Singing shines a light on a small but historic Black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns-Princeton, New Jersey. The vivid first-person accounts of more than fifty Black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton's African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation's current conversations on race. Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of Black Princetonians-including the famed Paul Robeson-and highlights the community's remarkable achievements. The introductions to each chapter provide historical context, as does the book's foreword by noted scholar, theologian, and activist Cornel West. An intimate testament of the Black community's resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant Black experience to an American narrative that needs to be heard now more than ever.