Things That No Longer Delight Me is a collection of poems about family and memory. This book is filled with objects. The author writes: 'I like objects for company, to decorate the plainest spaces, decorum and I amass details, jade bracelet, her animal-print dresses, an oval coral cameo'. How do objects counter loneliness, she asks, and speak to us of how to behave? In Things That No Longer Delight Me, lyric is driven by a compulsion or need to collect, in order to make sense of the past and stay connected to it. And what if that connection were to be lost? Confronting loss, the book pieces together a family history from stories fragmented and overheard. It asks: What is hearsay and what is history? It seeks to embody story, or historical detail, in lyric form. Resisting nostalgia, its poems respect what is diminished by grief or loss yet reveal details that hold sway over us and give us continuing pleasure.

..".thoughtful recollections, scary memories, articulate reflections, and the resolve of a man who has been there."--"Publishers Weekly"

At age nineteen, Hugh Martin withdrew from college when his National Guard unit was activated for a deployment to Iraq. After training at Fort Bragg, Martin spent 2004 in Iraq as the driver of his platoon sergeant's Humvee. He participated in hundreds of missions including raids, conducting foot patrols, clearing routes for IEDs, disposing of unexploded ordnance, and searching thousands of Iraqi vehicles. These poems recount his time in basic training, his preparation for Iraq, his experience withdrawing from school, and ultimately, the final journey to Iraq and back home to Ohio.

Hugh Martin holds an MFA from Arizona State University. He is a Stegner Fellow at Stanford University.

From Cornelius Eady, one of America's most engaging voices, comes an exciting collection of poetry that at once delineates the arc of the poet's universe and highlights the range of his considerable talents. Cornelius Eady's poems show him in full control of his considerable talents and displaying a rich maturity as he enters midlife. His poems are sly, unsentimental, and witty, full of truths that are intimate and profound. Hardheaded Weather ranges widely, reflecting the new found responsibilities Eady has assumed as he transitions from urban renter to nonplussed rural homeowner, as well as the sobering influence of war and the intimation of his own mortality. Yet even at his angriest, the poet has always had a depth of compassion rare in our polarized age, with a sense of humor that is both sophisticated and demotic. These poems will resonate deeply. As exciting as the new poems are, his selected earlier poems dazzle, too, as they demonstrate the arc of Cornelius Eady's maturation and the originality of his voice. Taken together, Hardheaded Weather forms a moving--and sometimes searing--testament to the power of poetry.

Victims of the Latest Dance Craze was the 1985 Lamont Poetry Selection of the Academy of American Poets, an award given for an American poet's second book.