Otto Hoefler (1901-1987) was an Austrian Germanist and Scandinavist. His research on >Germanic culture<, in particular on Germanic Mannerbunde (men's bands), was controversial and remains a topic of academic debate. In modern discourse, Hoefler's theories are often fundamentally rejected on account of his involvement in the National Socialist movement and his contribution to the research initiatives of the SS Ahnenerbe, or they are adopted by scholars who ignore his problematic methodologies and the ideological and political elements of his work. The present study takes a comprehensive approach to Hoefler's research on >Germanic culture< and analyses his characterisation of the >Germanic peoples<, contextualising his research in the backdrop of German philological studies of the early twentieth century and highlighting elements of his theories that are still the topic of modern academic discourse. A thorough analysis of his main research theses, focusing on his Mannerbund-research, reveals that his concept of >Germanic culture< is underscored by a belief in the deep-seated religiosity of the >Germanic peoples< formed through sacred-daemonic forces.

This concise, accessible introduction to understanding agricultural chemicals and public health combines a broad synthesis on a global scale with rich ethnographic narratives on a human scale. Drawing on epidemiology, policy analysis, and social science research on the global commodity chain, the authors describe the system of global agrochemical dependence that constitutes a major threat to human health. Then they draw readers into the lush mountainsides of highland Guatemala, telling personal stories of farmers, their experiences with public health programs, their struggles against agrichemical dependence, and their innovations in sustainable agriculture. Finally, they show how this kind of qualitative, multi-level analysis holds practical lessons for public health. This engaging, brief text is an ideal supplement for courses in global health, introducing students to key concepts with broad coverage and engrossing ethnographic detail.

Some people are like monarch butterflies-solitary by nature, on a passionate search for somewhere. Critically acclaimed songwriter Courtney Marie Andrews presents her first poetry collection. This poetry collection reads like a transformation, me, the narrator, being the figurative Old Monarch. Documenting this journey, the book is separated into three sections, "Sonoran Milkweed," "Longing In Flight," and "Eucalyptus Tree (My Arrival to Rest)." In the first stage of my journey, I explore my childhood in Arizona, and the naive assumptions of youth. At this stage in my journey, I am impressionable, seeing the world with all its nuances for the first time. Through the landscape of the Sonoran Desert, I explore some dark family dynamics and what a child sees. Several characters turn up in the early poems including my cowboy grandpa, and the single mother who raised me, despite many forthcomings. The early poems also explore my desire to see a brighter world of possibility beyond the dusty desert island, and see humans more clearly within the confounds of discovery. In the second stage, I have left home. I am falling in love for the first time, as I become a young woman. Finally, the last stage is the old monarch's arrival to the garden. There are a lot of metaphysical and philosophical poems in this section. I arrive at the figurative garden, and I finally understand the journey at the edge of my life. There are a lot of poems in the context of a garden here, accepting mortality and the ever-changing world. These are meant to be wise old woman poems.