October 2017 marks five hundred years since Martin Luther nailed his 95 theses to the church door in Wittenberg and launched the Protestant Reformation. At least, that's what the legend says. But with a figure like Martin Luther, who looms so large in the historical imagination, it's hard to separate the legend from the life, or even sometimes to separate assorted legends from each other. Over the centuries, Luther the man has given way to Luther the icon, a polished bronze figure on a pedestal. In A World Ablaze, Craig Harline introduces us to the flesh-and-blood Martin Luther. Harline tells the riveting story of the first crucial years of the accidental crusade that would make Luther a legendary figure. He didn't start out that way; Luther was a sometimes-cranky friar and professor who worried endlessly about the fate of his eternal soul. He sought answers in the Bible and the Church fathers, and what he found distressed him even more - the way many in the Church had come to understand salvation was profoundly wrong, thought Luther, putting millions of souls, not least his own, at risk of damnation. His ideas would pit him against numerous scholars, priests, bishops, princes, and the Pope, even as others adopted or adapted his cause, ultimately dividing the Church against itself. A World Ablaze is a tale not just of religious debate but of political intrigue, of shifting alliances and daring escapes, with Luther often narrowly avoiding capture, which might have led to execution. The conflict would eventually encompass the whole of Christendom and served as the crucible in which a new world was forged. The Luther we find in these pages is not a statue to be admired but a complex figure - brilliant and volatile, fretful and self-righteous, curious and stubborn. Harline brings out the immediacy, uncertainty, and drama of his story, giving readers a sense of what it felt like in the moment, when the ending was still very much in doubt. The result is a masterful recreation of a momentous turning point in the history of the world.

The mere mention of "Sunday" will immediately conjure up a rich mix of memories, associations, and ideas for most anyone of any age. Whatever we think of-be it attending church, reading a bulky newspaper, eating brunch, or watching football-Sunday occupies a unique place in Western civilization. But how did we come to have a day with such a singular set of traditions? Here, historian Craig Harline examines Sunday from its ancient beginnings to contemporary America in a fascinating blend of stories and analysis. For the earliest Christians, the first day of the week was a time to celebrate the liturgy, observe the Resurrection, and work. But over time, Sunday in the Western world took on still other meanings and rituals, especially in the addition of both rest and recreation to the day's activities. Harline illuminates these changes in enlightening profiles of Sunday in medieval Catholic England, Sunday in the Reformation, and Sunday in nineteenth-century France-home of the most envied and sometimes despised Sunday of the modern world. He continues with moving portraits of soldiers and civilians trying to observe Sunday during World War I, examines the quiet Sunday of England in the 1930s, and concludes with the convergence of various European traditions in the American Sunday, which also adds some distinctly original habits of its own, such as in the realms of commerce and professional sports. With engaging prose and scholarly integrity, Sunday is an entertaining and long-overdue look at a significant hallmark of Western culture.

Based on a treasure trove of letters, this fascinating book tells the history of a seventeenth-century nun in a convent in Leuven and how her complaints-of sexual harassment, fears of demonic possession, alliances among the other sisters against her-led to her banishment from the convent on two occasions. Highly acclaimed when it was first published as a revealing look at female religious life in early modern Europe, the book is now available in an abridged paperbound version with a new preface by the author. Reviews of the clothbound edition: "A window to the past. . . . I loved, just loved, this book."-Carolyn See, Washington Post "The world Mr. Harline uncovers is a fascinating one. . . . The story of Sister Margaret gives an extra dimension of humanity to a turning point in the history of ideas."-Sonia Gernes, Wall Street Journal "Better-than-fiction social history. . . . This is a glimpse into diaries, letters, hearts, minds, hatreds, and hopes; it will enthrall."-Christian Century "Harline's graceful writing allows the women and men in this religious community to breathe, gossip, pray with tears. . . . The Burdens of Sister Margaret helps us see the familiar Reformation in a fresh way."-Kevin A. Miller, Christianity Today "Microhistory at its best."-Larissa Taylor, Renaissance Quarterly

The experiences of two families-one in seventeenth-century Holland, the other in America today-and how they coped when a family member changed religions This powerful and innovative work by a gifted cultural historian explores the effects of religious conversion on family relationships, showing how the challenges of the Reformation can offer insight to families facing similarly divisive situations today. Craig Harline begins with the story of young Jacob Rolandus, the son of a Dutch Reformed preacher, who converted to Catholicism in 1654 and ran away from home, causing his family to disown him. In the companion story, Michael Sunbloom, a young American, leaves his family's religion in 1973 to convert to Mormonism, similarly upsetting his distraught parents. The modern twist to Michael's story is his realization that he is gay, causing him to leave his new church, and upsetting his parents again-but this time the family reconciles. Recounting these stories in short, alternating chapters, Harline underscores the parallel aspects of the two far-flung families. Despite different outcomes and forms, their situations involve nearly identical dynamics and heart-wrenching choices. Through the author's deeply informed imagination, the experiences of a seventeenth-century European family are transformed into immediately recognizable terms.