The discipline of developmental toxicology is an integration of concepts, models, and methodologies based heavily on the superimposition of toxicology principles upon the science of developmental biology. The science of developmental toxicology also borrows from other research areas that are concerned with regulation of cell growth, migration, differentiation and cell death, as such are central to the study of stem cells, cancer, and chronic diseases. In Developmental Toxicology: Methods and Protocols expert researchers in the field detail many of the methods which are now commonly used to study developmental toxicology highlighting the evolution of methods from classical teratology approaches to the dynamic, state-of-the-art molecular methods, systems biology, and next generation models and procedures. Written in the highly successful Methods in Molecular Biology (TM) series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and key tips on troubleshooting and avoiding known pitfalls. Authoritative and practical, Developmental Toxicology: Methods and Protocols is a valuable resource to those planning experiments to investigate consequences of environmental, nutritional, or chemical effects caused during development.

This book, first published in 1986, provides a comprehensive look at the social, cultural, political and economic forces that shaped Libya following the 1969 revolution. Libya’s political system under Qadhafi’s Third Universal Theory is examined, as are the power structures – military, tribal, economic and religious.

This book, first published in 1986, provides a comprehensive look at the social, cultural, political and economic forces that shaped Libya following the 1969 revolution. Libya's political system under Qadhafi's Third Universal Theory is examined, as are the power structures - military, tribal, economic and religious.

The discipline of developmental toxicology is an integration of concepts, models, and methodologies based heavily on the superimposition of toxicology principles upon the science of developmental biology. The science of developmental toxicology also borrows from other research areas that are concerned with regulation of cell growth, migration, differentiation and cell death, as such are central to the study of stem cells, cancer, and chronic diseases. In Developmental Toxicology: Methods and Protocols expert researchers in the field detail many of the methods which are now commonly used to study developmental toxicology highlighting the evolution of methods from classical teratology approaches to the dynamic, state-of-the-art molecular methods, systems biology, and next generation models and procedures. Written in the highly successful Methods in Molecular Biology (TM) series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and key tips on troubleshooting and avoiding known pitfalls. Authoritative and practical, Developmental Toxicology: Methods and Protocols is a valuable resource to those planning experiments to investigate consequences of environmental, nutritional, or chemical effects caused during development.

At a time when Acid Rock and Heavy Metal dominated popular music, The Band rebelled against the rebellion with a masterful mix of tight ensemble arrangements, great vocals, highly literate lyricism, and a respect for the musical traditions of the American South. Comprising Canadians Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, and Arkansas-born Levon Helm, The Band sparked a new appreciation for America's musical roots, fusing R&B, jump blues, country, folk, boogie-woogie, swing, Cajun, New Orleans-style jazz, and rock, and setting the foundations for the Americana craze that would take hold 30 years later. The Band: Pioneers of Americana Music explores the diverse influences on the quintet's music, and the impact that their music had in turn on contemporary music and American society. Through previously unpublished interviews with Robbie Robertson, Eric Andersen, Pete Seeger, and the late Rick Danko, as well as numerous other sources, Craig Harris surveys The Band's musical journey from sidemen for, among others, Ronnie Hawkins and Bob Dylan, to rock legends in their own right. The book touches on the evolution of rock and roll, the electrifying of folk music, unionism, and Civil Rights Movement, the growth of America's musical roots, changes in radio formatting, changing perceptions of the American south, and the commercializing of the counter-culture, as well as drug dependency, alcoholism, suicide, greed, and the struggle against cancer. Harris takes readers through The Band's albums, from Music from Big Pink and The Band to their final releases and solo recordings, as well as their historic appearances at Woodstock, Isle of Wight (with Dylan), Watkins Glen (with the Allman Brothers Band and the Grateful Dead), and the Last Waltz (with an all-star cast) and participation in the Festival Express. This biography is a must-have publication, not only for fans, but also for anyone interested in music history. Craig Harris sets the record straight as he shares the story of this incredibly influential rock act.

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

Max Baca is one of the foremost artists of Tex-Mex music, the infectious dance music sweeping through the Texas-Mexico borderlands since the 1940s. His Grammy-winning group, Los Texmaniacs, and his extensive work with the accordionist Flaco Jimmenez established the Albuquerque-born and San Antonio-based bajo sexto player/bandleader as a spokesperson for a too-often-maligned culture. The list of artists who have contributed to Los Texmaniacs' albums include Alejandro Escovedo, Joe Ely, Rick Trevino, Ray Benson of Asleep at the Wheel, David Hidalgo, Cesar Rosas, Steve Berlin of Los Lobos, and Lyle Lovett. Max Baca was born to play music. By his eighth birthday, he was already playing in his father's band. Polkas, redovas, corridos, boleros, chotises, huapangos, and waltzes were in his blood. Baca's music grew out of the harsh life of the borderland, and the duality of borderland music--its keening beauty--remains a recurring theme in everything he does.

A group of people who work for a retail giant discover a dark, murderous secret about the company. But finding out has made them the next targets. Now they are in for the fight of their lives as they try to stop the murders before the company gets to them first. Dead peasant's insurance is real. Companies routinely purchase corporate-owned life insurance policies on their workers. If the worker dies, the company, not the family, receives the benefit. The Dead Peasants File is fast-paced and exciting, building to a breath-taking climax that is hauntingly frightening, heart-breaking and realistic, but ultimately satisfying.