What does it mean to write a history of the night? Evening's Empire is a fascinating study of the myriad ways in which early modern people understood, experienced, and transformed the night. Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment.

Contributors from the US, Britain and Europe explore a neglected aspect of transatlantic slavery: the implication of a continental European hinterland. Slavery Hinterland explores a neglected aspect of transatlantic slavery: the implication of a continental European hinterland. It focuses on historical actors in territories that were not directly involved in the traffic inAfricans but linked in various ways with the transatlantic slave business, the plantation economies that it fed and the consequences of its abolition. The volume unearths material entanglements of the Continental and Atlantic economies and also proposes a new agenda for the historical study of the relationship between business and morality. Contributors from the US, Britain and continental Europe examine the ways in which the slave economy touched on individual lives and economic developments in German-speaking Europe, Switzerland, Denmark and Italy. They reveal how these 'hinterlands' served as suppliers of investment, labour and trade goods for the slave trade and of materials for the plantation economies, and how involvement in trade networks contributed in turn to key economic developments in the 'hinterlands'. The chapters range in time from the first, short-lived attempt at establishing a German slave-trading operation in the 1680s to the involvement of textile manufacturers in transatlantic trade in the first quarter of the nineteenth century. A key theme of the volume is the question of conscience, or awareness of being morally implicated in an immoral enterprise. Evidence for subjective understandings of the moral challenge of slavery is found in individual actions and statements and also in post-abolition colonisation and missionary projects. FELIX BRAHM is Research Fellow at the German Historical Institute in London. EVE ROSENHAFT is Professor of German Historical Studies, University of Liverpool. CONTRIBUTORS: Felix Brahm, Peter Haenger, Catherine Hall, Daniel P. Hopkins, Craig Koslofsky, Sarah Lentz, Rebekka von Mallinckrodt, Anne Sophie Overkamp, Alexandra Robinson, Eve Rosenhaft, Anka Steffen, Klaus Weber, Roberto Zaugg

The early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world.   By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume shows that early modern markers of skin and readers of marked skin did not think about different kinds of cutaneous signs as separate from each other. On the contrary, Europeans described Indigenous tattooing in North America, Thailand, and the Philippines by referring their readers to the tattoos Christian pilgrims received in Jerusalem or Bethlehem. When explaining the devil’s mark on witches, theologians claimed it was an inversion of holy marks such as those of baptism or divine stigmata. Stigma investigates how early modern people used permanent marks on skin to affirm traditional roles and beliefs, and how they hybridized and transformed skin marking to meet new economic and political demands. In addition to the editors, the contributors to this volume are Xiao Chen, Ana Fonseca Conboy, Peter Erickson, Claire Goldstein, Matthew S. Hopper, Katrina H. B. Keefer, Mordechay Lewy, Nicole Nyffenegger, Mairin Odle, and Allison Stedman.

What does it mean to write a history of the night? Evening's Empire is a fascinating study of the myriad ways in which early modern people understood, experienced, and transformed the night. Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment.