Based on the video game series of the same name, this sci-fi adventure directed by Justin Kurzel follows the story of Callum Lynch (Michael Fassbender), a career criminal saved from execution by the modern day Templars of the secretive Abstergo Industries. Using technology called the Animus, Callum is forced to relive the memories of his ancestor, Aguilar (Fassbender), an Assassin during the Spanish Inquisition. Alan Rikkin (Jeremy Irons) and his daughter Sophia (Marion Cotillard) conduct their experiments on Callum, while he gains the skills of his ancestor to fight the Templars of today.

Journey from fantasy mountains to super-cities, through piratical seas and across space without missing any must-see sights - or putting a foot wrong with the locals! Whether you're Lord of the shoestring-budget or Luxe Skywalker - Notes from Small Planets is your pastiche passport through the best worlds of Science Fiction & Fantasy Your ultimate travel guide to all the must-see locations in the worlds of Science Fiction and Fantasy. The perfect gift for self-professed geeks and fans of all things genre - from classic genre readers to new young disciples of nerdery. From misty mountains to wizarding schools, from the homes of superheroes to lairs of infamous villains - visit your favourite worlds and discover new ones - all without ever missing a single landmark or traditional dish. What's orc for 'bon voyage'?

The fourth outing in the popular espionage action thriller franchise based on the Jason Bourne novels by Robert Ludlum. Written and directed by Tony Gilroy, who scripted the first three films, the film moves away from the central Bourne character (played in the opening trilogy by Matt Damon) to focus on a new protagonist, CIA operative Aaron Cross (Jeremy Renner). The film, which takes up events where 'The Bourne Ultimatum' left off, sees Cross making the vow to give himself over completely to 'the operation', and quickly proving himself to be the shining star in a new generation of deadly undercover assassins. Rachel Weisz and Edward Norton co-star, while pivotal roles from the previous films are reprised by Joan Allen, David Strathairn, Albert Finney and Scott Glenn.

The explosive, behind-the-scenes account of the criminal trial of the century. In November 2021, Ghislaine Maxwell was convicted of five counts of sex-trafficking of minors, and now faces 55 years in prison for the role she played in Jeffrey Epstein’s abuse of four girls. The trial was meticulously covered by journalist and legal reporter Lucia Osborne-Crowley, one of only four reporters allowed into the courtroom every day. The Lasting Harm is her account of that trial, a gripping true crime drama and a blistering critique of a criminal justice system ill-equipped to deliver justice for abuse survivors, no matter the outcome. Centring the stories of four women and their testimonies, and supplemented by extra material to which Osborne-Crowley has exclusive access, The Lasting Harm brings this incendiary trial to life, questions our age-old appetite for crime and punishment and offers a new blueprint for meaningful reparative justice.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Life at Full Tilt is a whirlwind tour of Dervla Murphy s travels. It begins in Spain in 1956, before her first book, and follows in her tracks for over fifty years, including descriptions of her beloved Afghanistan in 1963, of the Peruvian Andes, of South, West and East Africa and most recently of the troubled territories of Palestine and Israel. Dervla s style of travel, to go somewhere that interested her and see who she met, made for fresh encounters every day, recorded faithfully each evening in her journal. She read hungrily to prepare for her journeys and folded her learning seamlessly into her books. Finally, between these covers, we are able to catch up with her work in its entirety. What shines through is her passionate engagement with the world and its injustices, and her utter independence of mind. Ethel Crowley, an Irish sociologist, has for the first time looked at all Dervla s writing her journalism and her twenty-four books selecting half-a-dozen extracts from each. She introduces us to a complex character, hard to pin down, but a role model for women and environmentalists, Irish to her fingertips and a crucial part of the larger English tradition of travel writing. With a preface by Colin Thubron