Thinking that postmodernism is a threat, many Christians take a duck-and-cover approach to dealing with it. But that will not make postmodernism go away. Can Christians learn from postmodern thinkers and their critique of modernism? Yes, says author Crystal L. Downing. Postmodernism should not be judged by some of the problematic practices carried out in its name. In a lively engagement with literature, philosophy and art, Downing introduces readers to what postmodernism is and where it came from, aiming to show how Christians can best understand, critique and even benefit from its insights. She draws on her own experiences as a graduate student and her careful research into this worldview's modernist and artistic origins, the challenges of foundationalism and poststructuralism, and the complexity of relativism. She ends with a challenge to Christians: that they not be postmodern in their attitudes towards postmodernism, but instead to "be in the world and not of it" and to extend grace where it is most needed. Downing believes that the challenges, questions and insights of postmodernism can contribute to a deeper and clearer grasp of our faith, as well as providing unique paradigms for sharing the truth of Christ.

The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but inseparable from Christ-figures), even if sometimes they’re not intended as such, “Spirit-led” characters, are moved to act “prophetically,” against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ's body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.

Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ's body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.