This book contains all of Gary Gianni's artwork for George R.R. Martin's A Song of Ice and Fire series. Over 300 pages of beautifully illustrated scenes from the five novels in the series--A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast For Crows and A Dance With Dragons--are featured alongside passages from the books themselves. Also included are illustrations from the two prequels of the series, A Knight of the Seven Kingdoms and Fire and Blood. All together, the paintings and hundreds of drawings in pencil and pen-and-ink provide a unique view of the Seven Kingdoms of Westeros as seen through the eyes of the award-winning illustrator. Describing Gianni's artwork, George R.R. Martin says it's "as if I am looking through a window into Westeros, that I am there with Tyrion and Daenerys, with Ned and Arya, with Dunk and Egg." All of Gary Gianni's previously shown pencil sketches and paintings have been tightened up and polished for this collection, making them appear as new works. In addition, over 35 pencil drawings appear for the first time. The artist draws on his longtime experience in comics and illustration to offer a unique perspective into Martin's universe. The book also includes an introduction by Cullen Murphy, who discusses the art of illustration and adds context to the pictures by providing an overview of Gianni's career. Notes from the artist reveal insight concerning his methods and the creative process of working with Martin, a relationship that has spanned five years to date.

It is from the discards of former civilizations that archaeologists have reconstructed most of what we know about the past, and it is through their examination of today's garbage that William Rathje and Cullen Murphy inform us of our present. Rubbish! is their witty and erudite investigation into all aspects of the phenomenon of garbage. Rathje and Murphy show what the study of garbage tells us about a population's demographics and buying habits. Along the way, they dispel the common myths about our "garbage crisis"--about fast-food packaging and disposable diapers, about biodegradable garbage and the acceleration of the average family's garbage output. They also suggest methods for dealing with the garbage that we do have.

One of Vanity Fair's Best Books of 2022 "Milton Gendel had the good fortune to live a wildly entertaining life in Rome--a charmed, romantic period he captured in diaries and photos. Milton had the further good fortune to have Cullen Murphy bring this vanished dolce vita to life." --Graydon Carter, coeditor of Air Mail A never-before-seen treasure trove of photos and diary entries from the celebrated photographer Milton Gendel that bring Rome's midcentury heyday to life. "I'm just passing through," Milton Gendel liked to say whenever anybody asked him what he was doing in Rome. Even after seven decades in the Eternal City, from his arrival as a Fulbright Scholar in 1949 until his death in 2018 at the age of ninety-nine, he refused to be pigeonholed. He was always an American--never an "expat," never an émigré--but he couldn't leave, so deep were his ties, and this dual bond left an indelible imprint on his life and art. Born in New York City to Russian immigrants, Gendel first made his way to Meyer Schapiro's classroom at Columbia University and then to Greenwich Village, where he and his friend Robert Motherwell joined the circle of surrealists around Peggy Guggenheim and André Breton. But it was Rome that earned his enduring fascination--the city supplied him with endless outlets for his curiosity, a series of dazzling apartments in palazzi, the great loves of his life, and the scores of friendships that made his story inextricably part of the city's own. Gendel did much more than just pass through, instead becoming one of Rome's foremost documentarians. He spoke Italian fluently, worked for the industrialist Adriano Olivetti, and sampled the latest currents of Italian art as a correspondent for ARTnews. And he was an artist in his own right, capturing the lives of Sicilian peasants and British royals alike on film and showing his photographs at the Roman outpost of the Marlborough Gallery. Then there were his diaries, a casement window thrown open onto a who's who of artists, writers, and socialites sojourning in the city that remained, for Gendel, the Caput Mundi: Mark Rothko, Princess Margaret, Alexander Calder, Anaïs Nin, Gore Vidal, Martha Gellhorn, Muriel Spark. His longtime home on the Isola Tiberina was the nerve center of the dolce vita generation, whose comings and goings and doings he immortalized in both words and images. Here, for the first time in print, are Gendel's diaries, together with his photographs, selected and edited by Cullen Murphy. Just Passing Through brings together the most striking artifacts of one of the past century's richest and most expansive lives, salted with wit and insight into the figures who defined an era. Includes black-and-white photographs

In the world that created the Bible, there were no female scholars and theologians, yet in the past four decades, owing to such stunning discoveries as the Dead Sea Scrolls and the Nag Hammadi texts, as well as advances in historical understanding and the rise of feminism, a generation of scholars has found new ways to interpret the Scriptures and the societies that created them -- exploring avenues traditionally ignored by male-dominated religious study. Surveying the new scholarship and the personalities of those who have created it, The Word According to Eve not only explores afresh the history of our religions but offers exciting new challenges to our sense of worship. A Peter Davison Book.

The rise and fall of ancient Rome has been on American minds from the beginning of our republic.Today we focus less on the Roman Republic than on the empire that took its place. Depending on who's doing the talking, the history of Rome serves as either a triumphal call to action or a dire warning of imminent collapse. In Are We Rome? the esteemed editor and author Cullen Murphy reveals a wide array of similarities between the two empires: the blinkered, insular culture of our capitals; the debilitating effect of bribery in public life; the paradoxical issue of borders; and the weakening of the body politic through various forms of privatization. Murphy persuasively argues that we most resemble Rome in the burgeoning corruption of our government and in our arrogant ignorance of the world outside -- two things that must be changed if we are to avoid Rome's fate.