Dreams in Television Narratives is the first comprehensive analysis of one of American television's most frequently utilized tropes, the dream. From its beginning, television has been a storytelling medium. Whether delivered to a live audience or played out on a sound stage, narratives and those who write them have always been the crux of the television program. While film can claim a long history of scholarly inquiry into the connection between film and dreams, no comprehensive research exists on the subject of television dreams. Locating its primary function as narrative, the author uses examples from American sitcoms and dramatic programs, analyzing the narrative functions of dreams using, as its frame, Carl Jung's narrative stages of the dream: exposition, development, culmination, and conclusion. While television dreams are analyzed throughout, case studies of the television programs The Sopranos and Buffy the Vampire Slayer are included to show in detail how dreams function throughout a television series. Includes a compendium of over 1000 television episodes that include dreams, a valuable tool for any television scholar or enthusiast.

This book guides readers through these and other important Steinbeck works, particularly those that are most often taught, including "The Pearl" (1945), "The Red Pony" (1933), and significant short fiction. Clear analysis of each work includes discussions of character development, plot and setting, thematic treatment, historical contexts, and alternate critical readings. A biographical chapter, as well as an examination of the author's contributions and career, helps readers gain a sense of Steinbeck the man and his position as one of America's most important writers.

Since the publication of "Tortilla Flat" in 1935, Steinbeck's treatment of American landscapes and themes has struck a chord with readers. His novels "Of Mice and Men" (1937), "The Grapes of Wrath" (1939), and "Cannery RoW" (1945) were instant critical and popular successes. Each went on to become a feature film, which added to Steinbeck's cultural impact. His works have long endured to earn a place in the canon of American Literature. This book guides readers through these and other important Steinbeck works, particularly those that are most often taught, including "The Pearl" (1945), "The Red Pony" (1933), and significant short fiction.

Clear analysis of each work includes discussions of character development, plot and setting, thematic treatment, historical contexts, and alternate critical readings. A biographical chapter, as well as an examination of the author's contributions and career, helps readers gain a sense of Steinbeck the man and his position as one of America's most important writers.

"Dreams in Television Narratives" is the first comprehensive analysis of one of American television's most frequently utilized tropes, the dream. From its beginning, television has been a storytelling medium. Whether delivered to a live audience or played out on a sound stage, narratives and those who write them have always been the crux of the television program. While film can claim a long history of scholarly inquiry into the connection between film and dreams, no comprehensive research exists on the subject of television dreams. Locating its primary function as narrative, the author uses examples from American sitcoms and dramatic programs, analyzing the narrative functions of dreams using, as its frame, Carl Jung's narrative stages of the dream: exposition, development, culmination, and conclusion. While television dreams are analyzed throughout, case studies of the television programs The Sopranos and Buffy the Vampire Slayer are included to show in detail how dreams function throughout a television series. Includes a compendium of over 1000 television episodes that include dreams, a valuable tool for any television scholar or enthusiast.

No recent television creator has generated more critical, scholarly, and popular discussion or acquired as devoted a cult following as Joss Whedon (b. 1964). No fewer than thirty books concerned with his work have now been published (a forthcoming volume even offers a book-length bibliography), and ten international conferences on his work have convened in the U.K., the United States, Australia, and Turkey. Fitting then that this first volume in the University Press of Mississippi's "Television Conversations" series is devoted to the writer, director, and showrunner who has delivered "Buffy the Vampire Slayer" (The WB, 1997-2001; UPN, 2001-3), "Angel" (The WB, 1999-2004), "Firefly" (2002), "Dr. Horrible's Sing-Along Blog" (Webcast, 2008), and "Dollhouse" (FOX, 2009-10).

If Whedon has shown himself to be a virtuoso screenwriter/script-doctor, director, comic book author, and librettist, he is as well a masterful conversationalist. As a DVD commentator, for example, the consistently hilarious, reliably insightful, frequently moving Whedon has few rivals. In his many interviews he likewise shines. Whether answering a hundred rapid-fire, mostly silly questions from fans on the Internet, fielding serious inquiries about his craft and career from television colleagues, or assessing his disappointments, Whedon seldom fails to provoke laughter and reflection.