Finally in paperback, this "monumental collection; gathers all of Babel's deft and brutal writing, including a wide array of previously unavailable material, from never-before-translated stories to plays and film scripts" (David Ulin, "Los Angeles Times"). Reviewing the work in "The New Republic," James Woods wrote that this groundbreaking volume "represents a triumph of translating, editing, and publishing. Beautiful to hold, scholarly and also popularly accessible, it is an enactment of love." Considered one of the greatest writers of the twentieth century, Isaac Babel has left his mark on a generation of readers and writers. This book will stand as Babel's final, most enduring legacy. Winner of the Koret Jewish Book Award; A "New York Times" Notable Book, a and "Library Journal" Best Book, a "Washington Post" Book World Rave, a "Village Voice" Favorite Book of the Year.

Masterly collection of short stories by an American novelist at the height of her powers It is the stories upon which Cynthia Ozick's literary reputation rests. She writes about bitterness, cruelty and compulsion with brutal acuity and tenderness. She has created a timeless collection in which Greek mythology, superstition and the religious and cultural experience of the Jewish diaspora in America collide. The Pagan Rabbi is seduced by a tree sprite after seeing his daughter rescued from drowning by a water sprite. Such ecstasy is not permitted to mortals and so the scholar must die. He hangs himself with his prayer shawl as he watches the strangely beautiful nymph decay. In Envy, a Yiddish poet who watches the success of a contemporary, becomes very like a character in an I.B. Singer story entrapped by his anguish and haunted by the memory of a child. In the Doctor's Wife, the most gentle of the stories, a poor doctor not unlike Chekhov endures family life in which he is adored by his three sisters and oppressed by his family obligations. In these stories, we see Ozick defining herself and her literary territory. The stories may be read purely as evocations of Jewish experience, where time seems to have by-passed these characters. In the Butterfly and the Traffic Light, Jerusalem is seen upon a hill as only it can be in legend, and America is said not to have cities scarred by battles. This is a dazzling collection of short stories by an internationally celebrated novelist.

From the winner of the National Book Critics Circle Award, who's been shortlisted for the Pulitzer Prize, the Man Booker International Prize and the Orange Prize for Fiction comes the brilliant novel The Messiah of Stockholm. Lars Andeming, perhaps overly intellectual and certainly eccentric, is the Monday book reviewer for a Stockholm daily. He is also the self-proclaimed son of Bruno Schulz, a Polish writer who was executed by the Nazis before his last novel, The Messiah, could be published. When a manuscript of The Messiah mysteriously appears in Stockholm, in the possession of Schulz's 'daughter', Lars's circumscribed world of paper, apartment, and favorite bookstore turns upside down, catapulting him into a whirlwind of dream, magic, and illusion. A Brilliant novel... The Messiah of Stockholm is a worthy companion to Philip Roth's superb Prague Orgy... A complex and fascinating meditation on the nature of writing and the responsibilities of those who choose to create - or judge - tales. - Harold Bloom, New York Times

'What we ought to do, as writers, is seize freedom now, immediately, by recognizing that we already have it.' Cynthia Ozick, one of 'the greatest living American writers', has, over a lifetime of observation, produced some of the sharpest and most influential works of criticism in contemporary Anglo-American writing. Described as the 'Emily Dickinson of the Bronx' and 'one of the most accomplished and graceful literary stylists of her time', her acclaimed works span topics from Henry James to Helen Keller, and from Christian Heroism to lovesickness. The essays selected here come from the six volumes Ozick published in the USA over the last thirty-three years. Collected by David Miller, Ozick's friend and agent, they represent the diversity, curiosity, originality, and crackling wit of her works. A volume to treasure, to re-read and to relish, this is Cynthia Ozick, 'the Athena of America's literary pantheon', at her very best.

'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

Deftly interweaving humor and pathos, Saul Bellow evokes in the climactic events of one day the full drama of one man's search to affirm his own worth and humanity.

'Sparky, mischievous, witty, dazzlingly clever' Ali Smith 'A cause for celebration. Here we have a heroine to love, a story we can't let go of' Ann Patchett It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. 1930s New York is filling with Europe's ousted dreamers, turned overnight into refugees. Rose Meadows, book-loving and orphaned at eighteen, takes a job as assistant to the eccentric Professor Mitwisser. Cast out from Berlin's elite, the Mitwisser family's household is chaotic and Rosie's fate there hangs on the arrival of the Mitwissers' mysterious benefactor, James A'Bair. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author. Running from his own fame, James was boy adored by the world but has grown into a bitter man. It falls to Rosie to help them all resist James's reckless orbit.

Wide-ranging appeal across the realm of Judaic interest, from fans of artists such as Ben Shahn to illustrators like David Levine. A must-have for collectors of Judaica, both art and written works. Also of interest to anyone interested in the conjunction of fine art and historical and religious art. A magnificent gift published in time for high holidays. Mark Podwal is today's premiere artist of the Jewish experience, with a prolific portfolio of work lauded by visionaries ranging from Elie Weisel to Harold Bloom. His paintings and ink-on-paper drawings are not only beautiful but also offer profound and nuanced commentary on Jewish tradition, history, and politics. This unprecedented collection brings together the widest selection of Podwal's work ever published in a single volume in a stunning, lavishly produced, oversized hardcover. With more than 350 works, each beautifully reproduced, Reimagined is a must-have for every Jewish home.

Washington Square follows the coming-of-age of its plain-faced, kindhearted heroine, Catherine Sloper. Much to her father’s vexation, a handsome opportunist named Morris Townsend woos the long-suffering heiress, intent on claiming her fortune. When Catherine stubbornly refuses to call off her engagement, Dr. Sloper forces Catherine to choose between her inheritance and the only man she will ever truly love. Cynthia Ozick, in her Introduction to what she calls Henry James’s “most American fiction,” writes that “every line, every paragraph, every chapter [of Washington Square] is a fleet-footed light brigade, an engine of irony.” Precise and understated, this charming novel endures as a matchless study of New York in the mid-nineteenth century.

Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: he is separated from his wife and children, at odds with his vain, successful father, failed in his acting career (a Hollywood agent once placed him as ‘the type that loses the girl’) and in a financial mess. In the course of one climactic day he reviews his past mistakes and spiritual malaise, until a mysterious, philosophizing con man grants him a glorious, illuminating moment of truth and understanding, and offers him one last hope …

Fierce, concentrated, and brutal, The Shawl burns itself into the reader's imagination with almost surreal power' The New York Times Consider also the special word they used: survivor. Something new. As long as they didn't have to say human being. In the middle of winter, weak and starving, Rosa marches to a Nazi concentration camp. She clutches her baby to her chest, wrapped in a shawl. Later Rosa will stuff the shawl into her mouth to stop herself from screaming out at the horrific event she must witness. Thirty years later, in a summer without end, Rosa is in Miami. Her anger and grief have become her dementia and her sustenance, and a shawl conjures the spirit of her murdered child. A modern classic and a masterpiece in both acts, The Shawl succeeds in imagining the unimaginable: the horror of the Holocaust and the unfillable emptiness of its aftermath.

The collapse of her brief marriage has stalled Bea Nightingale's life, leaving her middle-aged and alone, teaching in an impoverished borough of 1950s New York. A plea from her estranged brother gives Bea the excuse to escape lassitude by leaving for Paris to retrieve a nephew she barely knows; but the siren call of Europe threatens to deafen Bea to the dangers of entangling herself in the lives of her brother's family. By one of America's great living writers, Foreign Bodies is a truly virtuosic novel. The story of Bea's travails on the continent is a fierce and heartbreaking insight into the curious nature of love: how it can be commanded and abused; earned and cherished; or even lost altogether.

"An absorbing achievement ... A nimble, entertaining literary homage, but it is also, chillingly, what James would have called 'the real thing.'"--"New York Times Book Review"

Cynthia Ozick is a literary treasure. In her sixth novel, she retraces Henry James's "The Ambassadors" and delivers a brilliant, utterly new American classic.

At the center of the story is Bea Nightingale, a fiftyish divorced schoolteacher whose life has been on hold during the many years since her brief marriage. When her estranged, difficult brother asks her to travel to Europe to retrieve a nephew she barely knows, she becomes entangled in the lives of his family. Over the course of a few months she travels from New York to Paris to Hollywood, aiding and abetting her nephew and niece while waging a war of letters with her brother, and finally facing her ex-husband to shake off his lingering sneers from decades past. As she inadvertently wreaks havoc in their lives, every one of them is irrevocably changed.
"Raucous, funny, ferocious, and tragic. A literary master, as James was, Ozick makes all those qualities fit together seamlessly, and with heartbreaking effect."--"Philadelphia Inquirer"
"Dazzling, even masterful."--"Entertainment Weekly"

Ozick's latest work of fiction brings together four long stories, including the novella-length "Dictation," that showcase this incomparable writer's sly humor and piercing insight into the human heart. Each starts in the comic mode, with heroes who suffer from willful self-deceit. From self-deception, these not-so-innocents proceed to deceive others, who don't take it lightly. Revenge is the consequence--and for the reader, a delicious if dark recognition of emotional truth.

The glorious novella "Dictation" imagines a fateful meeting between the secretaries to Henry James and Joseph Conrad at the peak of those authors' fame. Timid Miss Hallowes, who types for Conrad, comes under the influence of James's Miss Bosanquet, high-spirited, flirtatious, and scheming. In a masterstroke of genius, Ozick hatches a plot between them to insert themselves into posterity.

Ozick is at her most devious, delightful best in these four works, illuminating the ease with which comedy can glide into calamity.

One of America's foremost novelists and critics, Cynthia Ozick has won praise and provoked debate for taking on challenging literary, historical, and moral issues. In her spirited essay collection The Din in the Head, she focuses on the essential joys of great literature. With razor-sharp wit and an inspiring joie de vivre, Ozick investigates unexpected byways in the works of Leo Tolstoy, Saul Bellow, Helen Keller, Isaac Babel, Sylvia Plath, Susan Sontag, and Henry James, among others. Throughout this bracing collection, she celebrates the curative power of the literary imagination.

Cynthia Ozick has been known for decades as one of America's most gifted and extraordinary storytellers; her remarkable new novel has established her as one of the most entertaining as well.
Set in the New York of the 1930s, Heir to the Glimmering World is a spellbinding, richly plotted novel brimming with intriguing characters. Orphaned at eighteen, with few possessions, Rose Meadows finds steady employment with the Mitwisser clan. Recently arrived from Berlin, the Mitwissers rely on the auspices of a generous benefactor, James A'Bair, the discontented heir to a fortune his father, a famous childen's author, made from a series of books called The Bear Boy. Against the vivid backdrop of a world in tumult, Rose learns the refugee family's secrets as she watches their fortunes rise and fall in Ozick's wholly engrossing novel.

A small group of Jews weave a web of intrigue and fantasy around a book reviewer's contention that he is the son of Borus Schultz, the legendary Polish writer killed by the Nazis before his magnum opus, THE MESSIAH, could be brought to light.

Money and conscience are at the heart of Cynthia Ozick's masterly first novel, narrated by a nameless young woman and set in the private world of wealthy New York, the dire landscape of postwar Europe, and the mythical groves of a Shakespearean isle. Beginning in the 1930s and extending through four decades, Trust is an epic tale of the narrator's quest for her elusive father, a scandalous figure whom she has never known. In a provocative afterword, Ozick reflects on how she came to write the novel and discusses the cultural shift in the nature of literary ambition in the years since.

"A book that will last, that you will reread all your life and then pass on to your grandchildren. Or ask to be buried with."—Michael Dirda, Washington Post

Following the historic publication of Norton's The Complete Works of Isaac Babel in the fall of 2001, The Collected Stories of Isaac Babel appears as the most authoritative and complete edition of his fiction ever published in paperback. Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.

"He is a writer who stabs the mind and the heart and the inner eye with short, savage strokes."—Richard Bernstein, New York Times

From the author of The Messiah of Stockholm and Art and Ardor comes a new collection of supple, provocative, and intellectually dazzling essays. In Metaphor & Memory, Cynthia Ozick writes about Saul Bellow and Henry James, William Gaddis and Primo Levi. She observes the tug-of-war between written and spoken language and the complex relation between art's contrivances and its moral truths. She has given us an exceptional book that demonstrates the possibilities of literature even as it explores them.

With dashing originality and in prose that sings like an entire choir of sirens, Cynthia Ozick relates the life and times of her most compelling fictional creation. Ruth Puttermesser lives in New York City. Her learning is monumental. Her love life is minimal (she prefers pouring through Plato to romping with married Morris Rappoport). And her fantasies have a disconcerting tendency to come true - with disastrous consequences for what we laughably call "reality."

Puttermesser yearns for a daughter and promptly creates one, unassisted, in the form of the first recorded female golem. Laboring in the dusty crevices of the civil service, she dreams of reforming the city - and manages to get herself elected mayor. Puttermesser contemplates the afterlife and is hurtled into it headlong, only to discover that a paradise found is also paradise lost. Overflowing with ideas, lambent with wit, The Puttermesser Papers is a tour de force by one of our most visionary novelists.

"The finest achievement of Ozick's career... It has all the buoyant integrity of a Chagall painting." -San Francisco Chronicle
"Fanciful, poignant... so intelligent, so finely expressed that, like its main character, it remains endearing, edifying, a spark of light in the gloom." -The New York Times
"A crazy delight." -The New York Time Book Review

Quarrel & Quandary showcases the manifold talents of one of our leading and award-winning critics and essayists.

In nineteen opulent essays, Cynthia Ozick probes Dostoevsky for insights into the Unabomber, questions the role of the public intellectual, and dares to wonder what poetry is. She roams effortlessly from Kafka to James, Styron to Stein, and, in the book's most famous essay, dissects the gaudy commercialism that has reduced Anne Frank to "usable goods." Courageous, audacious, and sublime, these essays have the courage of conviction, the probing of genius, and the durable audacity to matter.

"Tolstoy's lavish and always graphic use of detail," wrote John Bayley, "together of course with its romance and exotic setting . . . has made "The Cossacks the most popular of all his works." This vibrant new translation of Tolstoy's 1862 novel, by PEN Translation Award winner Peter Constantine, is the author's semiautobiographical depiction of young Olenin, a wealthy, disaffected Muscovite, who joins the Russian army and travels to the untamed frontier of the Caucasus in search of a more authentic life. Quartered with his regiment in a Cossack village, Olenin revels in the glories of nature and the rough strength of the Cossacks and Chechens. Smitten by his unrequited love for a local girl, Maryanka, Olenin has a profound but ultimately short-lived spiritual awakening. Try as he might to assimilate, he remains an awkward outsider and his long search for a more enlightened and purposeful existence comes to naught.
With the philosophical insight that would characterize Tolstoy's later masterpieces, this long overdue major new translation is a revelation.

"From the Hardcover edition.