Teens in Latin America and the Caribbean generally face a difficult path to adulthood. Poverty and unemployment, violence, political instability, and emigration are frequently the norm in their native countries. Those from poorer families must often work as well as attend school, and opportunities for higher education and good jobs are limited. Wealthier teens, on the other hand, are sheltered from harshness and enjoy private schools, vacations abroad, and access to American consumer products. Yet family is important no matter what the class, and most of these teens share a love of parties, music, and current fashions. Latin America and the Caribbean are important regions to the United States, since large numbers of Americans can trace their roots there. Teen Life in Latin America and the Caribbean allows U.S. teens to understand the unique challenges and opportunities of teens in 15 Latin American or Caribbean countries. Photos complement the text.

"Notable Twentieth-Century Latin American Women" is a powerful testimony to the outstanding contributions 72 of the most noteworthy women have made to their fields and to society. This volume covers a broad range of women excelling in the fields of politics, art, religion, government, education, literature, popular culture, and the sciences, with substantial, up-to-date biographical and career overviews. Many notables are international figures, such as former Nicaraguan President Violeta Barrios de Chamorro, Cuban Queen of Salsa Celia Cruz, and Mexican artist Frida Kahlo. Others, such as the Mirabal sisters, founders of a resistance movement against a repressive Dominican Republic regime, and Carmen Naranjo, a prolific Costa Rican author and champion of culture, merit the wider recognition offered here.

An excellent introduction detailing the status of Latin American women in the twentieth century is the ideal framework for appreciating the struggles of these women. In the entries, information given includes family and background details, education, influences, obstacles faced and overcome, and achievements. Each entry includes a Further Reading section to enable students and other interested readers to learn more about the woman's life. Numerous photos enhance the text.

While there are numerous film studies that focus on one particular grouping of films--by nationality, by era, or by technique--here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film produced over the last twenty years.

Analyzing seventeen recent films by eleven different filmmakers from Argentina, Brazil, Cuba, Mexico, Paraguay, and Peru, Cynthia Tompkins uses a comparative approach that finds commonalities among the disparate works in terms of their influences, aesthetics, and techniques. Tompkins introduces each film first in its sociohistorical context before summarizing it and then subverting its canonical interpretation. Pivotal to her close readings of the films and their convergences as a collective cinema is Tompkins's application of Deleuzian film theory and the concept of the time-image as it pertains to the treatment of time and repetition. Tompkins also explores such topics as the theme of decolonization, the consistent use of montage, paratactically structured narratives, and the fusion of documentary conventions and neorealism with drama. An invaluable contribution to any dialogue on the avant-garde in general and to filmmaking both in and out of Latin America, Experimental Latin American Cinema is also a welcome and insightful addition to Latin American studies as a whole.