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September 17, 2011 marks ten years since the formal opening of the
Monash University Prato Center, Monash University's teaching and
research hub in Europe. The Center is located in the heart of
Tuscany and the dynamic city of Prato, in a landmark 18th-century
mansion, the Palazzo Vaj. Reflecting on the collaborative ethos
that made the Center's establishment possible, this book is the
result of collaboration between writer and editor Cynthia Troup,
and photomedia artist Jo-Anne Duggan, the Center's first artist in
residence. A Site of Convergence highlights the Center's vitality
as a place where knowledge is shared and deepened - across the
world's hemispheres, across generations, and across a wide spectrum
of disciplines and areas of research. Rich in images throughout,
the book draws attention to the elegant spaces of the Palazzo Vaj
as the context for exhilarating encounters with: the city and
people of Prato, art and artists, researchers and experts, teachers
and students from around the world. Examples of such encounters are
personalized in vignettes contributed by individuals involved in
the Center's establishment. Designed as a tribute to the humanist
vision that shaped the development of the Center, and as a fitting
marker of the commencement of the its Artist in Residence program
announced in 2010, A Site of Convergence includes the late Jo-Anne
Duggan's account of her association with the Center, and its
profound effect on her creative vision and practice.
Long before the advent of modern tourism, Australians have
travelled to live in Italy, or have undertaken extensive visits
there. Indeed they continue to do so in increasing numbers, as
women and men find Italian partners; as business people with
European interests settle there; as retirees in their thousands
seek 'the good life' that Italy in Ros Pesman's words, this
'culturally endowed place of rebirth' seems to promise. While many
are familiar with celebrated expatriates such as Germaine Greer,
Jeffrey Smart, Peter Robb and David Malouf, hundreds of other
artists, writers, musicians and intellectuals have made and
continue to make a notable contribution to the cultural and
intellectual life of both countries. Whilst Australian studies
flourishes in Italian universities, Australian academics write
distinguished accounts of Italian history covering various eras.
Despite this sustained activity, the scholarly and cultural
engagement of Australians with Italy is not a well known story.
This collection seeks to map the past and present of the Australian
love affair with Italy, yielding rich insights into its causes,
motivations and transformations. Contributors include former
Australian Ambassador to Italy Rory Steele, poet Peter Porter,
contemporary artists Euan Heng and Jo-Anne Duggan, as well as
distinguished academics and young scholars. Amongst the diverse
range of articles and vignettes, Ian Britain writes on Donald
Friend's Italian years, Loretta Baldassar explores the phenomenon
of reverse migration, and novelist Lisa Clifford reflects on her
family ties with Italy. Australians in Italy will appeal to
scholars and students of migration and multi-culturalism,
Australian Studies and Italian Studies, tourism and travel. It will
also delight those interested in Italy and all things Italian
people of Italo-Australian background, armchair and actual
travellers, sojourners in Italy, and the general reader.
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