A fascinating journey into Pierre Bonnard’s world and the inspiration behind his spatially arresting and intimate paintings   Pierre Bonnard’s paintings are renowned for their unusual intimacy. Delving into the sensory realms of experience that fueled Bonnard’s practice—from the most public to the most private—this volume looks at the inspiration behind the artist’s work. Through the lens of more than 70 works, including many largely unknown examples from private collections in addition to celebrated paintings from museums around the world, scholarly essays transport the reader into Bonnard’s world and shed new light on the artist’s unique life circumstances. Governed neither by chronology nor geography, but by measures of intimacy, this study travels with Bonnard through the landscapes of Paris and Normandy, to the interior spaces of the artist’s dwellings, and deep into the artist’s thoughts.     Distributed for the Kimbell Art Museum   Exhibition Schedule:   Kimbell Art Museum, Fort Worth, TX (November 5, 2023–January 28, 2024)   The Phillips Collection, Washington, DC (March 2–June 2, 2024)  

James Tissot is best known for his paintings of fashionable women and society life in the late 19th century. Born in Nantes, France, he trained at the Ecole des Beaux-Arts in Paris where he befriended James McNeill Whistler and Edgar Degas. Tissot's career defies categorization and he never formally belonged to the Impressionist circle despite an invitation from Degas. An astute businessman, Tissot garnered commercial and critical success on both sides of the English Channel while defying traditional conventions. He received recognition at the time from patrons and peers, and even his society portraits reveal a rich and complex commentary on Victorian and fin-de-siecle culture. This lavishly illustrated book, featuring paintings, enamels, and works on paper, explores Tissot's life and career from his early period in Nantes to his later years when he made hundreds of spiritual and religious works. The volume also includes essays that introduce new scholarship to redefine Tissot's placement within the narratives of the 19th-century canon.