Scripture's teaching on the Incarnation, the Trinity, divine sovereignty with human responsibility, and the problem of evil lead to irresolvable tensions or paradoxes. In the process of building a biblical theology of paradox, Theological Antinomy carefully assesses the biblical passages for whether they truly contain tensions and if any of the resolutions that have been suggested are sufficient. Joel Arnold suggests a model for how conservative interpreters can proceed through the theological process without distorting the exegetical information or abandoning logical consistency. The book concludes with a rigorous, critical examination of Open Theism and its handling of theological paradox. Theological Antinomy drives the reader back to the biblical text, compels self-conscious analysis theology, and provokes awe at the rich complexity of biblical revelation.

When I was a youngster growing up in Texas my dad worked in a number of fields. From the Oil Patch of West Texas, to farming in the Panhandle or in security in central Texas the family usually enjoyed evening meals together. After supper Dad enjoyed drinking a cup of coffee and telling us stories ranging from his experiences in the army during World War II, where he was wounded during a German artillery barrage, or his dreams for our futures or sometimes stories from his childhood. On one such occasion he told of two young men who were separated during the Civil War. One was raised by a family in the North and the other was raised by a family in the South. Years later when both boys were grown and had families of their own they were reunited. I have taken this event to construct the story of Josh and Jim, two young boys who were separated by the Civil War. The names, characters, locations and events are entirely fictitious and are presented for the readers' enjoyment. I hope that you enjoy this story as much as I have enjoyed writing it.

"Art and Thought" is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.Introduces the reader to the dynamic interface between philosophical reflections and art practices.Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

When I was a youngster growing up in Texas my dad worked in a number of fields. From the Oil Patch of West Texas, to farming in the Panhandle or in security in central Texas the family usually enjoyed evening meals together. After supper Dad enjoyed drinking a cup of coffee and telling us stories ranging from his experiences in the army during World War II, where he was wounded during a German artillery barrage, or his dreams for our futures or sometimes stories from his childhood. On one such occasion he told of two young men who were separated during the Civil War. One was raised by a family in the North and the other was raised by a family in the South. Years later when both boys were grown and had families of their own they were reunited. I have taken this event to construct the story of Josh and Jim, two young boys who were separated by the Civil War. The names, characters, locations and events are entirely fictitious and are presented for the readers' enjoyment. I hope that you enjoy this story as much as I have enjoyed writing it.

This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. * A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art * Combines original research with a survey of existing scholarship and the state of the field * Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 * Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study * Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art s relationship to Modernity, nationhood and nationality, and the institutions of the British art world