Scripture's teaching on the Incarnation, the Trinity, divine sovereignty with human responsibility, and the problem of evil lead to irresolvable tensions or paradoxes. In the process of building a biblical theology of paradox, Theological Antinomy carefully assesses the biblical passages for whether they truly contain tensions and if any of the resolutions that have been suggested are sufficient. Joel Arnold suggests a model for how conservative interpreters can proceed through the theological process without distorting the exegetical information or abandoning logical consistency. The book concludes with a rigorous, critical examination of Open Theism and its handling of theological paradox. Theological Antinomy drives the reader back to the biblical text, compels self-conscious analysis theology, and provokes awe at the rich complexity of biblical revelation.

When I was a youngster growing up in Texas my dad worked in a number of fields. From the Oil Patch of West Texas, to farming in the Panhandle or in security in central Texas the family usually enjoyed evening meals together. After supper Dad enjoyed drinking a cup of coffee and telling us stories ranging from his experiences in the army during World War II, where he was wounded during a German artillery barrage, or his dreams for our futures or sometimes stories from his childhood. On one such occasion he told of two young men who were separated during the Civil War. One was raised by a family in the North and the other was raised by a family in the South. Years later when both boys were grown and had families of their own they were reunited. I have taken this event to construct the story of Josh and Jim, two young boys who were separated by the Civil War. The names, characters, locations and events are entirely fictitious and are presented for the readers' enjoyment. I hope that you enjoy this story as much as I have enjoyed writing it.

This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. * A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art * Combines original research with a survey of existing scholarship and the state of the field * Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 * Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study * Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art s relationship to Modernity, nationhood and nationality, and the institutions of the British art world

"Art and Thought" is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.Introduces the reader to the dynamic interface between philosophical reflections and art practices.Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

"Art and Thought" is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.Introduces the reader to the dynamic interface between philosophical reflections and art practices.Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

This book considers how nature - in both its biological and environmental manifestations - has been invoked as a dynamic force in human history. It shows how historians, philosophers, geographers, anthropologists and scientists have used ideas of nature to explain the evolution of cultures, to understand cultural difference, and to justify or condemn colonization, slavery and racial superiority. It examines the central part that ideas of environmental and biological determinism have played in theory, and describes how these ideas have served in different ways at different times as instruments of authority, identity and defiance. The book shows how powerful and problematic the invocation of nature can be.

"The Problem of Nature" covers a whole cycle of environmental history and its interpretation, from the Black Death in the fourteenth century, the first European voyages of discovery and the opening of the American frontier through to the imperialism of the nineteenth century and the example of India under colonial rule. David Arnold shows how both the natural environment and ideas about nature have changed radically over the last five centuries.

The author describes the profound influence that historical and social theory and the biological sciences have had upon each other. He shows how the outcomes of their interaction not only informed and shaped the European impact upon the world and on itself, but how crucial they are to American conceptions of the society and history of the United States. He provides provocative answers to the questions of what role the environment should have in the conceptualization of time and place; and of how far societies and their histories can beunderstood from the perspectives of natural and biological sciences.

Provides an original account of international business ethics grounded in cosmopolitan human rights theory Transnational companies (TNCs) operate in a variety of political jurisdictions and legal frameworks. As international trade and foreign direct investment (FDI) continue to increase, TNCs based in industrialized 'home' nations are gaining enormous economic and political influence in developing 'host' nations. Corporations operating internationally, particularly in nations with limited regulatory and enforcement resources, are often free to determine whether they will follow existing laws and guidelines regarding consumer protection, worker safety, and environmental protection. The Ethics of Global Business provides clear and pragmatic guidance for business leaders interested in the ethical conduct of international business. With a cosmopolitan human rights perspective on international business ethics, this comprehensive volume describes modern transnational companies, explains why companies and their leaders are responsible for company policies and practices, and presents a conceptual framework grounded in respect for basic human rights. Arnold addresses a wide range of central topics, such as the role of transnational companies in global justice, the human rights obligations of transnational companies, labor rights in global supply chains, corporate responsibility regarding global climate change, and exploitation and empowerment at the base of the global economic pyramid. Presents and defends a theory of moral legitimacy that views TNCs as agents of justice Offers an alternative ethical conception of CSR that integrates a cosmopolitan human rights perspective Provides critical and ethical analysis of recent United Nations (UN) initiatives on business and human rights including the UN tripartite framework recently approved by the UN Human Rights Council Analyzes current Base of the Pyramid (BoP) strategies Defends minimum standards for working conditions in global supply chains and analyzes wage exploitation in developing nations Demonstrates the need for ethical CSR and morally legitimate BoP business ventures that do not exploit people living in moderate and extreme poverty (MEP) The Ethics of Global Business is essential reading for business leaders, policymakers, scholars, undergraduate and graduate students, and general readers with an interest in business ethics, global justice, human rights, sweatshop ethics, solutions to global poverty, corporate environmental sustainability, and global climate change as related to transnational companies.

Innovative forms of visual representation in the long eighteenth century were made possible through the medium of print. In turn, they enabled the dissemination of knowledge about the ancient world and its relationship to the ever-refining set of cultural values applied to and associated with the past.

"Tracing" "Architecture" discusses the study of the ancient world - including Egyptian, Greek, Roman and British antiquities - through the medium of print as a Europe-wide phenomenon, where the visual language of the printed image transcended national boundaries. This book allows the reader to explore the relationship between the international currency of 'antiquity' and indigenous traditions of aesthetic philosophy and architectural design. The importance of this and the changing relationship between text and image is also considered, thereby raising questions about the relationship between the mass-produced image and the original, in an era before Walter Benjamin's age of mechanical reproduction.

"Tracing Architecture" is a fascinating study of the relationship between architecture, antiquity and aesthetics in a European context. It will be of interest to those studying and working in the fields of art history, architecture, classics and ancient history.

When I was a youngster growing up in Texas my dad worked in a number of fields. From the Oil Patch of West Texas, to farming in the Panhandle or in security in central Texas the family usually enjoyed evening meals together. After supper Dad enjoyed drinking a cup of coffee and telling us stories ranging from his experiences in the army during World War II, where he was wounded during a German artillery barrage, or his dreams for our futures or sometimes stories from his childhood. On one such occasion he told of two young men who were separated during the Civil War. One was raised by a family in the North and the other was raised by a family in the South. Years later when both boys were grown and had families of their own they were reunited. I have taken this event to construct the story of Josh and Jim, two young boys who were separated by the Civil War. The names, characters, locations and events are entirely fictitious and are presented for the readers' enjoyment. I hope that you enjoy this story as much as I have enjoyed writing it.