Based on the motion picture Humpday (written & directed in 2009 by Lynn Shelton), Straight is a razor-sharp new comedy from acclaimed writer D. C. Moore about male friendship, sexuality and how the two things can be blurred more easily than one might think . . . Lewis and Waldorf were inseparable at university. Ten years on and a lot has changed. In the middle of a drunken night out, they make a bet that will take their friendship to whole new level. You'll never look at your best friend in the same way again . . . Adapted for the stage by award-winning writer D. C. Moore, author of Town, Honest, Alaska, and The Empire (all published by Methuen Drama) Straight premieres in the Crucible Lyceum Studio, directed by Richard Wilson.

Edited and introduced by leading cultural and theatre critic Aleks Sierz, this bold and urgent collection of contemporary plays by England's newest and most relevant young writers explores the various cultures and identities of a nation that is at once traditional, nationalistic and multicultural. Eden's Empire, by James Graham is an uncompromising political thriller exploring the events of the Suez Crisis, and the tragic story of its flawed hero – Churchill's golden boy and heir apparent, Anthony Eden. Alaska, by D. C. Moore features Frank, an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. A Day at the Racists, by Anders Lustgarten is a timely examination of the rise of the BNP which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction. Shades, by Alia Bano shows Sabrina, a single girl-about-town, who is seeking Mr Right in a world where traditional and liberal values sit side-by-side, but rarely see eye-to-eye. The Westbridge, by Rachel De-lahay begins with the accusation of a black teenager which sparks riots on South London streets. Among it all, a couple from very different backgrounds navigate the minefield between them and their disparate but coexisting neighbourhood.

Common is a dark and disturbing journey into the carnivalesque world of early-Industrial Britain, exploring the personal and public traumas in the period of the enclosure. Written with verve and wit by Olivier Award-nominated and Writers' Guild Award-winning playwright DC Moore, it tells the story of Mary, a woman who has returned to the village of her birth after years of grifting a living on the edge of respectable London society. She is there to confront old enemies and rekindle a former love. But there's trouble in the air as the local Lord struggles to extend the reach of his power by reclaiming the common-land as his personal fiefdom. Will Mary be able to win over those she lost before? Or will the violence of the time seep over into even the purest of missions? Common is an epic, funny and uncanny history play which examines the period of the enclosure, asking what does community mean and if there can ever be resolution in the intractable battle between individual desires and the common good. Common received its world premiere on the Olivier stage of the National Theatre, London, in a coproduction with Headlong, in May 2017.

Produced as a programme text for the world premiere of the work at the Royal Court Theatre's Theatre Upstairs, Alaska explores the life and lies of Frank. Frank is an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. The conflict that arises provokes a spiral of lies and eventual violence that uncovers Frank's facade and raises questions about identity and race in modern Britain.

It's forty million miles. Two and a half years, yeah? It takes a radiowave - right? Travelling at the speed of fucking light, 13 minutes, to get back from Mars. So . . . if anything goes wrong - anything at all - out there . . . they're really . . . they're on their own, you know? When Earth is the loneliest planet, where else is there to go? Paul is a specialist in cognitive behaviour, tasked with designing a twenty-year mission to Mars. Daniel is a husband and new father struggling with the reality of marriage and the monotony of everyday life. Nat is a twin sister, disillusioned by the world's obsession with space travel and sorry that she didn't say goodbye. And Amy asks a lot of questions . . . Following his critically acclaimed The Empire at the Royal Court, and The Swan at the National Theatre, DC Moore's Another Place is a compelling play about our obsession to uncover the secrets of space, and the tragedy of what we leave behind. Full of dark humour, razor-sharp wit and intricately portrayed characters, this is a gripping play about what it means to be human. Another Place received its world premiere at the Theatre Royal Plymouth on 6 November 2014.