Throughout the 1970s and 1980s, Hollywood studios and record companies churned out films, albums, music videos and promotional materials that sought to recapture, revise, and re-imagine the 1950s. Breaking from the dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped-and was shaped by-the complex social, political and cultural conditions of the Reagan Era. By closely examining the ways that "the Fifties" were remade and recalled, Back to the Fifties explores how cultural memory is shaped for a generation of teenagers trained by popular culture to rewind, record, recycle and replay.

Following the collapse of international communism and the ending of the Cold War, the decade of the 1990s has seen international conflict replaced by internal, largely ethnic, conflict both of a violent and of a nonviolent nature. As a result, ethnicity has become one of the most important issues of the day. The social sciences and development studies have been slow to adopt new theoretical and practical perspectives with which to address this fundamentally changed situation. In traditional modernisation theory, ethnicity has been seen as an obstacle and claims to ethnic identity as anti-developmental. This book seeks to contribute towards a re-thinking of this position by focusing on the question of how policies of material improvement can be made compatible with the maintenance of fundamental ethnic identities which, in some senses, can even be considered a human right. Its argument is developed in two ways: firstly through a series of geographical studies, which examine the political and the economic contexts of the relationship between ethnicity and development through the consideration of significant national cases, such as South Africa, Kenya, Ethiopia, Mexico, Malaysia, Thailand and Singapore; and secondly through overview chapters, which place the case studies both within an appropriate theoretical frame and within a broader practical perspective of ethnicity as a highly significant contemporary global phenomenon. Ethnicity and Development will make essential reading for students of geography, development studies and African studies.

Throughout the 1970s and 1980s, Hollywood studios and record companies churned out films, albums, music videos and promotional materials that sought to recapture, revise, and re-imagine the 1950s. Breaking from the dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped-and was shaped by-the complex social, political and cultural conditions of the Reagan Era. By closely examining the ways that "the Fifties" were remade and recalled, Back to the Fifties explores how cultural memory is shaped for a generation of teenagers trained by popular culture to rewind, record, recycle and replay.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In The Pigs That Ate the Garden, Peter D. Dwyer examines the subsistence ecology of 109 Etolo people who live on the wet, forested mountain slopes of Papua New Guinea. Dwyer describes the community's practice of deliberately placing pigs in gardens so that the pigs depredate the vegetation there. He shows how this practice is actually the community's method of sending a message to itself that serves to resynchronize a switch from sweet potato gardening to sago starch processing. The interrelationships of the different food-producing activities of the Etolo—gardening, hunting, tree-crop cultivation, etc. —are shown to have seasonal rhythms, and these rhythms maximize the Etolo's use of food resources at appropriate times and areas. Dwyer argues that the ""shape"" of Etolo ecology is ultimately driven by sociocultural, rather than environmental, forces, and is set within a theoretical frame concerning processes of communication and change in open systems.