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In Strange Tales from Edo, William Fleming paints a sweeping
picture of Japan’s engagement with Chinese fiction in the early
modern period (1600–1868). Large-scale analyses of the full
historical and bibliographical record—the first of their
kind—document in detail the wholesale importation of Chinese
fiction, the market for imported books and domestic reprint
editions, and the critical role of manuscript practices—the
ascendance of print culture notwithstanding—in the circulation of
Chinese texts among Japanese readers and writers. Bringing this big
picture to life, Fleming also traces the journey of a text rarely
mentioned in studies of early modern Japanese literature: Pu
Songling’s Liaozhai zhiyi (Strange Tales from Liaozhai Studio).
An immediate favorite of readers on the continent, Liaozhai was
long thought to have been virtually unknown in Japan until the
modern period. Copies were imported in vanishingly small numbers,
and the collection was never reprinted domestically. Yet beneath
this surface of apparent neglect lies a rich hidden history of
engagement and rewriting—hand-copying, annotation, criticism,
translation, and adaptation—that opens up new perspectives on
both the Chinese strange tale and its Japanese counterparts.
This practical 2003 handbook provides an extremely comprehensive
and highly illustrated guide to micromanipulation techniques in
assisted conception in a clinical setting. It includes detailed,
illustrated descriptions of all the common micromanipulation
systems currently in use in IVF laboratories around the world and
clearly explains how to optimise their successful use. The volume
covers state-of-the-art techniques including intracytoplasmic sperm
injection (ICSI), and procedures such as assisted hatching and the
blastomere biopsy (for preimplantation genetic diagnosis PGD).
Valuable information on troubleshooting the potential mechanical
and technical difficulties that can arise is provided to help all
the practitioners of these techniques, including trainee
embryologists and consultant obstetricians, and technicians and
scientists involved in animal transgenesis and cloning. It will
undoubtedly be of immense value to all doctors and scientists
working with assisted reproductive technologies.
"Media Teaching" provides a fresh contemporary approach to media
education which will be welcomed by all students and teachers of
the media. Dan Fleming's text not only charts a detailed map of
contemporary media studies but also shows how a busy teacher can
move around this map. The text is supported by a wide range of
examples - from the classroom, from the media itself, and from
other texts. It should become an indispensable resource for
teachers of media studies and for those engaged in media education
across the curriculum.
Dan Fleming bases his text on both wide teaching experience and
a broad knowledge of contemporary media research, to provide a
clear theory of learning that is grounded in actual classroom work.
His approach is characterized by an argument for a more
learner-centred perspective on media teaching. Covering not only
the concepts and the structure of the media, Fleming offers
teachers and lecturers a coherent account of the key issues and
essential skills of media teaching.
"Media Teaching" will be essential reading for all teachers of
media studies, film studies, communication studies and for those
undertaking elements of media education across a range of
curriculum contexts.
Bringing together the latest information on the organization,
management and quality of in-vitro fertilization (IVF) units, this
is the first true field guide for the clinician working in assisted
reproductive technologies (ART). Divided thematically into four
main sections, part one discussed the establishment and
organization of the IVF unit, including location, design and
construction, practical considerations for batching IVF cycles, and
regulations and risk management. Part two, the largest section,
covers the many aspects of overall quality management and its
implementation - staff and patient management, cryobank and PGD/PGS
management, and data management - as well as optimization of
treatment outcomes and statistical process control analysis to
assess quality variation. Part three addresses the relationship
between IVF units and society at large, including the ethics of IVF
treatment, as well as public/low-cost and private/corporate IVF
units. Advertising and marketing for IVF units is discussed in part
four, including the building and managing of websites and the use
of traditional print and social media. With approximately five
thousand IVF units worldwide and a growing number of training
programs, Organization and Management of IVF Units is a key
resource for clinic directors, unit managers, embryologists,
quality experts, and students of reproductive medicine and clinical
embryology.
Bringing together the latest information on the organization,
management and quality of in-vitro fertilization (IVF) units, this
is the first true field guide for the clinician working in assisted
reproductive technologies (ART). Divided thematically into four
main sections, part one discussed the establishment and
organization of the IVF unit, including location, design and
construction, practical considerations for batching IVF cycles, and
regulations and risk management. Part two, the largest section,
covers the many aspects of overall quality management and its
implementation - staff and patient management, cryobank and PGD/PGS
management, and data management - as well as optimization of
treatment outcomes and statistical process control analysis to
assess quality variation. Part three addresses the relationship
between IVF units and society at large, including the ethics of IVF
treatment, as well as public/low-cost and private/corporate IVF
units. Advertising and marketing for IVF units is discussed in part
four, including the building and managing of websites and the use
of traditional print and social media. With approximately five
thousand IVF units worldwide and a growing number of training
programs, Organization and Management of IVF Units is a key
resource for clinic directors, unit managers, embryologists,
quality experts, and students of reproductive medicine and clinical
embryology.
An exquisite collection of objects relating to the traditions of
samurai warriors, from swords and armor to dishes and paintings
Through artifacts from the Yale Peabody Museum of Natural History
and other collections at Yale University, this lavishly illustrated
volume takes readers on a journey into Japan's early modern
cultural and political history. It also offers tantalizing glimpses
of medieval Japan and the technology underlying the material
culture of the samurai. Some objects are dazzling aesthetic and
technical feats: impossibly intricate lacquerware, swords as bright
and sharp as the day they were forged, and glittering suits of
armor from daimyo collections. Others are more unassuming, but
equally capable of evoking visions of a lost world. Readers will
encounter commoners alternately fearful of samurai violence and
swept up in the romance of the cult of loyalty; artists and writers
conjuring scenes of adventure and wit; families reaching out to
departed kin across the chasm of death; parents deciding whether to
raise or reject a newborn baby; underground Christians hiding their
faith behind a Buddhist icon; and Japanese artifacts that take on
new meanings in Ainu villages and the parlors of New England
collectors. This book covers some well-known facets of Japanese
history, but also features cutting-edge research. Like the
exhibition from which it emerges, it is designed to be engaging and
accessible to the general public while offering experts new
information and perspectives. Distributed for Yale Peabody Museum
of Natural History
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Her Widow's Peak (Paperback)
Rebecca Durst; Photographs by Stanley Newton; Ella D Fleming
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R544
Discovery Miles 5 440
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Ships in 10 - 15 working days
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The Making of Modern Law: Foreign, Comparative and International
Law, 1600-1926, brings together foreign, comparative, and
international titles in a single resource. Its International Law
component features works of some of the great legal theorists,
including Gentili, Grotius, Selden, Zouche, Pufendorf,
Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among
others. The materials in this archive are drawn from three
world-class American law libraries: the Yale Law Library, the
George Washington University Law Library, and the Columbia Law
Library.Now for the first time, these high-quality digital scans of
original works are available via print-on-demand, making them
readily accessible to libraries, students, independent scholars,
and readers of all ages.+++++++++++++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: +++++++++++++++Harvard Law School
LibraryLP2H003840018880101The Making of Modern Law: Primary
Sources, Part IILeadville, Colorado: Chronicle Steam, 1888171 p. 22
cmUnited States
George Miller and George A Romero are both superb filmmakers. They
have given fans exactly what they expect, creative, entertaining
and at times horrifying films. Their visions have often been copied
but never duplicated. But imitation, they say, is a form of
flattery. George Miller created an almost mythical world based in a
post apocalyptic holocaust future. Where knights drive supped up
hotrods instead of horses and wear leather instead of armor. The
line between good and bad can be as thin as the radiation in the
air. George A Romero has too created a world gone mad. But, this is
a world where the dead return to feast on the living. In this world
your best friend may literally become your worst nightmare. Death
has become a way of life...for the living and the undead. These two
masters created two separate worlds gone mad. But, after careful
review it comes shockingly clear regarding the truth of these two
worlds...Was it a zombie outbreak that destroyed Max's world? Is
that the real reason he went 'mad'? You decide. See the clues.
Compare the films (in order of release). See how they interconnect
and then you be the judge. They say the weak share inherit the
Earth and that only the strong shall survive...these films prove
just how equally true those statements are...
George Miller and George A Romero are both superb filmmakers. They
have given fans exactly what they expect, creative, entertaining
and at times horrifying films. Their visions have often been copied
but never duplicated. But imitation, they say, is a form of
flattery. George Miller created an almost mythical world based in a
post apocalyptic holocaust future. Where knights drive supped up
hotrods instead of horses and wear leather instead of armor. The
line between good and bad can be as thin as the radiation in the
air. George A Romero has too created a world gone mad. But, this is
a world where the dead return to feast on the living. In this world
your best friend may literally become your worst nightmare. Death
has become a way of life...for the living and the undead. These two
masters created two separate worlds gone mad. But, after careful
review it comes shockingly clear regarding the truth of these two
worlds...Was it a zombie outbreak that destroyed Max's world? Is
that the real reason he went 'mad'? You decide. See the clues.
Compare the films (in order of release). See how they interconnect
and then you be the judge. They say the weak share inherit the
Earth and that only the strong shall survive...these films prove
just how equally true those statements are...
Everyday we are bombarded with images about how bad things are.
Everyone points fingers and argues as to who is at fault... never
really coming up with solutions. Half the time they never really
acknowledge the real issues. Instead it is just a finger pointing
session. Then what happens?Nothing.Well, that is not entirely true.
Bars, restaurants, living rooms become filled with arm-chair
leaders who discuss and debate the evils of the world. Making
statements about how this needs to change or that. But they never
actually follow through. Why?Because no one wants to rock the boat
or because they think it doesn't matter anyway. Often times it is
said nothing will change. Well that simply is not true. Things can
change but it usually goes from bad to worse when no one will take
a stand to make change. It is time to change back to when America
was strong. It is not too late and yes we have a long list of
issues.But we can start with these 25...
Everyday we are bombarded with images about how bad things are.
Everyone points fingers and argues as to who is at fault... never
really coming up with solutions. Half the time they never really
acknowledge the real issues. Instead it is just a finger pointing
session. Then what happens?Nothing.Well, that is not entirely true.
Bars, restaurants, living rooms become filled with arm-chair
leaders who discuss and debate the evils of the world. Making
statements about how this needs to change or that. But they never
actually follow through. Why?Because no one wants to rock the boat
or because they think it doesn't matter anyway. Often times it is
said nothing will change. Well that simply is not true. Things can
change but it usually goes from bad to worse when no one will take
a stand to make change. It is time to change back to when America
was strong. It is not too late and yes we have a long list of
issues.But we can start with these 25...
Red Smoke, the debut novel by Miles D. Fleming, focuses on love,
war, rescue, and intrigue in 1960s Vietnam. Buck Woods and Wil
Connor-a Combat Medic and a former French Commando-are members of a
secret society of American patriots that dates back to Thomas
Jefferson. It is their adventures during the war that drive the
plot of the novel.
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