HarperCollins is proud to present its new range of best-loved, essential classics. 'There was one place in the world that stood solid and did not melt into unreality: the place where his mother was. Everybody else could grow shadowy, almost non-existent to him, but she could not.' In his quest to find his emotional and independent self, Paul Morel is torn between the strong, Oedipal bond he has with his mother and the relationships he forges as a young adult, with chaste Miriam and the provocative Clara. As Paul matures and struggles with his own and his mother's feelings towards the other women in his life, Lawrence expertly crafts a timeless and universal story of family, love and the relationships that define us.

Famously banned for indecency, Lawrence’s final novel is one of the most notorious and passionate love stories in literature.

Constance Reid, Lady Chatterley, is a young woman trapped in an unfulfilling marriage to an aristocrat whose war wounds have left him paralyzed. After her husband demands that she provide him with an heir, she enters into a liaison with their gamekeeper, a working-class man named Oliver Mellors. As their illicit relationship grows in tenderness, mutual respect, and sensual passion, Constance discovers that true fulfillment requires a real connection of both mind and body.

Shocking to its original audience for its cross-class romance as well as for its explicit depictions of sex, the novel has long been hailed as the summit of Lawrence's artistic achievement and one of the most influential novels of the twentieth century.

HarperCollins is proud to present its incredible range of best-loved, essential classics. LADY CHATTERLEY’S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley’s marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband’s words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence’s vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwise divided by station and society.

HarperCollins is proud to present its incredible range of best-loved, essential classics. LADY CHATTERLEY'S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley's marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband's words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence's vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwise divided by station and society.

Originally published in Italy in 1928, and unavailable in Britain until 1960, when it was the subject of an infamous obscenity trial, Lady Chatterley's Lover is now regarded as one of the pivotal novels of the twentieth century. Lawrence's determination to explore every aspect - sexual, social, psychological - of Lady Chatterley's adulterous liaison with the gamekeeper Oliver Mellors makes for a profound meditation on the human condition, the forces of nature and the social constraints that people struggle to overcome. Containing autobiographical elements and set in the author's native Nottinghamshire, Lawrence's final novel had a profound impact on twentieth-century culture and sexual attitudes, while confirming his standing as one of the most eminent fiction writers that England has produced.

Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.

It's risky work, handlin' men, my lass. For when a woman builds her life on men, either husbands or sons, she builds on summat as sooner or later brings the house down crash on her head - yi, she does. In Husbands and Sons, Ben Power has interwoven three of D. H. Lawrence's greatest dramas, The Daughter-in-Law, A Collier's Friday Night and The Widowing of Mrs Holroyd. Together, they describe the community Lawrence came from with fierce tenderness, evoking a now-vanished world of manual labour and working-class pride. On the cracked border of Derbyshire and Nottinghamshire stands the village of Eastwood. The women of the village, wives and mothers, struggle to hold their families and their own souls together in the shadow of the great Brinsley pit. Husband and Sons by D. H. Lawrence, adapted by Ben Power, premiered at the National Theatre, London, in October 2015 in a co-production with Royal Exchange Theatre.

HarperCollins is proud to present its range of best-loved, essential classics. LADY CHATTERLEY’S LOVER was banned on its publication in 1928, creating a storm of controversy. Lawrence tells the story of Constance Chatterley’s marriage to Sir Clifford, an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife, Clifford suggests that she have an affair. Constance, troubled by her husband’s words, finds herself involved in a passionate relationship with their gamekeeper, Oliver Mellors. Lawrence’s vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwise divided by station and society.

With an Introduction and Notes by David Ellis, University of Kent at Canterbury. Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

This volume contains 848 letters from the period June 1921 to March 1924. Lawrence decides to leave the old world - ‘my heart - and my soul are broken in Europe’ - to live in Taos, New Mexico. This period is characterised by the travelling he and Frieda do, from Australia to New York, via Mexico, back to England and finally to New York again. Lawrence’s writings of the period reflect his restlessness. The action of Aaron’s Rod shifts from a coal-mining town in England to Florence and Kangaroo conveys Lawrence’s perceptions of Australia. By 1924, Lawrence is returning to Taos to write his Mexican novel, ‘Quetzacoatl’, published as The Plumed Serpent. His difficulties with agents and publishers continue to appear in the letters. New correspondences are started with Australians, including Mollie Skinner, the co-author of The Boy in the Bush, and Americans, such as Mabel Luhan, Idella Purnell and Witter Bynner.

Notes and Introduction by David Ellis, University of Kent at Canterbury. With its four-letter words and its explicit descriptions of sexual intercourse, Lady Chatterley's Lover is the novel with which D.H. Lawrence is most often associated. First published privately in Florence in 1928, it only became a world-wide best-seller after Penguin Books had successfully resisted an attempt by the British Director of Public Prosecutions to prevent them offering an unexpurgated edition. The famous 'Lady Chatterley trial' heralded the sexual revolution of the coming decades and signalled the defeat of Establishment prudery. Yet Lawrence himself was hardly a liberationist and the conservativism of many aspects of his novel would later lay it open to attacks from the political avant-garde and from feminists. The story of how the wife of Sir Clifford Chatterley responds when her husband returns from the war paralysed from the waist down, and of the tender love which then develops between her and her husband's gamekeeper, is a complex one open to a variety of conflicting interpretations. This edition of the novel offers an occasion for a new generation of readers to discover what all the fuss was about; to appraise Lawrence's bitter indictment of modern industrial society, and to ask themselves what lessons there might be for the 21st century in his intense exploration of the complicated relations between love and sex.

In 1912, a young D.H. Lawrence left England for the first time and travelled to northern Italy. He spent nearly a year on the shores of Lake Garda, lodged in elegantly decaying houses set amid lemon groves and surrounded by the fading life of traditional Italy. This is a travel book unlike any other, where landscapes and people are backdrops to Lawrence's deeper wanderings - into philosophy, opinion, life, nature, religion and the fate of man. With sensuous descriptions of late harvests, darkening days and fragile ancient traditions, Twilight in Italy is suffused with nostalgia and premonition. For, looming over the idyll of rural Italy hover dark spectres: the arrival of the industrial age and the brewing storm of World War I, upheavals that would change the face of Europe forever.

Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.

Studies in Classic American Literature, first published in 1923, provides a cross-section of D. H. Lawrence's writing on American literature, including landmark essays on Benjamin Franklin, James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville and Walt Whitman. Eight of the essays were first published in the English Review 1918-19; but Lawrence continued to work on his material, with the aim of producing a full-length book; at various times fifteen separate items belonged to it, all of them revised on different occasions, some of them four or five times, and often corrected with the errors of their predecessors preserved. This volume offers the final 1923 version of the text in a newly corrected and uncensored form, and the complete surviving text of the essays of the English Review period, as well as a host of other materials, including four different versions of Lawrence's pioneering essay on Whitman.

Written in D. H. Lawrence's most productive period, 'Psychoanalysis and the Unconscious' (1921) and 'Fantasia of the Unconscious' (1922) were undertaken initially in response to psychoanalytic criticism of his novel Sons and Lovers. They soon developed more generally to propose an alternative to what Lawrence perceived as the Freudian psychoanalytic theory of the unconscious and the incest motive. The essays also develop his ideas about the upbringing and education of children, about marriage, and about social and even political action. Lawrence described them as 'this pseudo-philosophy of mine which was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man'. These conclusions form an illuminating guide to his works and therein lies their peculiar value.

D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This edition restores Lawrence's final texts, before the changes introduced by censorship, mistakes in transmission and various other forms of interference, with variants recorded. The introduction traces the history of the stories, while the notes offer help with allusions, contexts and other points of potential difficulty or interest.

This 2004 volume collects together the introductions and reviews for which Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions: for example, the fascinating Memoir of Maurice Magnus of 1921 2, his only extended piece of biographical writing. The volume's Introduction not only outlines the literary contacts of Lawrence's career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been edited and are supplied with extensive explanatory notes."

In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.

"Lady Chatterley's Lover" is both one of the most beautiful and notorious love stories in modern fiction. The summation of D.H. Lawrence's artistic achievement, it sharply illustrates his belief that tenderness and passion were the only weapons that could save man from self-destruction.