Troubled by his complex sexuality, Monro was a tormented soul whose aim was to serve the cause of poetry. Hibberd's revealing and beautifully-written biography will help rescue Monro from the graveyard of literary history and claim for him the recognition he deserves. Poet and businessman, ascetic and alcoholic, socialist and reluctant soldier, twice-married yet homosexual, Harold Monro probably did more than anyone for poetry and poets in the period before and after the Great War, and yet his reward has been near oblivion. Aiming to encourage the poets of the future, he befriended, among many others, T.S. Eliot, Ezra Pound and the Imagists; Rupert Brooke and the Georgians; Marinetti the Futurist; Wilfred Owen and other war poets; and the noted women poets, Charlotte Mew and Amma Wickham.

Wilfred Owen's poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen's complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his 'poethood'. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches. Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable 'sociological' treatment he received for it, his sexual nature and his friendship with Oscar Wilde's beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately 'recollected in tranquility'. Learning from Wordsworth and Shelley, Aesthetes and Decadents, Sassoon and the Georgians, Hardy, Barbusse, Russell, Edward Carpenter and many others, Owen realised his life's ambition and became a profoundly origianal poet. Owen the Poet ends with chapters on two of his richest works: 'Strange Meeting', his worst shellshock nightmare, and 'Spring Offensive', the epilogue to all he wrote. Notes, appendixes and bibliography complete what is likely to be the most authoritative book on its subject for many years to come.

In this combined critical study and biography of Wilfred Owen, the author traces his poetic interests and developments and analyzes a number of the later poems. Hibberd based his research on Owen's surviving papers and books. The book is concentrates on three topics: Owen's sexual nature and experience, the consonance between certain recurrent motifs of Decadent literature and recurrent features of Owen's psychic life and the question of Owen's behaviour as a soldier. In each area Hibbert studied the source material for new insights. He discusses the significance for Owen's poetry of many little known elements in his life and shows how Owen's war poems grew out of his earlier verse, presenting it as a culmination rather than rejection of his allegiance to Romanticism. In Hibbert's readings of Owen's work eg "Spring Offensive", he combines close textual analysis with relevant matters from Owen's biography and in addition, he sheds light on other people and events of the period.