Poststructuralism and After provides a comprehensive, innovative and lucid account of contemporary poststructuralist theory, which probes its limits, explores rival theoretical approaches, and elaborates new concepts and logics. The book distils and articulates the basic philosophical assumptions and theoretical concepts of poststructuralism, but by building upon the work of Derrida, Foucault, Heidegger, Lacan, Laclau, Levi-Strauss, Marx, Saussure and Zižek it also provides a distinctive version of the poststructuralist project.The philosophy and theory of poststructuralism is presented through a critical engagement with the central problems of social and political theory. Such problems include the structure/agency dilemma; the problem of social order; the ongoing debates between positivists, interpretivists and realists about the role and character of social science; the relationship between the economy, the state and society; the complexities of identity/difference; and the role of power, domination and ideology. Empirical illustrations and case studies of selected social phenomena further illuminate the theoretical arguments displayed in this book.

David Howarth and Peter Loedel provide a theoretically inspired account of the creation, design, and operation of the European Central Bank, (ECB). Issues explored include the theoretical approaches to the ECB, the antecedents of European monetary authority, the different national perspectives on central bank independence, the complex organization of the bank, the issues of accountability and the difficult first years of the ECB in operation.

The logic behind European monetary cooperation and integration can only be understood through an examination of French efforts to maximize their monetary power in relation to Germany and America. This book provides a detailed and historically-informed study of the motives and economic and political attitudes that shaped French policy on European developments over a 30-year period, from the collapse of the International Monetary System in the late 1960s and early 1970s through to the start of EMU on January 1, 1999.

William D Howarth sets Le Mariage de Figaro and Beaumarchais's other dramatic works in the broad historical context of pre-revolutionary France, providing a unique and authoritative study of the dramatist and his plays. He presents detailed analyses of the plays themselves, discussing their critical receptions, their influence on drama of the period and their legacy. Included is a discussion of the operatic adaptations: Mozart's Mariage de Figaro and Rossini's Le Barbier de Seville. The author also provides analyses of sketches and fragments only recently re-discovered.
Beaumarchais and the Theatre is a comprehensive and much needed study of one of the most significant playwrights of the turbulent eighteenth century. It is invaluable reading for students of theatre history.

William D Howarth sets Le Mariage de Figaro and Beaumarchais's other dramatic works in the broad historical context of pre-revolutionary France, providing a unique and authoritative study of the dramatist and his plays. He presents detailed analyses of the plays themselves, discussing their critical receptions, their influence on drama of the period and their legacy. Included is a discussion of the operatic adaptations: Mozart's Mariage de Figaro and Rossini's Le Barbier de Seville. The author also provides analyses of sketches and fragments only recently re-discovered.
Beaumarchais and the Theatre is a comprehensive and much needed study of one of the most significant playwrights of the turbulent eighteenth century. It is invaluable reading for students of theatre history.

eBook available with sample pages: 0203191552

This volume covers the period that saw the establishment in France of a centralized official theater--not only the Comédie-Française, but an Italian theater and a state Opera; the often subversive independent theaters are also discussed. Nearly 1000 documents are, for the most part, newly translated and many are published for the first time. Over 120 pictorial documents provide a visual dimension where relevant. A copious bibliography helps to make this an important reference work and a valuable research tool.

This book articulates the key theoretical assumptions of poststructuralism, but also probes its limits, evaluates rival approaches and elaborates new concepts. Building on the work of Derrida, Foucault, Heidegger, Lacan, Laclau, Levi-Strauss, Marx, Saussure and Zizek, the book also provides a distinctive version of the poststructuralist project.

David Howarth and Peter Loedel provide a theoretically inspired account of the creation, design and operation of the European Central Bank. Issues explored include the theoretical approaches to the ECB, the antecedents of European monetary authority, the different national perspectives on central bank independence, the complex organization of the bank, the issues of accountability and the difficult first years of the ECB in operation.

This volume of essays employs discourse theory to analyses mainstream topics in contemporary European politics. Inspired by developments in post-structuralist, psychoanalytic and post-Marxist theory, each contributor problematizes a central issue in European governance, including European security, Third Way politics, constitutional and administrative reform, new forms of nationalism and populism, the shift from welfare to workfare, environmental politics and local government. Alongside these substantive issues, the book tackles questions raised by the difficulties of applying discourse theory to empirical cases.

David Howarth and Peter Loedel provide a theoretically inspired account of the creation, design and operation of the European Central Bank. Issues explored include the theoretical approaches to the ECB, the antecedents of European monetary authority, the different national perspectives on central bank independence, the complex organization of the bank, the issues of accountability and the difficult first years of the ECB in operation.

This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comedie-Francaise (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.