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Arguing against the critical commonplace that Evelyn Waugh's
post-war fiction represents a decline in his powers as a writer, D.
Marcel DeCoste offers detailed analyses of Waugh's major works from
Brideshead Revisited to Unconditional Surrender. Rather than
representing an ill-advised departure from his true calling as an
iconoclastic satirist, DeCoste suggests, these novels form a
cohesive, artful whole precisely as they explore the extent to
which the writer's and the Catholic's vocations can coincide. For
all their generic and stylistic diversity, these novels pursue a
new, sustained exploration of Waugh's art and faith both. As
DeCoste shows, Waugh offers in his later works an under-remarked
meditation on the dangers of a too-avid devotion to art in the
context of modern secularism, forging in the second half of his
career a literary achievement that both narrates and enacts a
contrary, and Catholic, literary vocation.
Arguing against the critical commonplace that Evelyn Waugh's
post-war fiction represents a decline in his powers as a writer, D.
Marcel DeCoste offers detailed analyses of Waugh's major works from
Brideshead Revisited to Unconditional Surrender. Rather than
representing an ill-advised departure from his true calling as an
iconoclastic satirist, DeCoste suggests, these novels form a
cohesive, artful whole precisely as they explore the extent to
which the writer's and the Catholic's vocations can coincide. For
all their generic and stylistic diversity, these novels pursue a
new, sustained exploration of Waugh's art and faith both. As
DeCoste shows, Waugh offers in his later works an under-remarked
meditation on the dangers of a too-avid devotion to art in the
context of modern secularism, forging in the second half of his
career a literary achievement that both narrates and enacts a
contrary, and Catholic, literary vocation.
The essays in this collection all treat in some way the
conservative's vision of society as it is variously manifested in
literary art, its scholarship, and its transmission through
classical modes of liberal learning. Responding in part to the
postmodernist turn in literary study, Literature and the
Conservative Ideal examines the ways in which conservatism has been
depicted in literature, as well as how its tendencies might restore
literature's potential as an artistic reflection of the universal
human condition.
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