Chemical Reactor Development is written primarily for chemists and chemical engineers who are concerned with the development of a chemical synthesis from the laboratory bench scale, where the first successful experiments are performed, to the design desk, where the first commercial reactor is conceived. It is also written for those chemists and chemical engineers who are concerned with the further development of a chemical process with the objective of enhancing the performance of an existing industrial plant, as well as for students of chemistry and chemical engineering. In Part I, the how' and the why' of chemical reaction engineering are explained, particularly for those who are not familiar with this area. Part II deals with the effects of a number of physical phenomena on the outcome of chemical reactions, such as micro and meso-mixing and residence time distribution, mass transfer between two phases, and the formation of another phase, such as in precipitations. These scale-dependent effects are not only important in view of the conversion of chemical reactions, but also with regard to the selectivity, and in the case of solid products, to their morphology. In Part III, some applications are treated in a general way, including organic syntheses, the conversion and formation of inorganic solids, catalytic processes and polymerizations. The last chapter gives a review of the importance of the selectivity for product quality and for the purity of waste streams. For research chemists and chemical engineers whose work involves chemical reaction engineering. The book is also suitable as a supplementary graduate text.

Chemical Reactor Development is written primarily for chemists and chemical engineers who are concerned with the development of a chemical synthesis from the laboratory bench scale, where the first successful experiments are performed, to the design desk, where the first commercial reactor is conceived. It is also written for those chemists and chemical engineers who are concerned with the further development of a chemical process with the objective of enhancing the performance of an existing industrial plant, as well as for students of chemistry and chemical engineering. In Part I, the how' and the why' of chemical reaction engineering are explained, particularly for those who are not familiar with this area. Part II deals with the effects of a number of physical phenomena on the outcome of chemical reactions, such as micro and meso-mixing and residence time distribution, mass transfer between two phases, and the formation of another phase, such as in precipitations. These scale-dependent effects are not only important in view of the conversion of chemical reactions, but also with regard to the selectivity, and in the case of solid products, to their morphology. In Part III, some applications are treated in a general way, including organic syntheses, the conversion and formation of inorganic solids, catalytic processes and polymerizations. The last chapter gives a review of the importance of the selectivity for product quality and for the purity of waste streams. For research chemists and chemical engineers whose work involves chemical reaction engineering. The book is also suitable as a supplementary graduate text.

Arnold's extremely demanding oeuvre, in which he combines orchestral brilliance with his sense of syntactic compositional unity, easily overcomes the prejudicial barriers of serious and light music. Perhaps Arnold's life is portrayed in his works like no other British composer's. Arnold's music is full of energy, but can turn lightness into the deepest melancholy; its musical intensity makes it almost impossible not to be touched by it. His compositions underline the charisma of his personality. Author Raphael Thne has analysed in depth the symphonic music of Sir Malcolm Arnold (1921-2006), drawing conclusions from available, as well as newly accessible, sources and created a new wider image of this great British composer. He reveals Arnold's composition aesthetics and identifies possible influences (such as Mahler and Sibelius) by providing clear music-theory-orientated evidence. For the first time, Arnold's oeuvre is here scientifically categorised within the British contemporary classical music-movement of the 20th and 21st centuries. Raphael D. Thne (* 1980) obtained a degree in Composition (Musikhochschule Dsseldorf, Germany) and Music Theory (Folkwang Hochschule Essen, Germany) and was a scholarship recipient and studied Film Scoring and Composition at the Berklee College of Music, Boston (USA). He also received a PhD in Musicology at the University of Music and Performing Arts and the University of Vienna, Austria, writing his PhD thesis on Sir Malcolm's symphonic music. As an active composer, orchestrator and pianist, Thoene received commissions for the Orchesterakademie NRW, the International Contemporary Music Festival Ensemblia in 2005 and the Niederrheinischer Musikherbst in2006. He orchestrates film and theatre music, is the author of the musical "Culture," and co-author of the chamber-opera "Der Herr Gevater" (staged in Saarbrcken, Dsseldorf and Munich).