This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.

The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.

What happens when two women love the same man? This is the first book to examine female rivalry as a distinctive theme in women's fiction and to analyze the female-identified erotic triangle, where two women are rivals for the same man, as a narrative pattern which has a special resonance for inter-war women writers. Focusing on five key writers, Diana Wallace offers a reconsideration of inter-war women's writing and an examination of the links and rivalries between women writers themselves.

Open the pages of so many children's classics—Stuart Little, Charlotte's Web, Mister Dog, The Cricket in Times Square, The Rescuers, the Little House books—and you will see page after page of the artistry that brought those stories to life. And behind the illustrations sparking the imagination of generations was a man who had an extraordinary existence. Born in New York City in 1912, Williams was educated in England and trained on the continent. After enduring the Blitz in London, he returned to New York, where he encountered the vibrant art and cultural scene of the 1940s. He made his home first in New York, then Aspen, and finally Guanajuato, Mexico and was married four times. During his life he met people who shaped and exemplified the twentieth century: Winston Churchill, E. B. White and Ursula Nordstrom, Laura Ingalls Wilder, and countless more. This is a biography of Garth Williams as an artist and an illustrator. It is the story of how his journey led him from winning sculpture awards at the Royal College of Art in London, to capturing the essence of frontier life in the American West, to rendering the humanity of beloved animal characters. The biography also explores the historical context that affected Williams' life and art, both in the old world and the new. Against the frenetic pace of post-war suburbanization, Williams' illustrations nurtured a connection with the animal world and with a vanishing agrarian life. By tapping into American themes, Williams spoke to a postwar yearning for simplicity. Complete with more than 60 illustrations, this is the first full biography of Garth Williams written with the help and cooperation of his family.

This book recovers places appearing in the mental mapping of medieval and Renaissance writers, from Chaucer to Aphra Behn.
A highly original work, which recovers the places that figure powerfully in premodern imagining.
Recreates places that appear in the works of Langland, Chaucer, Dante, Petrarch, Spenser, Shakespeare, Aphra Behn, and many others.
Begins with Calais - peopled by the English from 1347 to 1558 and ends with Surinam - traded for Manhattan by the English in 1667.
Other particular locations discussed include Flanders, Somerset, Genoa, and the Fortunate Islands (Canary Islands).
Includes fascinating anecdotes, such as the story of an English merchant learning love songs in Calais.
Provides insights into major historical narratives, such as race and slavery in Renaissance Europe.
Crosses the traditional divide between the medieval and Renaissance periods.

This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

This book recovers places appearing in the mental mapping of medieval and Renaissance writers, from Chaucer to Aphra Behn.
A highly original work, which recovers the places that figure powerfully in premodern imagining.
Recreates places that appear in the works of Langland, Chaucer, Dante, Petrarch, Spenser, Shakespeare, Aphra Behn, and many others.
Begins with Calais - peopled by the English from 1347 to 1558 and ends with Surinam - traded for Manhattan by the English in 1667.
Other particular locations discussed include Flanders, Somerset, Genoa, and the Fortunate Islands (Canary Islands).
Includes fascinating anecdotes, such as the story of an English merchant learning love songs in Calais.
Provides insights into major historical narratives, such as race and slavery in Renaissance Europe.
Crosses the traditional divide between the medieval and Renaissance periods.

In 1958 100 women were written up in the literature with endometriosis on the lung causing it to fill up with fluid and collapse. The catamenial pneumothorax was considered extremely rare. Now record numbers of women in 2005 have been diagnosed with this disease, and still many physicians and women, have never heard of it.