Possibly THE book of the tank during the Great War
This is a very substantial and important book. Quite simply, anyone interested in the history of tank warfare should read and own it for it is essential. It was written by a British tank commander of the Great War who has given us a comprehensive account of tanks as machines and tanks at war. First, it is an account of the creation and development of the tank. Second, it describes the war of the tank in all its theatres of operation including the Western Front, the Middle East and including the French and German forces. Third, it provides an insight into armaments, armour, maintenance, breakdown and battle damage recovery and into many aspects of keeping an early armoured squadron operational. Fourth, it offers an excellent history of the engagements of British tanks and, finally, it is a brilliant eyewitness account of the tank of the Great War in action-from one who was personally involved-including much battle description, dialogue and anecdotal incident. A successful book in every way.

Possibly THE book of the tank during the Great War
This is a very substantial and important book. Quite simply, anyone interested in the history of tank warfare should read and own it for it is essential. It was written by a British tank commander of the Great War who has given us a comprehensive account of tanks as machines and tanks at war. First, it is an account of the creation and development of the tank. Second, it describes the war of the tank in all its theatres of operation including the Western Front, the Middle East and including the French and German forces. Third, it provides an insight into armaments, armour, maintenance, breakdown and battle damage recovery and into many aspects of keeping an early armoured squadron operational. Fourth, it offers an excellent history of the engagements of British tanks and, finally, it is a brilliant eyewitness account of the tank of the Great War in action-from one who was personally involved-including much battle description, dialogue and anecdotal incident. A successful book in every way.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the « self as a societal « construction and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of « self, but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms.

This stimulating new book challenges Freud's definition of the uncanny, prevalent in the study of Gothic and Romantic fiction, by reviving the importance of uncertainity in the uncanny. Literary criticism views the uncanny as an expression of the return of the repressed. Falkenberg's expanded definition includes, but is not limited to, the psychoanalytic and instead redefines the uncanny as a cognitive and aesthetic phenomenon. Beyond offering a survey of what David Punter has called « The Theory of the Uncanny, this study places the uncanny in the context of the poetological and philosophical background of the Romantic period. In close readings of two stories that have stood at the center of the debate about the uncanny--E.T.A. Hoffmann's « Sandman and Ludwig Tieck's « Blond Eckbert--the author shows how these texts are constructed as uncanny phenomena in themselves. The study traces fairytale elements, framing techniques, and interdependencies between the fictional; productions of the protagonists and their « dark fates to expose how these texts confront the reader with paradoxical decoding instructions. This expanded and revised uncanny not only yields new readings of two classic German short stories, it also leads to a better understanding of the cultural soil that nourished the Romantic Movement.

John Stuart Mill's Utilitarianism continues to serve as a rich source of moral and theoretical insight. This collection of articles by top scholars offers fresh interpretations of Mill's ideas about happiness, moral obligation, justice, and rights. Applying contemporary philosophical insights, the articles challenge the conventional readings of Mill, and, in the process, contribute to a deeper understanding of utilitarian theory as well as the complexity of moral life.

John Stuart Mill's Utilitarianism continues to serve as a rich source of moral and theoretical insight. This collection of articles by top scholars offers fresh interpretations of Mill's ideas about happiness, moral obligation, justice, and rights. Applying contemporary philosophical insights, the articles challenge the conventional readings of Mill, and, in the process, contribute to a deeper understanding of utilitarian theory as well as the complexity of moral life.

W.G. Sebalds Nach der Natur. Ein Elementargedicht wurde 1988 mit sechs schwarz-weiss Fotografien des Munchener Kunstlers Thomas Becker publiziert. Erst Sebalds spatere Werke Schwindel. Gefuhle (1990), Die Ausgewanderten. Vier lange Erzahlungen (1992), Die Ringe des Saturn. Eine englische Wallfahrt (1995) und Austerlitz (2001) erregten die Aufmerksamkeit der kritischen OEffentlichkeit. Jedoch handelt es sich bei Nach der Natur - im handwerklichsten Sinne - um das Meisterstuck des Autors. Dieses Buch setzt sich in einer konkreten und textnahen Betrachtung mit dem Gedicht Nach der Natur auseinander. Im speziellen hat es sich diese Arbeit zur Aufgabe gemacht, die unzahligen - teils versteckten, teils offensichtlichen - Hinweise, die Sebald in das Gedicht eingebaut hat, literarisch einzuordnen und zu erlautern. Die Analyse folgt dabei der Chronologie des Gedichts. Zusatzlich sind die sechs Bilder von Thomas Becker, die Teil der ursprunglichen Publikation von Nach der Naturwaren, hier reproduziert.

When Germany lost its colonial empire after the Great War, many Germans were unsure how to understand this transition. They were the first Europeans to experience complete colonial loss, an event which came as Germany also wrestled with wartime collapse and foreign occupation. In this book the author considers how Germans experienced this change from imperial power to postcolonial nation. This work examines what the loss of the colonies meant to Germans, and it analyzes how colonialist categories took on new meanings in Germany's « post-colonial period. Poley explores a varied collection of materials that ranges from the stories of popular writer Hanns Heinz Ewers to the novels, essays, speeches, pamphlets, posters, and archival materials of nationalist groups in the occupied Rhineland to show how decolonization affected Germans. When the relationships between metropole and colony were suddenly severed, Germans were required to reassess many things: nation and empire, race and power, sexuality and gender, economics and culture.

This study of Rainer Maria Rilke (1875-1926) examines the poet's understanding of the malleable nature of identity, while addressing the question of Rilke's place in literary history. In line with contemporary literary theory which views the � self as a societal � construction and strategic narrative device, this study explores Rilke's preoccupations with identity in his work, as he investigates the disintegration of the subjective self in the modern world. Rilke's re-readings of the mythological figures of Orpheus and Narcissus in modern psychological terms, as well as in terms of traditional poetics, are keys not only to his poetics and his changing understanding of � self, but also to his evolving critique of society. This study tracks how Rilke's Orphic work disengages traditional patterns of perceptions, not only to challenge fidelity to history, but also to recover the power of traditional elements from that history to help articulate subjectivity in new terms.