The dramatic revelations of environmental catastrophe in the Soviet Union made during the late 1980s and early 1990s were a driving force behind reform in, and later the demise of the communist party-state. But while the Union no longer exists, the independent republics confront the same dilemmas that plagued the Soviet state: Will the goal of econ

The dramatic revelations of environmental catastrophe in the Soviet Union made during the late 1980s and early 1990s were a driving force behind reform in, and later the demise of the communist party-state. But while the Union no longer exists, the independent republics confront the same dilemmas that plagued the Soviet state: Will the goal of econ

Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. In the past decade, however, questions have been raised as to exactly what constitutes legal and ethical ownership of art and other cultural property. Some observers believe that art and ethnological materials should remain in source countries, and have lobbied for an end to art trading. Recent changes to U.S. law may curtail both private and public collecting. Contributors to "Who Owns the Past?" include legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, "Who Owns the Past?" challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources, and respect international concerns over loss of heritage.