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In the last two decades criticism of Gothic fiction has been
transformed from a scholarly backwater, interesting itself in
literary curiosities, to a wave of wide-ranging critical
investigations collectively convinced of the significance, scope
and centrality of the genre. Embracing recent developments in
critical theory and practice, work on Gothic has been able to
engage systematically and penetratingly with issues of gender,
history, race and politics, and so significantly extend the
parameters of the field. This collection brings together key works
which convey the breadth of what is understood to be Gothic, and
the ways in which it has produced, reinforced and undermined
received ideas about literature and culture. In addition to its
interests in the late eighteenth-century origins of the form, this
collection aims to anthologise what it takes to be path-breaking
essays on most aspects of Gothic production, including some of its
nineteenth, twentieth and twenty-first century manifestations
across a broad range of cultural media. Titles already available in
this series include Postcolonialism (2000, 5 volumes, GBP625) and
Feminism (2000, 4 volumes, GBP525). Forthcoming titles include
Urban Culture (September 2004, 4 volumes, GBP475) and Folklore
(2005, 5 volumes, c.GBP475).
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